Prints, Posters, Illustrations, Editorial Cartoons, and Comics
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Allen, Douglas. Frederic Remington and the Spanish American War. New York: Crown Publishing, 1971.
Amana, Harry. “The Art of Propaganda: Charles Alston’s World War II Editorial Cartoons for the Office of War Information and the Black Press.” American Journalism 21: 2 (Spring 2004): 79-111.
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Appleford, Simon James. “Offensive Weapons: Herblock and the Visual Rhetoric of Postwar Liberalism.” PhD dissertation, University of Illinois at Urbana-Champaign, 2014.
Arffman, Paivi. “Comics from the Underground: Publishing Revolutionary Comic Books in the 1960s and Early 1970s.” Journal of Popular Culture 52:1 (2019): 169-198.
Armitage, Shelley. John Held, Jr.: Illustrator of the Jazz Age. Syracuse: Syracuse University Press, 1987.
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Baker, Courtney. Humane Insight: Looking at Images of African American Suffering and Death. Urbana: University of Illinois Press, 2015.
Baker, Nicholson, and Margaret Brentano, eds. The World on Sunday: Graphic Art from Joseph Pulitzer’s Newspaper, 1898-1911. New York: Bullfinch Press, 2011.
Barnhill, Georgia B. “Business Practices of Commercial Nineteenth-Century American Lithographers.” Winterthur Portfolio 48 (Summer–Autumn 2014): 213–232.
Barrier, Michael. Funnybooks: The Improbable Glories of the Best American Comic Books. Berkeley: University of California Press, 2015.
Beaty, Bart. Twelve-Cent Archie. New Brunswick: Rutgers University Press, 2015.
Becker, Stephen. The Comic Art in America. New York: Simon and Schuster, 1959.
Benbow, Mark. “Wilson’s Cartoonist: Charles R. Macauley and the 1912 Election.” Journalism History 37:4 (Winter 2012): 218-227.
Benson, Thomas W. Posters for Peace: Visual Rhetoric and Civic Action. Philadelphia: University of Pennsylvania Press, 2015.
Benton, Mike. The Comic Book in America: An Illustrated History. Dallas, Taylor, 1989.
Bernhardt, Mark Alan. “Picturing the News: The Spectacle of Gender and Politics in the Pictorial Journalism of Crime and War, 1836–1935.” PhD dissertation, University of California- Riverside, 2006.
Best, James J. American Popular Illustration: A Reference Guide. Westport, Conn.: Greenwood, 1984.
Blackbeard, Bill, and Martin Williams, eds. The Smithsonian Collection of American Newspaper Comics. Washington DC: Smithsonian Institution Press and Harry N. Abrams, 1977.
Blackbeard, Bill. R.F. Outcault’s The Yellow Kid. Northampton, Mass.: Kitchensink Press, 1996.
Brandenburg, Hazel Crews. “The Evolution of a Cultural Icon: Currier & Ives and Twentieth-Century American Culture.” PhD dissertation, George Mason University, 2007.
Brentano, Margaret, and Nicholson Baker. The World on Sunday: Graphic Arts in Joseph Pulitzer’s Newspaper, 1898-1911. New York: Bulfinch, 2005.
Brislin, Tom. “Extra! The Comic Book Journalist Survives the Censors of 1955.” Journalism History 21:3 (Autumn 1995): 123-131.
Brod, Harry. Superman Is Jewish? How Comic Book Superheroes Came to Serve Truth, Justice, and the Jewish-American Way. New York: Free Press, 2012.
Brown, Joshua. “Frank Leslie’s Illustrated Newspaper: The Pictorial Press and the Representation of America, 1855-1889.” Ph.D. dissertation, Columbia University, 1993.
Brown, Joshua. Beyond the Lines: Pictorial Reporting, Everyday Life and the Crisis of Gilded Age America. Berkeley: University of California Press, 2002.
Brown, Joshua. “The Social and Sensational News of the Day: Frank Leslie, the Day’s Doings, and Scandalous Pictorial News in Gilded Age New York.” New York Journal of American History 66 (Fall 2003): 10-20.
Brown, Michael. “The Popular Art of American Magazine Illustration, 1885-1917.” Journalism History 24:3 (Autumn 1998): 94-103.
Brown, Michael. “Discriminating Photographs From Hand Drawn Illustrations in Popular Magazine, 1895-1904.” American Journalism 17:3 (2000): 15-30.
Brückner, Martin. “The Lithographed Map in Philadelphia: Innovation, Imitation, and Antebellum Consumer Culture.” Winterthur Portfolio 48 (Summer–Autumn 2014): 139–162.
Brunner, Edward. “Red Funnies: The New York Daily Worker’s ‘Popular Front’ Comics, 1936-1945. American Periodicals 17:2 (2007): 184-207.
Buhle, Paul, ed. Jews and American Comics: An Illustrated History of an American Art Form. New York: New Press, 2008.
Bunker, Gary L. “Antebellum Caricature and Women’s Sphere.” Journal of Women’s History 3 (Winter 1992): 6-43.
Burke, Chloe Serene. “Germs, Genes, and Dissent: Representing Radicalism as Disease in American Political Cartooning, 1877-1919.” PhD dissertation, University of Michigan, 2004.
Campbell, Mary, and Gordon Campbell. The Pen, not the Sword. Nashville: Aurora Publishing, 1971.
Carl, Leroy M. “Political Cartoons: Ink Blots of the Editorial Page.” Journal of Popular Culture 4:1 (Summer 1970): 39-45.
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Casswell, Lucy Shelton. “Edwina Dumm: Pioneer woman Editorial Cartoonist, 1915-1917.” Journalism History 15:1 (Spring 1988): 2-7.
Casswell, Lucy Shelton. “Drawing Swords: War in American Editorial Cartoons.” American Journalism 21: 2 (Spring 2004): 13-45.
Chase, John. Today’s Cartoon. New Orleans: Hauser Press, 1962.
Cohen, Kenneth. “‘Sport for Grown Children’: American Political Cartoons, 1790–1850.” International Journal of the History of Sport 28: 8/9 (2011): 1301–1318.
Cohen, Michael. “Cartooning Capitalism: Radical Cartooning and the Making of American Popular Radicalism in the Early Twentieth Century.” International Review of Social History 52 (2007): 35-58.
Cohen, Michael. “Imagining Militarism: Art Young and The Masses Face the Enemy.” Radical History Review 106 (Winter 2010): 87–108.
Cohn, Jan. Covers of the Saturday Evening Post: Seventy Years of Outstanding Illustration from America’s Favorite Magazine. New York: Viking, 2005.
Cole, Jean Lee. “Laughing Sam and Krazy Kats: The Black Comic Sensibility.” Canadian Review of American Studies47:3 2017): 373-402.
Condis, M., and M. Stanfill. “Debating With Wertham’s Ghost: Comic Books, Culture Wars, and Populist Moral Panics.” Cultural Studies 36:6 (2022): 953-980.
Costello, Matthew J. Secret Identity Crisis: Comic Books and the Unmasking of Cold War America. New York: Continuum, 2009.
Courperie, Pierre, and Maurice C. Horn. A History of the Comic Strip. New York: Crown, 1968.
Cutter, Martha J. The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852. Athens: University of Georgia Press, 2017.
Dauber, Jeremy. American Comics: A History. New York: W.W. Norton, 2021.
Davis, Blair. “All-Negro Comics and the Birth of Lion Man, the First African American Superhero.” Inks: The Journal of the Comics Studies Society 3:3 (Fall 2019): 273-297.
Davison, Nancy Reynolds. “E.W. Clay: American Political Caricaturist of the Jacksonian Era.” PhD dissertation, University of Michigan, 1980.
Deans Halloran, Fiona. Thomas Nast: The Father of Modern Political Cartoons. Chapel Hill: University of North Carolina Press, 2018.
DeForrest, Tim. Storytelling in the Pulps, Comics, and Radio: How Technology Changed Popular Fiction in America. Jefferson, NC: McFarland, 2004.
Dewey, Donald. The Art of Ill Will: The Story of American Political Cartoons. New York: New York University Press, 2007.
Dennis, Everette E., and Christopher Allen. “Puck: The Comic Weekly.” Journalism History 6:1 (Spring 1979): 2-7, 13.
Diffley, Kathleen. “Home on the Range: Turner, Slavery, and the Landscape Illustrations in Harper’s New Monthly Magazine, 1861-1876.” Prospects 14 (October 1989): 175-202.
Dobson, Nichola. Historical Dictionary of Animation and Cartoons. 2ed. Lanham: Rowman & Littlefield, 2021.
Downey, Fairfax. Portrait of an Era as Drawn by C.D. Gibson. New York: Scribner’s, 1936.
Doyle, Dennis. “We Didn’t Know You Were a Negro: Fredric Wertham and the Ironies of Race, Comic Books, and Juvenile Delinquency in the 1950s.” Journal of Social History 52:1 (Fall 2018): 153-179.
Duncan, Randy, and Matthew J. Smith. The Power of Comics: History, Form and Culture. New York: Continuum, 2009.
Elbert, Monika M. “Striking a Historical Pose: Antebellum Tableaux Vivants, Godey’s Illustrations, and Margaret Fuller’s Heroines.” New England Quarterly 75:2 (2002): 235-275.
Fischer, Roger A. Those Damned Pictures: Explorations on American Political Cartoon Art. North Haven, Conn.: Archon Books, 1996.
Fisher, Edwin, Mort Gerberg, and Ron Wolin. The Art of Cartooning: Seventy-five Years of American Magazine Cartoons. New York: Scribner’s, 1972.
Finch, Christopher. Norman Rockwell: 322 Magazine Covers. New York: Abbeville, 1979.
Fitzgerald, Richard. Art and Politics: Cartoonists of the Masses and Liberator. Westport, Conn.: Greenwood Press, 1973.
Franzen, Monica. Make Way! 200 Years of American Women in Cartoons. Chicago: Chicago Review Press, 1987.
Gambee, Budd Leslie. “Frank Leslie and His Illustrated Newspaper, 1855-1860.” PhD dissertation, University of Michigan, 1963.
Gamson, William A., and David Stuart. “Media Discourse as a Symbolic Contest: The Bomb in Political Cartoons.” Sociological Forum 7:1 (March 1992): 55-86.
Gentner, Robert. “With Great Power Comes Great Responsibility’: Cold War Culture and the Birth of Marvel Comics.” Journal of Popular Culture 40:6 (December 2007): 953-978.
Golden, Catherine. Reading Between the Lines: Victorian Art and Illustration. Saratoga Springs: Skidmore College, 1996.
Goldstein, Kalman. “Al Capp and Walt Kelly: Pioneers of Political and Social Satire in Comics.” Journal of Popular Culture 25 (Spring 1992): 81-95.
Goldstein, Nancy. Jackie Ormes: The First African American Woman Cartoonist. Ann Arbor: University of Michigan Press, 2019.
Goodnow, Trischa, and James J. Kimble, eds. The 10 Cent War: Comic Books, Propaganda, and World War II. Jackson: University of Mississippi Press, 2016.
Gordon, Ian. Comic Strips and Consumer Culture, 1890-1945. Washington DC: Smithsonian Institution Press, 1998.
Grunzke, Andrew. “Graphic Seduction: Anti-Homosexual Censorship of Comics in the Postwar Era.” Journal of American Culture 44:4 (December 2021): 300-317.
Grushkin, Paul D. The Art of Rock: Posters from Presley to Punk. New York: Abbeville Press, 1987.
Hales, Peter Bacon. “Illustrating Culture: Consensus and Conflict in the Nineteenth-Century American Picture Press.” Reviews in American History 32:2 (2004): 204-213.
Hall, Justin, ed. No Straight Lines: Four Decades of Queer Comics. Seattle: Fantagraphics Books, 2013.
Hall, Richard A. “The Captain America Conundrum: Issues of Patriotism, Race, and Gender in Captain America Comic Books, 1941–2001.” PhD dissertation, Auburn University, 2011.
Halloran, Fiona Deans. “The Power of the Pencil: Thomas Nast and American Political Art” PhD dissertation, University of California, Los Angeles, 2005.
Halloran, Fiona Deans. Thomas Nast: The Father of Modern Political Cartoons. Chapel Hill: University of North Carolina Press, 2013.
Hamilton, Sinclair. Early American Book Illustrators and Wood Engravers, 1670-1870. Princeton: Princeton University Press, 1968.
Hansen, Bert. “The Image and Advocacy of Public Health in American Caricature and Cartoons from 1860 to 1900.” American Journal of Public Health 87:11 (1997): 1798-1807.
Hansen, Bert. “Medical History for the Masses: How American Comic Books Celebrated the Heroes of Medicine in the 1940s.” Bulletin of the History of Medicine 78:1 (Spring 2004): 148-191.
Hardy, Charles, and Gail F. Stern, eds. Ethnic Images in the Comics. Philadelphia: Balch Institute for Ethnic Studies, 1986.
Harvey, Robert C. The Art of the Funnies: An Aesthetic History. Jackson: University Press of Mississippi, 1994.
Harvey, Robert C. Children of the Yellow Kid: The Evolution of the American Comic Strip. Seattle: University of Washington Press, 1999.
Hatfield, Charles. Alternative Comics: An Emerging Literature. Jackson: University Press of Mississippi, 2005.
Hatfield, Charles, and Bart Beaty, eds. Comics Studies: A Guidebook. New Brunswick: Rutgers University Press, 2020.
Havig, Alan. “Richard F. Outcault’s ‘Poor Lil Mose:’ Variations on the Black Stereotype in American Comic Art.” Journal of American Culture 11:1 (Spring 1988): 33-41.
Helfgott, Isadora. “Art in Life: Fashioning Political Ideology Through Visual Culture in Mid-Century America.” American Periodicals 20:2 (2010): 269-294.
Herbert, A.P. The Best Cartoons from “Punch.” New York: Simon and Schuster, 1952.
Hess, Stephen, and Milton Kaplan. The Ungentlemanly Art: A History of American Political Cartoons. New York: Macmillan, 1968.
Hess, Stephen, and Sandy Northrop. Drawn and Quartered: The History of American Political Cartoons. Montgomery, Ala.: Elliott & Clark Pub.,1996.
Hess, Stephen, and Sandy Northrop. American Political Cartoons: The Evolution of a National Identity. New Brunswick, NJ: Transaction, 2011.
Heyman, Therese. Posters American Style. Washington D.C.: National Museum of American Art, 1998.
Hind, Arthur M. An Introduction to the History of the Woodcut. New York: Dover, 1963.
Hirsch, Paul S. Pulp Empire: The Secret History of Comic Book Imperialism. Chicago: Univeristy of Chicago Press, 2021.
Horgan, Stephen H. “The Evolution of Daily Newspaper Illustrating.” Graphic Arts and Crafts Yearbook (1906): 223-235.
Holterhoff, Kate. “Illustrating White Cannibals in Harper’s Weekly: Adventure Fiction and Pictorial Journalism.” American Periodicals 31:2 (Fall 2021): 134-154.
Holtz, Allan. American Newspaper Comics: An Encyclopedic Reference Guide. Ann Arbor: University of Michigan Press, 2012.
Huff, P.J., and J.G. Lewin. Lines of Contention: Political Cartoons of the Civil War. Washington DC: Smithsonian Institution Press, 2007.
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Inge, M. Thomas. “Li’l Abner, Snuffy, Pogo, and Friends: The South in the American Comic Strip.” Southern Quarterly 48 (Winter 2011): 6–74.
Jeansonne, Glen. “Goldbugs, Silverites, and Satirists: Caricature and Humor in the Presidential Election of 1896.” Journal of American Culture 11:2 (Summer 1988): 1-8.
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Jones, Gerard. Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book. New York: Basic Books, 2004.
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Kidman, Shawna. Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood. Berkeley: University of California Press, 2020.
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Kiste Nyberg, Amy. Seal of Approval: The History of the Comics Code. Jackson: University Press of Mississippi, 1998.
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Kunzle, David. Father of the Comic Strip: Rodolphe Topffer. Jackson: University of Mississippi Press, 2007.
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