Photography and Photojournalism
Aletti, Vince. Issues: A History of Photography in Fashion Magazines. New York: Phaidon, 2019.
Allen, James, et al. Without Sanctuary: Lynching Photography in America. Santa Fe: Twin Palms, 2000.
Bacon Hales, Peter. Silver Cities: The Photography of American Urbanization, 1839-1915. Philadelphia: Temple University Press, 1984.
Baker, Courtney. Humane Insight: Looking at Images of African American Suffering and Death. Urbana: University of Illinois Press, 2015.
Barger, M. Susan and William B. White. The Daguerreotype: Nineteenth Century Technology and Modern Science. Washington: Smithsonian Institution Press, 1991.
Barnhurst, Kevin G., and John Nerone. “Civil Picturing vs. Realist Photojournalism: The Regime of Illustrated News, 1865-1901.” Design Issues 16:1 (Spring 2000): 59-79.
Batchen, Geoffrey, et al., eds. Picturing Atrocity: Photography in Crisis. London: Reaktion, 2012.
Baynes, Ken, ed. Scoop, Scandal and Strife: A Study of Photography in Newspapers. New York: Pantheon Books, 1971.
Beil, Kim. Good Pictures: A History of Popular Photography. Stanford: Stanford University Press, 2020.
Berger, Martin. Sight Unseen: Whiteness and American Visual Culture. Berkeley: University of California Press, 2005.
Berman, Bruce, and Mary M. Cronin. “The Photographer as Cultural Outsider: Russell Lee’s 1949 ‘Spanish-Speaking People of Texas’ Project.” Journalism History 40:4 (2015): 202-216.
Best, Makeda. Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America. College Station: Penn State University Press, 2020.
Bethune, Beverly M. “Things That Speak to the Eye: The Photographs of Charities, 1897–1909.” American Journalism 11, no. 3 (1994): 204–18.
Bezner, Lili C. Photography and Politics in America: From the New Deal into the Cold War. Baltimore: Johns Hopkins University Press, 1999.
Bisbee, A. The History and Practice of Daguerreotyping. Dayton: L.F. Clafin, 1853.
The Black Photographer, 1908-1970: A Survey. New York: James Van DerZee Institute, 1971.
Blair, Nadya. The Decisive Network: Magnum Photos and the Postwar Image Market. Berkeley: University of California Press, 2020.
Blair, Sara, Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. (Princeton: Princeton University Press, 2007.
Blair, Sara, and Eric Rosenberg. Trauma and Documentary Photography of the FSA. Berkeley: University of California Press, 2012.
Bolton, Richard, ed. The Conflict of Meaning: Critical Histories of Photography. Cambridge: MIT Press, 1989.
Bonanos, Christopher. Instant: The Story of Polaroid. Princeton: Princeton Architectural Press, 2012.
Bonanos, Christopher. Flash: The Making of Weegee the Famous. New York: Henry Holt, 2018.
Brayer, Elizabeth. George Eastman: A Biography. Baltimore: Johns Hopkins University Press, 1996.
Brennen, Bonnie. “Strategic Competition and the Photographer’s Work: Photojournalism in Gannett Newspapers, 1937–1947.” American Journalism 15, no. 2 (1998): 59–77.
Brennan, Bonnie. “Strategic Competition and the Value of Photographers’ Work: Photojournalism in Gannett Newspapers, 1937-1974.” American Journalism 15:2 (Spring 1998): 59-77.
Brennan, Bonnie, and Hanno Hardt, eds. Picturing the Past: Media, History, and Photography. Urbana: University of Illinois Press, 1999.
Brown, Elspeth H. The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884-1929. Baltimore: Johns Hopkins University Press, 2005.
Brown, Julie K. Making Culture Visible: The Public Display of Photography at Fairs, Expositions, and Exhibitions in the United States, 1847-1900. Amsterdam: Harwood, 2001.
Brown, Michael. “Discriminating Photographs from Hand-drawn Illustrations in Popular Magazines, 1895–1904.” American Journalism 17, no. 3 (2000): 15–30.
Buckland, Gail. Fox Talbot and the Invention of Photography. Boston: David R. Godine, 1980.
Buell, Hall. Moments: The Pulitzer Prize Photographs. New York: Black Dog and Leventhal, 1999.
Burroughs, Henry D. Close-ups of History: Three Decades through the Lens of an AP Photographer. Columbia: University of Missouri Press, 2007.
Buse, Peter. The Camera Does the Rest: How Polaroid Changed Photography. Chicago: University of Chicago Press, 2016.
Bush, Alfred L., and Lee Clark Mitchell. The Photograph and the American Indian. Princeton: Princeton University Press, 1994.
Bussard, Katherine, et. al., eds. Life Magazine and the Power of Photography. Princeton: Princeton University Press, 2020.
Carlebach, Michael L. The Origins of Photojournalism in America. Washington DC: Smithsonian Institution Press, 1992. (pre-1880s period)
Carlebach, Michael L. American Photojournalism Comes of Age. Washington DC: Smithsonian Institution Press, 1997.
Cawthra, Benjamin. Blue Notes in Black and White: Photography and Jazz. Chicago: University of Chicago Press, 2011.
Chapnick, Howard. Truth Needs No Ally: Inside Photojournalism. Columbia: University of Missouri Press, 1994.
Ching Carter, Karen L. Photo-Essays About Asian American Women in Life Magazine, 1936 to 1965. Lanham: Rowman & Littlefield, 2021.
Coar, Valencia Hollins, ed. A Century of Black Photographers. Providence: Rhode Island School of Design, 1983.
Coe, Brian. The Birth of Photography: The Story of the Formative Years, 1800-1900. New York: Taplinger Publishing Co., 1976.
Coe, Brian. George Eastman and the Early Photographers. London: Priory Press, 1973.
Coleman, A.D. Depth of Field: Essays on Photography, Mass Media, and Lens Culture. Albuquerque: University of New Mexico Press, 1998.
Collins, Kathleen, ed. Shadow and Substance: Essays in the History of Photography. Bloomfield Hills, Mich.: Amorphous Institute Press, 1990.
Cook, Susan E. Victorian Negatives: Literary Culture and the Dark Side of Photography in the Nineteenth Century. New York: SUNY Press, 2020.
Cookman, Claude H. A Voice is Born: The Founding and Early Years of the National Press Photographers Association. Durham, NC: National Press Photographers Association, 1985.
Coopersmith, Jonathan. “From Lemons to Lemonade: The Development of the AP Wirephoto.” American Journalism 17:4 (Fall 2000): 55-72.
Currell, Sue. “You Haven’t Seen Their Faces: Eugenic National Housekeeping and Documentary Photography in 1930s America.” Journal of American Studies 51:2 (2017): 481-511.
Curtis, James. Mind’s Eye, Mind’s Truth: FSA Photography Reconsidered. Philadelphia: Temple University Press, 1989.
Dance, Robert, and Bruce Robertson. Ruth Harriet Louise and Hollywood Glamour Photography. Berkeley: University of California Press, 2002.
Daniel, Pete, et al. Official Images: New Deal Photography. Washington DC: Smithsonian Institution Press, 1987.
Darrah, William Culp. Stereo Views: A History of Stereographs in America and Their Collection. Gettysburg, PA: Times and News Publishing, 1958.
Davis, Caitlin S. “Lee Miller: Photographer of War.” PhD dissertation, Rutgers University, 2005.
Davis, Melody D. “Doubling the Vision. Women and Narrative Stereography: The United States, 1870–1910.” PhD dissertation, City University of New York, 2004.
Dejardin, Fiona M. “The Photo League: Left-wing Politics and the Popular Press.” History of Photography 18:2 (1994): 159-173.
Delmez, Kathryn E. We Shall Overcome: Press Photographs of Nashville during the Civil Rights Era. Nashville: Frist Art Museum, 2018.
Denny, Margaret. “Image Makers, Picture Takers: Illinois Women Photographers, 1850–1900.” Journal of Illinois History 10 (Summer 2007): 133–56.
Denny, Margaret H. “From Commerce to Art: American Women Photographers 1850–1900.” PhD dissertation, University of Illinois, Chicago, 2010.
Dinius, Marcy J. The Camera and the Press: American Visual and Print Culture in the Age of the Daguerreotype. Philadelphia: University of Pennsylvania Press, 2012.
Doherty, Robert J. Social-Documentary Photograph in the USA. New York: Amphoto, 1976.
Dolan, Julia K. “‘I Will Take You into the Heart of Modern Industry’: Lewis Hine’s Photographic Interpretation of the Machine Age.” PhD dissertation, Boston University, 2009.
Earle, Edward W., ed. Points of View: The Stereograph in America- A Cultural History. Rochester, NY: Visual Studies Workshop Press, 1979.
Eastman, Max. Journalism Versus Art. New York: Knopf, 1916.
Edwards, Elizabeth. The Camera as Historian: Amateur Photographers and Historical Imagination, 1885-1918. Durham: Duke University Press, 2012.
Evans, Jennifer V. “Seeing Subjectivity: Erotic Photography and the Optics of Desire.” American Historical Review118:2 (April 2013): 430-462.
Ezickson, Aaron Jacob. Get That Picture! The Story of the News Cameraman. New York: National Library Press, 1938.
Faas, Horst: Requiem: By the Photographers who Died in Vietnam and Indochina. New York: Random House, 1997.
Faber, John. Great Moments in News Photography. New York: Thomas Nelson and Sons, 1960.
Finnegan, Cara A. Picturing Poverty: Print Culture and FSA Photographs. Washington: Smithsonian Institution, 2003.
Finnegan, Cara A. Making Photography Matter: A Viewer’s History from the Civil War to the Great Depression. Urbana: University of Illinois Press, 2015.
Finnegan, Cara A. Photographic Presidents: Making History from Daguerreotype to Digital. Urbana: University of Illinois Press, 2021.
Foresta, Merry A. Secrets of the Dark Chamber: The Art of the American Daguerreotype. Washington DC: Smithsonian Institution Press, 1995.
Fox-Amato, Matthew. Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America. New York: Oxford University Press, 2019.
Friedman, Joseph S. History of Color Photography. New York: Focal Press, 1968.
Fulton, Marianne, ed. The Eyes of Time: Photojournalism in America. Boston: Little, Brown, 1988.
Gersheim, Helmut. A Concise History of Photography. London: Thames and Hudson, 1965.
Gidal, Tim N. Modern Photojournalism: Origins and Evolution, 1910-1933. New York: Macmillan, 1973.
Gillespie, Sarah Kate. The Early American Daguerreotype: Cross-Currents in Art and Technology. Cambridge: MIT Press, 2016.
Gold, Matthew K. “The Culture of Proof: Science, Religion, and Photography in America, 1780–1875.” PhD dissertation, City University of New York, 2006.
Goldberg, Vicki, ed. Photography in Print: Writings From 1816 to the Present. Albuquerque: University of New Mexico Press, 1981.
Goldberg, Vicki. Margaret Bourke-White: A Biography. New York: Harper and Row, 1986.
Goldberg, Vicki. The Power of Photography: How Photographs Changed Our Lives. New York: Abbeville Press, 1991.
Goldberg, Vicki, and Robert Silberman. American Photography, A Century of Images. San Francisco: Chronicle Books, 1999.
Good, Katie Day. “Listening to Pictures: Converging Media Histories and the Multimedia Newspaper.” Journalism Studies 18:6 (June 2017): 691-709.
Goodyear, Frank Henry III. “Constructing a National Landscape: Photography and Tourism in Nineteenth Century America.” Phd dissertation, University of Texas-Austin, 1998.
Gordon, Linda. Dorothea Lange: A Life Beyond Limits. New York: Norton, 2010.
Gordon, Tammy S. The Mass Production of Memory: Travel and Personal Archiving in the Age of Kodak. Amherst: University of Massachusetts Press, 2020.
Graham, Cooper C., and Ron van Dopperen. “Edwin F. Weigle: Cameraman for the Chicago Tribune.” Film History 22:4 (December 2010): 389-407.
Green, Jonathan. A Critical History of American Photography. New York: Abrams, 1984.
Grunder, Sarah Lucinda. “The Spectacle of Citizenship: Halftones, Print Media, and Constructing Americanness, 1880–1940.” PhD dissertation, College of William and Mary, 2010.
Guimond, James. American Photography and the American Dream. Chapel Hill: University of North Carolina Press, 1991.
Gustavson, Todd. Camera: A History of Photography From Daguerreotype to Digital. New York: Fall River Press, 2009. Mostly a photo history of cameras
Guthrie, Jason Lee. “Ill-Protected Portraits: Matthew Brady and Photographic Copyright.” Journalism History 45:2 (2019): 135-156.
Hales, Peter Bacon. Silver Cities: The Photography of American Urbanization, 1839-1915. Philadelphia: Temple University Press, 1984.
Hales, Peter Bacon. William Henry Jackson and the Transformation of the American Landscape. Philadelphia: Temple University Press, 1988.
Hannigan, William, and Ken Johnston. Picture Machine: The Rise of American News Pictures. New York: Abrams, 2004.
Hansom, Paul. “All Consuming Modernism: The Photo Essay and American Historical Consciousness.” PhD dissertation, University of Southern California, 1999.
Hariman, Robert, and John Louis Lucaites. No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press, 2008.
Harris, John M. “America’s Vision of War: A History of Combat Photography in the United States as Seen through Three Images.” PhD dissertation, University of Washington, 2011.
Hauptman, Jodi. “FLASH! The Speed Graphic Camera.” Yale Journal of Criticism 11:1 Spring 1998): 129-137.
Hausman, Carl. “George Eastman: 100 Years of a Marketable Camera.” Media History Digest 8:2 (Fall-Winter 1988): 2-7.
Henisch, Heinz K. and Bridget A. Henisch. The Photographic Experience 1839-1914: Images and Attitudes. University Park: Penn State University Press, 1994.
Hicks, Wilson. Words and Pictures: An Introduction to Photojournalism. New York: Harper and Brothers, 1952. (LIFE photographer)
Hill, Jason E. Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture. Berkeley: University of California Press, 2017.
Hill, Jason E., and Vanessa R. Schwartz, eds. Getting the Picture: The Visual Culture of News. New York: Routledge, 2015.
Hodgson, Pat. Early War Photographs. Boston: New York Graphic Society, 1974.
Holiday, Steven, and Dale Cressman. “What Deepest Remains: How Photojournalistic Mutualism Between Robert Capa and Elmer W. Lower Shaped Modern Concepts of World War II.” American Journalism 33:4 (2016): 442-464.
Holloway, David, and John Beck, eds. American Visual Cultures. New York: Continuum, 2005.
Horan, James D. Matthew Brady: Historian With a Camera. New York: Crown, 1955.
Heron, Liz and Val Williams, eds. Illuminations: Woman Writing on Photography From the 1850s to the Present. Durham: Duke University Press, 1996.*
Holly, Michael A. Past Looking: Historical Imagination and the Rhetoric of the Image. Ithaca: Cornell University Press, 1996.
Hostetler, Lisa, and Katherine A. Bussard. Color Rush: American Color Photography from Stieglitz to Sherman. New York: Aperture, 2013.
Hughes, Jim. W. Eugene Smith, Shadow and Substance: The Life and Work of an American Photographer. New York: McGraw-Hill, 1989.
Hurley, F. Jack. Portrait of a Decade: Roy Stryker and the Development of Documentary Photography in the Thirties. Baton Rouge: Louisiana State University Press, 1972.
Jacob, Marc, and Richard Cahan. Chicago Under Glass: Early Photographs from the Chicago Daily News. Chicago: University of Chicago Press, 2007.
Jenkins, Harold F. Two Points of View: The History of the Parlor Stereoscope. Elmira, NY: World in Color Productions, 1957.
Jenkins, Reese V. Images and Enterprise: Technology and the American Photographic Industry, 1839-1925. Baltimore: Johns Hopkins University Press, 1975.
Jenkins, Reese V. “Technology and the Market: George Eastman and the Origins of Mass Amateur Photography.” in Technology and American History, Stephen H. Cutcliffe and Terry S. Reynolds, eds., Chicago: University of Chicago Press, 1997.
Jensen, Robin E., Erin F. Doss, and Rebecca Ivic, “Metaphorical Invention in Early Photojournalism: New York Times Coverage of the 1876 Brooklyn Theater Fire and the 1911 Shirtwaist Factory Fire.” Critical Studies in Media Communication 28 (October 2011): 334–352.
Johnson, William S. Nineteenth Century Photography: An Annotated Bibliography. Boston: G.K. Hall and Co., 1990.
Johnston, Patricia, ed. Seeing High & Low: Representing Social Conflict in American Visual Culture. Berkeley: University of California Press, 2006.
Jussim, Estelle. Visual Communication and the Graphic Arts: Photographic Technologies of the Nineteenth Century. New York: Bowker, 1983.
Kahan, Robert S. “The Antecedents of American Photojournalism.” Ph.D. dissertation, University of Wisconsin, 1969.
Kahan, Robert S., and J.B. Colson. “More than Art: P.H. Emerson as a Nineteenth Century Photojournalism Pioneer.” Journalism Quarterly 63:1 (Spring 1986): 75-82.
Kainen, Jacob. “The Development of the Halftone Screen.” Annual Report of the Smithsonian Institution 1951. Washington DC: Smithsonian, 1952.
Kaplan, John. “The Life Magazine Civil Rights Photography of Charles Moore.” Journalism History 25:4 (Autumn 1999): 126-39.
Kasher, Steven. The Civil Rights Movement: A Photographic History. New York: Abbeville Press, 1996.
Keating, Patrick. “Artifice and Atmosphere: The Visual Culture of Hollywood Glamour Photography, 1930-1935.” Film History 29:3 (Fall 2017): 105-135.
Kelbaugh, Ross J. Introduction to Civil War Photography. Gettysburg: Thomas Publications, 1991.
Kies, Emily B. “The City and the Machine: Urban and Industrial Illustration in America, 1880-1900.” PhD dissertation, Columbia University, 1971.
Kinkaid, James C. Press Photography. Boston: American Photographic, 1936.
Kismaric, Susan. American Politicians: Photography From 1845-1993. New York: Museum of Modern Art, 1994.
Klein, Mason, ed. Modern Look: Photography and the American Magazine. New Haven: Yale University Press, 2020.
Kornfeld, Phoebe. Passionate Publishers: The Founders of Black Star Photo Agency. New York: Archway Books, 2021.
Kubie, Oenone. “Reading Lewis Hine’s Photography of Child Street Labor, 1906-1918.” Journal of American Culture50:4 (2016): 873-897.
Lange, Dorothea. Impounded: Dorothea Lange and the Censored Images of Japanese-American Internment. New York: Norton, 2008.
Larson, Judy L., ed. The Graphic Arts and the South. Fayetteville: University of Arkansas Press, 1993.*
Leekley, Sheryle, and John Leekley. Moments: The Pulitzer Prize Photographs. New York: Crown, 1978.
Leonardi, Nicoletta, and Simone Natale, eds. Photography and Other Media in the Nineteenth Century. Phildelphia: University of Pennsylvania Press, 2018.
Lewinski, Jorge. The Camera at War: A History of War Photography from 1848 to the Present Day. New York: Simon & Schuster, 1980.
Lewis, Kathryn L. “Imaging the Early Cold War: Photographs in Life Magazine, 1945-1954.” PhD dissertation, Virginia Commonwealth University, 2015.
Leonardi, Nicoletta, and Simone Natale, eds. Photography and Other Media in the Nineteenth Century. Penn State University Press, 2018.
Lichtenstein, Alex. Margaret Bourke-White and the Dawn of Apartheid. Bloomington: Indiana University Press, 2016.
Loengard, John. Life Photographers: What They Saw. Boston: Bullfinch, 1998.
Lothrop, Eaton S. A Century of Cameras. Dobbs Ferry, NY: Morgan and Morgan, 1973.
Linfield, Susie. The Cruel Radiance: Photography and Political Violence. Chicago: University of Chicago Press, 2010
McEuen, Melissa A. Seeing America: Women Photographers Between the Wars. Lexington: University Press of Kentucky, 1961.
McCabe, Linda Rose. The Beginnings of the Halftone. Chicago: Inland Printer, 1924.
McDaniel, Colleen. Picturing Faith: Photography and the Great Depression. New Haven: Yale University Press, 2004.
McGivena, Leo E. The News: The First Fifty Years of New York’s Picture Newspaper. New York: News Syndicate, 1969.
Macieski, Robert M. Picturing Class: Lewis W. Hine Photographs Child Labor in New England. Amherst: University of Massachusetts Press, 2015.
Maimon, Vered. Singular Images, Failed Copies: William Henry Fox Talbot and the Early Photograph. Minneapolis: University of Minnesota Press, 2015.
Masur, Louis P. The Soiling of Old Glory: The Story of a Photograph that Shocked America. New York: Bloomsbury, 2008.
Melterzer, Milton. Dorothea Lange: A Photographer’s Life. New York: Farrar Straus Giroux, 1978.
Mendelson, Andrew. “Slice-of-Life Moments as Visual Truth: Normal Rockwell, Feature Photography, and American Values in Pictorial Journalism.” Journalism History 29:4 (Winter 2004): 166-178.
Mendelson, Andrew L., and Carolyn Kitch. “Creating a Photographic Record of World War I: “Real History” and Recuperative Memory in Stereography.” Journalism History 37: 3 (Fall 2011): 142-150.
Mensel, Robert E. “Kodakers Lying in Wait: Amateur Photography and the Right to Privacy in New York, 1885-1915.” American Quarterly 43:1 (March 1991): 24-45.
Michal, Eileen M. “Picture-Loving: Photomechanical Reproduction and Celebrity in America’s Gilded Age.” PhD dissertation, University of Chicago, 2008.
Miller, Russell. Magnum: The Story of the Legendary Photo Agency. New York: Dial Press, 1997.
Moeller, Susan D. Shooting War: Photography and the American Experience of Combat. New York: Basic Books, 1989.
Moments in Time: 60 Years of Associated Press News Photos. New York: The Associated Press, 1993.
Mommonier. Mark. Maps With the News. Chicago: University of Chicago Press, 1989.
Moutoussamy-Ashe, Jeanne. Viewfinders: Black Women Photographers. New York: Dodd, Mead, 1986.
Mydans, Carl. More Than Meets the Eye. Westport: Greenwood Press, 1974.
Mydans, Carl. Carl Mydans: Photojournalist. New York: Abrams, 1985.
Natanson, Nicholas. The Black Image in the New Deal: The Politics of FSA Photography. Knoxville: University of Tennessee Press, 1992.
Nemerov, Alexander. Soulmaker: The Times of Lewis Hine. Princeton: Princeton University Press, 2016.
Newhall, Beaumont. The Daguerreotype in America. New York: Duell, Sloan & Pearce, 1961.
Newhall, Beaumont. The History of Photography from 1839 to the Present. New York: Museum of Modern Art, 1982.
Norback, Craig T., and Melvin Gray, eds. The World’s Great News Photos, 1840-1980. New York: Crown Publishers, 1980.
Ohrn, Karin Becker. Dorthea Lange and the Documentary Tradition. Baton Rouge: Louisiana State University Press, 1980.
Oliver, Marc. “George Eastman’s Modern Stone-Age Family: Snapshot Photography and the Brownie.” Technology and Culture 48 (January 2007): 1–19.
Orvell, Miles. “Weegee’s Voyeurism and the Mastery of Urban Disorder.” American Art 6:1 (Winter 1992): 18-41.
Ostman, Ronald E., and Harry Littell. Margaret Bourke-White: The Early Work, 1922-1930. Boston: David R. Godine, 2005.
Panzer, Mary. Matthew Brady and the Image of History. Washington: Smithsonian Institution Press, 1997.
Panzer, Mary. Things As They Are: Photojournalism in Context since 1955. New York: Aperture, 2005.
Peterson, Larry. “Photography and the Pullman Strike: Remolding Perceptions of Labor Conflict by New Visual Communication,” in The Pullman Strike and the Crisis of the 1890s: Essays on Labor and Politics, eds. Richard Schneirov, Shelton Stromquist, and Nick Salvatore (Urbana: University of Illinois Press, 1999.
Pegler-Gordon, Anna. In Sight of America: Photography and the Development of U.S. Immigration Policy. Berkeley: University of California Press, 2009.
Phillips, David Clayton. “Art for Industry’s Sake: Halftone Technology, Mass Photography and the Social Transformation of American Print Culture, 1880-1920.” Ph.D. Dissertation, Yale University, 1996.
Pierce, Paula M. “Frances Benjamin Johnson: Mother of American Photojournalism.” Media History Digest 5 (Winter 1985): 54.
Pope, Norris. “The Reception of Kodachrome Sheet Film in American Commercial Photography.” Technology & Culture61:1 (January 2020): 1-41.
Pratt, David. The Photographic Eye of Ben Shahn. Cambridge: Harvard University Press, 1973.
Quirke, Carol. “Camera Work: News Photography and America’s Working Class, 1919–1950.” Phd dissertation, City University of New York, 2005.
Quirke, Carol. Eyes on Labor: News Photography and America’s Working Class. New York: Oxford University Press, 2012.
Raeburn, John. A Staggering Revolution: A Cultural History of Thirties Photography. Urbana: University of Illinois Press, 2006.
Raetzsch, Christoph. “Real Pictures of Current Events: The Photographic Legacy of Journalistic Objectivity.” Media History 21:3 (August 2015): 294-312.
Reinhardt, Mark, Holly Edwards, and Erina Duganne, eds. Beautiful Suffering: Photography and the Traffic in Pain. Chicago: University of Chicago Press, 2007.
Rhode, Robert B., and Floyd H. McCall. Press Photography: Reporting with a Camera. New York: Macmillan, 1961.
Rice, Stephen P. “Photography in Engraving on Wood: On the Road to the Halftone Revolution,” Common-Place 7 (April 2007), http://www.common-place.org.
Rogers, Molly. Delia’s Tears: Race, Science, and Photography in Nineteenth-Century America. New Haven: Yale University Press, 2010.
Rohrbach, John. Color: American Photography Transformed. Austin: University of Texas Press, 2013.
Rosenblum, Naomi. A History of Women Photographers. New York: Abbeville Press, 1994.
Rosenheim, Jeff L. Photograpyh and the American Civil War. New York: Museum of Modern Art, 2013.
Rothstein, Arthur. Photojournalism: Pictures of Magazines and Newspapers. Philadelphia: Chilton, 1965.
Ruby, Jay. The World of Francis Cooper: Nineteenth-Century Philadelphia Photographer. University Park: Penn State University Press, 1999.
Rudisill, Richard. Mirror Image: The Influence of the Daguerreotype on American Society. Albuquerque: University of New Mexico Press, 1971.
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Sandweiss, Martha. Print the Legend: Photography and the American West. New Haven: Yale University Press, 2002.
Scholnick, Robert J. “Scribner’s Monthly and the Pictorial Representation of Life and Truth in Post Civil War America.” American Periodicals 1:1 (Fall 1991): 46-69.
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Schuneman, R. Smith. “The Photograph in Print: An Examination of New York Daily Newspapers, 1890-1937.” Ph.D. dissertation, University of Minnesota, 1966.
Schwalbe, Carol B. “Images of Brutality: The Portrayal of U.S. Racial Violence in News Photographs Published Overseas (1957-1963)” American Journalism 23:4 (2006): 93-116.
Severa, Joan L. My Likeness Taken: Daguerreian Portraits in America. Kent: Kent State University Press, 2005.
Sheehan, Tanya. Study in Black and White: Photography, Race, Humor. State College: Penn State University Press, 2019.
Smith, C. Zoe. “Black Star Picture Agency: Life’s European Connection.” Journalism History 13:1 (Spring 1986): 19-25.
Smith, Shawn Michele. American Archives: Gender, Race, and Class in Visual Culture. Princeton: Princeton University Press, 1999.
Smith, Shawn Michelle. Photography on the Color Line: W.E.B. DuBois, Race, and Visual Culture. Durham: Duke University Press, 2004.
Smith, Shawn Michelle, and Maurice O. Wallace, eds. Pictures and Progress: Early Photography and the Making of African American Identity. Durham: Duke University Press, 2012.
Snow, Rachel. “Tourism and American Identity: Kodak’s Conspicuous Consumers Abroad.” Journal of American Culture 31 (March 2008): 7–19. Special Issue. Heavily illustrated.
Sontag, Susan. On Photography. New York: Farrar, Straus, and Giroux, 1977.
Spencer, Otha B. “Twenty Years of Life: A Study to Time, Inc.’s Picture Magazine and its Contributions to Photojournalism.” PhD dissertation, University of Missouri, 1958.
Spruill, Larry Hawthorne. “Southern Exposure: Photography and the Civil Rights Movement, 1955-1968.” PhD dissertation, State University of New York- Stony Brook, 1983.
Stallabrass, Julian. Killing For Show: Photography, War, and the Media in Vietnam and Iraq. Lanham: Rowman & Littlefield, 2021.
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Trotti, Michael Ayers. “Murder Made Real: The Visual Revolution of the Halftone.” Virginia Magazine of History and Biography 111:4 (2003): 379-410.
Troyano, Joan Fragaszy. “Visualizing a Nation: Photographs, European Immigration, and American Identity, 1880–1980.” PhD dissertation, George Washington University, 2011.
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Wade, Walter Patrick. “A Degree of Disillusion: News Media, Photojournalism, and Visual Narratives of the Vietnam War.” PhD dissertation, Northwestern University, 2013.
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Welch, Shawn. “A Working Faith: Social Gospel Theology, Pragmatism, and Jacob Riis’s Consecration of the Camera.” Journal of American Culture 44:3 (September 2021): 210-222.
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Willis, Deborah, ed. Picturing Us: African American Identity in Photography. New York: New Press, 1994.
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