Music and Sound in Film
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Abel, Richard, and Rick Altman. The Sounds of Early Cinema. Bloomington: Indiana University Press, 2001.
Altman, Rick. Silent Film Sound. New York: Columbia University Press, 2007.
Bandy, Mary Lea, ed. The Dawn of Sound. New York: Museum of Modern Art, 1989.
Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. New York: Oxford University Press, 1995.
Cameron, Evan William, ed. Sound and the Cinema: The Coming of Sound to American Film. Pleasantville, NY: Redgrave, 1980.
Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution. New York: Simon & Schuster, 1997.
Faulkner, Robert R. Hollywood Studio Musicians: Their Work and Careers in the Recording Industry. Chicago: Aldine and Atherton, 1971.
Gabbard, Krin. Jammin’ at the Margins: Jazz and the American Cinema. Chicago, University of Chicago Press, 1996.
Gomery, Douglas. The Coming of Sound to American Cinema: A History of the Transformation of an Industry. Madison: University of Wisconsin Press, 1975.
Lastra, James. Sound Technology and the American Cinema: Perception, Representation, Modernity. New York: Columbia University Press, 2000.
Meckna, Michael. “Louis Armstrong in the Movies, 1931–1969.” Popular Music and Society 29 (July 2006): 359–73.
Smith, Jeff. The Sounds of Commerce: Marketing Popular Film Music. New York: Columbia University Press, 1998.
Snelson, Tim. “They’ll Be Dancing in the Aisles: Youth Audiences, Cinema Exhibition, and the Mid-1930s Swing Boom.” Journal of Film, Radio, and Television 37:3 (2017): 455-474.
Spring, Katherine. “”To Sustain Illusion is All That is Necessary”: The Authenticity of Song Performance in Early American Sound Cinema.” Film History: An International Journal 23, no. 3 (2011): 285-299.
Spring, Katherine. Saying It with Songs: Popular Music and the Coming of Sound to Hollywood Cinema. New York: Oxford: Oxford University Press, 2013.
Stanfield, Peter. Body and Soul: Jazz and Blues in American Film, 1927-63. Urbana: University of Illinois Press, 2005.
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