{"id":194,"date":"2021-09-18T01:37:01","date_gmt":"2021-09-18T01:37:01","guid":{"rendered":"https:\/\/mupages.marshall.edu\/sites\/masscommhistorybibliography\/?page_id=194"},"modified":"2025-08-08T22:40:54","modified_gmt":"2025-08-08T22:40:54","slug":"television","status":"publish","type":"page","link":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/television\/","title":{"rendered":"Television"},"content":{"rendered":"\n<p>This list contains mostly studies of the television industry, the development of broadcast news, and cultural history of some entertainment programming.&nbsp; It doesn&#8217;t deal much with TV stars and producers, or audience analysis.<\/p>\n\n\n\n<p><a href=\"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/2021\/09\/17\/hello-world\/\">Back to Index Page<\/a><\/p>\n\n\n\n<p>Abernathy-Lear, Gloria.&nbsp;&nbsp;\u201cAfrican Americans\u2019 Criticisms Concerning African American Representations on Daytime Serials.\u201d&nbsp;<em>Journalism and Mass Communication Quarterly<\/em>&nbsp;71:4 (1994): 830-839.<\/p>\n\n\n\n<p>Abramson, Albert.&nbsp;&nbsp;<em>The History of Television, 1880 to 1941<\/em>.&nbsp; Jefferson, NC: McFarland, 1987.<\/p>\n\n\n\n<p>Adams, William C.,&nbsp;ed.&nbsp;&nbsp;<em>Television Coverage of International Affairs<\/em>.&nbsp;&nbsp;Norwood, NJ:&nbsp;Ablex, 1982.<\/p>\n\n\n\n<p>Ackerman, Colin.&nbsp;&nbsp;\u201cPublic or Private Interest? The History and Impacts of Children\u2019s Television Public Policy in the United States, 1934 to Present.\u201d&nbsp;&nbsp;<em>Journal of the History of Childhood and Youth<\/em>&nbsp;12:2 (Spring 2019): 285-304.<\/p>\n\n\n\n<p>Adler, Richard, and Douglass Cater, eds.&nbsp;<em>Television as a Cultural Force<\/em>. New York: Praeger, 1976.<\/p>\n\n\n\n<p>Alexander, Alison, Louise M. Benjamin, Keisha Hoerrner, and Darrell Roe.&nbsp;&nbsp;\u201cWe\u2019ll Be Back in a Moment: A Content Analysis of Advertisements in Children\u2019s Television in the 1950s.\u201d&nbsp;<em>Journal of Advertising<\/em>&nbsp;27:3 (Fall 1998): 1-9.<\/p>\n\n\n\n<p>Allen, Craig.&nbsp;&nbsp;\u201cNews Conferences on TV: Ike Age Politics Revisited.\u201d&nbsp;<em>Journalism Quarterly<\/em>&nbsp;70:1 (1993): 13-25.<\/p>\n\n\n\n<p>Allen, Craig M.&nbsp;&nbsp;<em>News is People: The Rise of Local Television News and the Fall of News&nbsp;From&nbsp;New York<\/em>.&nbsp; Ames: Iowa State University Press, 2001.<\/p>\n\n\n\n<p>Allen, Craig. \u201cGender Breakthrough Fit for a Focus Group: The First Women Newscasters and Why They Arrived in Local TV News.\u201d&nbsp;<em>Journalism History<\/em>&nbsp;28:4 (Winter 2003): 154-162.<\/p>\n\n\n\n<p>Allen, Robert C.&nbsp;&nbsp;<em>Speaking of Soap Operas<\/em>.&nbsp;&nbsp;Chapel Hill: University of North Carolina Press, 1985.<\/p>\n\n\n\n<p>Altheide, David L.&nbsp;&nbsp;<em>Creating Reality: How TV News Distorts Events<\/em>.&nbsp;&nbsp;Beverly Hills, Cal.: Sage, 1976.<\/p>\n\n\n\n<p>Anderson, Christopher.&nbsp;&nbsp;<em>Hollywood TV: The Studio System in the Fifties<\/em>.&nbsp;&nbsp;Austin: University of Texas Press, 1994.<\/p>\n\n\n\n<p>Anderson, J. Kent.&nbsp;<em>Television Fraud: The History and Implications of the Quiz Show Scandals<\/em>. New York: Praeger, 1979.<\/p>\n\n\n\n<p>Arlen, Michael J.&nbsp;&nbsp;<em>The Camera Age<\/em>.&nbsp; New York: FSG, 1981.&nbsp;&nbsp;&nbsp;&nbsp;Arlen published several collections of his&nbsp;<em>New Yorker<\/em>&nbsp;television criticism that are also insightful.<\/p>\n\n\n\n<p>Armstrong, Jennifer Keishin.&nbsp;&nbsp;<em>When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today<\/em>. New York: Harper Collins, 2021.<\/p>\n\n\n\n<p>Aubin, Stephen P.&nbsp;&nbsp;<em>Distorting Defense: Network News and National Security<\/em>. Westport, Conn.:&nbsp;Praeger, 1998.<\/p>\n\n\n\n<p>Auletta, Ken.&nbsp;&nbsp;<em>Three Blind Mice: How the TV Networks Lost Their Way<\/em>.&nbsp; New York: Random House, 1991.<\/p>\n\n\n\n<p>Auten, Philip J., and Douglas A. Boyd.&nbsp;&nbsp;\u201cDumont: The Original Fourth Network.\u201d&nbsp;&nbsp;<em>Journal of Popular Culture&nbsp;<\/em>29:3 (Winter 1995): 63-83.<\/p>\n\n\n\n<p>Baird, David A. \u201cAn Emerging Emphasis on Image: Early Press Coverage of Politics and Television.\u201d&nbsp;<em>American Journalism<\/em>&nbsp;20:4 (2003): 13-31.<\/p>\n\n\n\n<p>Ballard-Reisch, Deborah.&nbsp;&nbsp;\u201c<em>China Beach<\/em>&nbsp;and&nbsp;<em>Tour of Duty<\/em>: American Television and Revisionist History of the Vietnam War.\u201d&nbsp;<em>Journal of Popular Culture<\/em>&nbsp;25:3 (Winter 1991): 135-149.<\/p>\n\n\n\n<p>Bannister, Jennifer Burton.&nbsp; &#8220;From Laboratory to Living Room: The Development of Television in the United States, 1920-1960.&#8221; Ph.D. dissertation, Purdue University, 2001.<\/p>\n\n\n\n<p>Barbree, Jay.<em>&nbsp;Live from Cape Canaveral: Covering the Space Race, from Sputnik to Today.&nbsp;<\/em>Washington DC:<em>&nbsp;<\/em>Smithsonian Books, 2007.<\/p>\n\n\n\n<p>Barfield, Ray.&nbsp;&nbsp;<em>A Word from Our Viewers: Reflections from Early Television Audiences<\/em>.&nbsp;&nbsp;Westport, CT:&nbsp;Praeger, 2008.<\/p>\n\n\n\n<p>Barkin, Steve M.&nbsp;&nbsp;\u201cEisenhower\u2019s Television Planning Board: An Unwritten Chapter in the History of Political Broadcasting.\u201d&nbsp;<em>Journal of Broadcasting<\/em>&nbsp;27:4 (1983): 319-331.<\/p>\n\n\n\n<p>Barkin, Steve M.&nbsp;&nbsp;<em>American Television News: The Media Marketplace and the Public Interest<\/em>.&nbsp;&nbsp;New York: Routledge, 2003.<\/p>\n\n\n\n<p>Barnouw, Erik.&nbsp;<em>The Image Empire: A History of Broadcasting in the United States&nbsp;From&nbsp;1953.&nbsp;<\/em>&nbsp;New York: Oxford University Press, 1970.<\/p>\n\n\n\n<p>Barnouw, Erik.&nbsp;<em>Tube of Plenty: The Evolution of American Television.&nbsp;<\/em>New York: Oxford University Press, 1975.<\/p>\n\n\n\n<p>Barnouw, Eric.&nbsp;&nbsp;\u201cBlacklisted: How FCC Commissioner Clifford&nbsp;Durr&nbsp;Earned&nbsp;his Place on the Cold War\u2019s Roll of Honor.\u201d&nbsp;&nbsp;<em>Television Quarterly<\/em>&nbsp;28:2 (1996): 60-66.<\/p>\n\n\n\n<p>Baughman, James L.\u00a0 \u201cThe National Purpose and the Newest Medium: Liberal Critics of Television, 1958-1960.\u201d\u00a0\u00a0<em>Mid-America<\/em>\u00a064:2 (April-July 1982): 41-55.<\/p>\n\n\n\n<p>Baughman, James L. \u201cTelevision in the \u2018Golden Age\u2019: An Entrepreneurial Experiment.\u201d\u00a0<em>The Historian<\/em>\u00a047, no. 2 (1985): 175\u2013195.<\/p>\n\n\n\n<p>Baughman, James L.&nbsp;&nbsp;<em>Television\u2019s Guardians: The FCC and the Politics of Programming, 1958-1967.&nbsp;<\/em>Knoxville: University of Tennessee Press, 1985.<\/p>\n\n\n\n<p>Baughman, James L.&nbsp; &#8220;Television in the Golden Age: An Entrepreneurial Experiment.&#8221;&nbsp;<em>Historian<\/em>&nbsp;42 (February 1985).<\/p>\n\n\n\n<p>Baughman, James L.&nbsp;<em>The Republic of Mass Culture: Journalism, Filmmaking and Broadcasting in America&nbsp;Since&nbsp;1941.<\/em>&nbsp;3rd Edition.&nbsp;<em>&nbsp;<\/em>Baltimore: Johns Hopkins University Press, 2006.<\/p>\n\n\n\n<p>Baughman, James L<em>.&nbsp;&nbsp;Same Time, Same Station: Creating American Television, 1948-1961<\/em>.&nbsp;&nbsp;Baltimore: Johns Hopkins University Press, 2007.<\/p>\n\n\n\n<p>Baughman, James L. \u201cShow Business in the Living Room: Management Expectations for American Television, 1947-56.\u201d&nbsp;<em>Business and Economic History<\/em>&nbsp;26:2 (Winter 1997): 718-726.<\/p>\n\n\n\n<p>Beadle, Mary E., and Michael D.&nbsp;&nbsp;Murray,&nbsp;eds.&nbsp;&nbsp;<em>Indelible Images: Women of Local Television<\/em>.&nbsp;&nbsp;Ames: Iowa State University Press, 2001.<\/p>\n\n\n\n<p>Becher, Ron. \u201cHear-See Radio in the World of Tomorrow: RCA and the Presentation of Television at the World\u2019s Fair, 1939-40.\u201d&nbsp;&nbsp;<em>Historical Journal of Film, Radio, and Television&nbsp;<\/em>21:4 (2001): 361-378.<\/p>\n\n\n\n<p>Becker, Christine.&nbsp;&nbsp;<em>It\u2019s the Pictures That Got Small: Hollywood\u2019s Film Stars on 1950s Television<\/em>.&nbsp; Middletown: CT: Wesleyan University Press, 2008.<\/p>\n\n\n\n<p>Beltran, Mary.&nbsp;&nbsp;<em>Latino TV: A History<\/em>.&nbsp;&nbsp;New York: NYU Press, 2022.<\/p>\n\n\n\n<p>Bennett, David Stephen.&nbsp;&nbsp;\u201cThe Televised Revolution: \u2018Progressive\u2019 Television Coverage of the 1960 New Orleans School Desegregation Crisis.\u201d&nbsp;&nbsp;<em>Louisiana History<\/em>&nbsp;58:3 (Summer 2017): 339-365.<\/p>\n\n\n\n<p>Bergreen, Laurence.&nbsp;&nbsp;<em>Look Now, Pay Later: The Rise of Network Broadcasting<\/em>. Garden City, NY: Doubleday, 1980.<\/p>\n\n\n\n<p>Berke, Annie.&nbsp;&nbsp;<em>Their Own Best Creations: Women Writers in Postwar Television<\/em>. Berkeley: University of California Press, 2022.<\/p>\n\n\n\n<p>Berkman, Dave.&nbsp;&nbsp;\u201cLet\u2019s Sightsee Radiovision- TV Terms That Didn\u2019t Last.\u201d&nbsp;<em>Journalism Quarterly&nbsp;<\/em>63:3 (1986): 626-627.<\/p>\n\n\n\n<p>Berkowitz, Edward D.&nbsp;<em>Mass<\/em>&nbsp;<em>Appeal: The Formative Age of the Movies, Radio, and TV.<\/em>&nbsp;New York: Cambridge University Press, 2010.<\/p>\n\n\n\n<p>Bernhard, Nancy E.&nbsp;<em>US Television News and Cold War Propaganda, 1947-1960.&nbsp;<\/em>New York: Cambridge University Press, 1999.<\/p>\n\n\n\n<p>Bernhardt, Mark. &#8220;American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms.&#8221;&nbsp;<em>Journal of Cinema and Media Studies<\/em>&nbsp;62, no. 4 (2023): 9-32.<\/p>\n\n\n\n<p>Besen, Stanley, and Bridger Mitchell.&nbsp;&nbsp;\u201cWatergate and Television: An Economic Analysis.\u201d&nbsp;<em>Communication Research<\/em>&nbsp;3:3 (1976): 243-260.<\/p>\n\n\n\n<p>Bibb, Porter.&nbsp;&nbsp;<em>It&nbsp;Ain&#8217;t&nbsp;As&nbsp;Easy&nbsp;as it Looks: Ted Turner&#8217;s Amazing Story<\/em>.&nbsp; New York, Crown, 1993.<\/p>\n\n\n\n<p>Blair, Gwenda.&nbsp;&nbsp;<em>Almost Golden: Jessica&nbsp;Savitch&nbsp;and the Selling of Television News<\/em>.&nbsp; New York: Simon and Schuster, 1988.<\/p>\n\n\n\n<p>Bliss, Edward, Jr.,&nbsp;ed.&nbsp;&nbsp;<em>In Search of Light: The Broadcasts of Edward R. Murrow, 1938-1961<\/em>.&nbsp; New York: Knopf, 1967.<\/p>\n\n\n\n<p>Bliss, Edward Jr.&nbsp;&nbsp;<em>Now the News: The Story of Broadcast Journalism<\/em>.&nbsp; New York: Columbia University Press, 1991.<\/p>\n\n\n\n<p>Bluem, A. William.&nbsp;&nbsp;<em>Documentary in American Television: Form, Function, Method<\/em>.&nbsp; New York: Hastings House, 1965.<\/p>\n\n\n\n<p>Boddy, William.&nbsp;&nbsp;<em>Fifties Television: The Industry and Its Critics.&nbsp;&nbsp;<\/em>Urbana: University of Illinois Press, 1990.<\/p>\n\n\n\n<p>Boddy, William. \u201cThrills Sweep Like Electric Currents Through Multitudes: Spectacle, Sociality, and Media Competition in Mid-Century America.\u201d&nbsp;<em>Historical Journal of Film, Radio, and Television&nbsp;<\/em>41:3 (2021): 354-377.<\/p>\n\n\n\n<p>Bodroghkozy,&nbsp;Aniko.&nbsp;<em>Groove Tube: Sixties Television and the Youth Rebellion.&nbsp;<\/em>Durham: Duke University Press, 2001.<\/p>\n\n\n\n<p>Bodroghkozy,&nbsp;Aniko.<em>&nbsp;Equal Time: Television and the Civil Rights Movement.<\/em>&nbsp;Urbana: University of Illinois Press, 2012.<\/p>\n\n\n\n<p>Bodroghkozy,&nbsp;Aniko.&nbsp;&nbsp;\u201cBlack Weekend: A Reception History of Network Television News and the Assassination of John F. Kennedy.\u201d&nbsp;&nbsp;<em>Television and New Media<\/em>&nbsp;14:6 (November 2013): 560-578.<\/p>\n\n\n\n<p>Bodroghkozy, Aniko, ed.&nbsp;&nbsp;<em>A Companion to the History of American Broadcasting<\/em>.&nbsp;&nbsp;Malden: Wiley-Blackwell, 2018.<\/p>\n\n\n\n<p>Bodroghkozy, Aniko.&nbsp;&nbsp;\u201cPolitical Satire,&nbsp;<em>That Was the Week That Was<\/em>, and the Assassination of John F. Kennedy.\u201d&nbsp;<em>Television and New Media<\/em>&nbsp;22:8 (December 2021): 859-877.<\/p>\n\n\n\n<p>Bogart, Leo.&nbsp;&nbsp;<em>The Age of Television: A Study of Viewing Habits and the Impact of Television on American Life<\/em>.&nbsp;&nbsp;New York: Frederick Unger, 1958.<\/p>\n\n\n\n<p>Bogart, Leo.&nbsp;&nbsp;<em>The Age of Television<\/em>.&nbsp; New York: Frederick&nbsp;Ungar, 1972.<\/p>\n\n\n\n<p>Bogle, Donald.&nbsp;&nbsp;<em>Primetime Blues: African Americans and Network Television<\/em>.&nbsp;&nbsp;New York: FSG, 2001.<\/p>\n\n\n\n<p>Bor, Stephanie E.&nbsp;&nbsp;\u201cLucy\u2019s Two Babies: Framing the First Televised Depiction of Pregnancy.\u201d&nbsp;<em>Media History<\/em>&nbsp;19:4 (November 2013): 464-478.<\/p>\n\n\n\n<p>Boulton, Mark. \u201cSending the Extremists to the Cornfield: Rod Serling\u2019s Crusade Against Radical Conservatism.\u201d&nbsp;<em>Journal of Popular Culture<\/em>&nbsp;47:6): 2014: 1226-1244.<\/p>\n\n\n\n<p>Bowser, Robert.&nbsp;&nbsp;<em>Television and the Public<\/em>.&nbsp;&nbsp;New York: Holt, Rinehart and Winston, 1973.<\/p>\n\n\n\n<p>Boyer, Peter J.&nbsp;&nbsp;<em>Who Killed CBS?&nbsp; The Undoing of America&#8217;s Number One News Network<\/em>.&nbsp; New York: St. Martin&#8217;s, 1988.<\/p>\n\n\n\n<p>Bratslavsky, Lauren. \u201cBroadcast History Gaps When Archival Material Exists: Inserting Peg Lynch and <em>Ethyl and Albert<\/em> into Sitcom History.\u201d&nbsp;<em>Journal of 20<sup>th<\/sup>&nbsp;Century Media History<\/em>&nbsp;1:1 (2023): 46-72.<\/p>\n\n\n\n<p>Breed, Warren, and James R. De Foe. \u201cDrinking and Smoking on Television, 1950-1982.\u201d&nbsp;<em>Journal of Public Health Policy<\/em>&nbsp;5, no. 2 (1984): 257\u201370.<\/p>\n\n\n\n<p>Brinson, Susan L.&nbsp;&nbsp;<em>The Red Scare, Politics, and the Federal Communication Commission, 1941-1960<\/em>.&nbsp;&nbsp;Westport:&nbsp;Praeger, 2004.<\/p>\n\n\n\n<p>Bronstein, Phoebe.&nbsp;&nbsp;\u201cSouthern Projections: Black Television Hosts, Madison Avenue, and Nationalizing the South in 1950s Primetime.\u201d&nbsp;<em>Television &amp; New Media<\/em>&nbsp;23:3 (2022): 219-234.&nbsp;<\/p>\n\n\n\n<p>Brook, Vincent.&nbsp;&nbsp;\u201cThe Americanization of Molly: How Mid-Fifties Television Homogenized&nbsp;<em>The Goldbergs<\/em>.\u201d&nbsp;<em>Cinema Journal<\/em>&nbsp;38:4 (Summer 1999): 533-551.<\/p>\n\n\n\n<p>Brooks, Tim.&nbsp;&nbsp;<em>The Blackface Minstrel Show in Mass Media: 20<sup>th<\/sup>&nbsp;Century Performances on Radio, Records, Film, and Television<\/em>.&nbsp;&nbsp;Jefferson: McFarland, 2019.<\/p>\n\n\n\n<p>Brown, Les.&nbsp;&nbsp;<em>Television: The Business&nbsp;Behind&nbsp;the Box<\/em>.&nbsp;&nbsp;New York: Harcourt, Brace, Jovanovich, 1971.<\/p>\n\n\n\n<p>Brundson, Charlotte.&nbsp;&nbsp;<em>Screen Tastes: From Soap Opera to Satellite Dish<\/em>.&nbsp;&nbsp;New York: Routledge, 1997.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Bryant, Jennings, ed.&nbsp;&nbsp;<em>Television and the American Family<\/em>.&nbsp;&nbsp;Hillsdale, NJ: Erlbaum, 1990.<\/p>\n\n\n\n<p>Bullart, B.J.&nbsp;&nbsp;<em>Public Television: Politics and the Battle Over Documentary Film<\/em>. New Brunswick: Rutgers University Press, 1997.<\/p>\n\n\n\n<p>Bullock, Katherine. \u201cOrientalism on Television: A Case Study of&nbsp;<em>I Dream of Jeannie<\/em>.\u201d&nbsp;<em>ReOrient<\/em>&nbsp;4, no. 1 (2018): 4\u201323.<\/p>\n\n\n\n<p>Burns, Gary.&nbsp;&nbsp;\u201cVisualizing 1950s Hits on&nbsp;<em>Your Hit Parade<\/em>.\u201d&nbsp;<em>Popular Music<\/em>&nbsp;17:2 (May 1998): 139-152.<\/p>\n\n\n\n<p>Burns, Eric.&nbsp;&nbsp;<em>Invasion of the Mind Snatchers: Television\u2019s Conquest of America in the Fifties<\/em>.&nbsp;&nbsp;Philadelphia: Temple University Press, 2010.<\/p>\n\n\n\n<p>Butler, Monica L. \u201c\u2018Guardians of the Indian Image\u2019: Controlling Representations of Indigenous Cultures in Television.\u201d&nbsp;<em>American Indian Quarterly<\/em>&nbsp;42, no. 1 (2018): 1\u201342.<\/p>\n\n\n\n<p>Burroughs, Todd Steven. \u201cKerner\u2019s Other Black Explosion: The Chapter 15 Mandate and the Birth of New York\u2019s Black Public Affairs Programming, 1967-68.\u201d&nbsp;<em>Howard Journal of Communication&nbsp;<\/em>30:4 (2019): 355-370.<\/p>\n\n\n\n<p>Butler, Bethonie.&nbsp;&nbsp;<em>Black TV: Five Decades of Groundbreaking Television from Soul Train to Black-ish and Beyond<\/em>.&nbsp;&nbsp;New York: Black Dog &amp; Leventhal, 2024.<\/p>\n\n\n\n<p>Butler, Monica L.&nbsp;&nbsp;\u201cGuardians of the Indian Image\u2019: Controlling Representations of Indigenous Cultures in Television.\u201d&nbsp;<em>The American Indian Quarterly<\/em>&nbsp;42:1 (Winter 2018): 1-42.<\/p>\n\n\n\n<p>Buzenberg, Susan and Bill, eds.&nbsp;&nbsp;<em>Salant<\/em><em>, CBS, and the Battle for the Soul of Broadcast Journalism<\/em>.&nbsp;&nbsp;Boulder: Westview Press, 1999.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Byung&nbsp;Joon&nbsp;Lee.&nbsp;&nbsp;\u201cAttacking the Airwaves: How Television Changed the American Presidential Campaign.\u201d&nbsp;&nbsp;<em>New England Journal of History<\/em>&nbsp;73:1 (Fall 2016): 1-27.<\/p>\n\n\n\n<p>Cailteaux, Karen Sue.&nbsp;&nbsp;\u201cThe Political Blacklist in the Broadcasting Industry: The Decade of the 1950s.\u201d PhD dissertation, Ohio State University, 1972.<\/p>\n\n\n\n<p>Calhoun, Claudia.&nbsp;&nbsp;<em>Only the Names Have Been Changed:<\/em>&nbsp;Dragnet<em>, the Police Procedural, and Postwar Culture<\/em>.&nbsp;&nbsp;Austin: University of Texas Press, 2022.<\/p>\n\n\n\n<p>Campbell, Angus, Gerald Gurin, and Warren E. Miller. \u201cTelevision and the Election.\u201d&nbsp;<em>Scientific American<\/em>&nbsp;188, no. 5 (1953): 46\u201352.<\/p>\n\n\n\n<p>Campbell, Kathryn B. \u201cTrying Television: WKOW-TV in the 1950s.\u201d&nbsp;<em>American Journalism<\/em>&nbsp;18, no. 2 (2001): 83\u2013102.&nbsp; (Madison, Wis. station)<\/p>\n\n\n\n<p>Campbell, Richard.&nbsp;&nbsp;<em>60 Minutes and the News: A Mythology for Middle America<\/em>.&nbsp; Urbana: University of Illinois Press, 1991.<\/p>\n\n\n\n<p>Capo, James A.&nbsp; \u201cNetwork Watergate Coverage Patterns in Late 1972 and Early 1973.\u201d&nbsp;&nbsp;<em>Journalism Quarterly<\/em>&nbsp;60 (1983): 595-602.<\/p>\n\n\n\n<p>Capsuto, Steven.&nbsp;&nbsp;<em>Alternate Channels: The Uncensored Story of Gay and Lesbian Images on Radio and Television, 1930s to the Present<\/em>.&nbsp; New York:&nbsp;Ballentine&nbsp;Books, 2000.<\/p>\n\n\n\n<p>Carstarphen, Meta, and John Sanchez, eds.&nbsp;&nbsp;<em>American Indians and Mass Media<\/em>. Norman: University of Oklahoma Press, 2012.<\/p>\n\n\n\n<p>Cassata, Mary, and Thomas Skill.&nbsp;&nbsp;<em>Life on Daytime Drama: Tuning in American Serial Drama<\/em>.&nbsp;&nbsp;Norwood, NJ:&nbsp;Ablex, 1983.<\/p>\n\n\n\n<p>Cassidy, Marsha F.&nbsp;&nbsp;\u201cVisible Storytellers: Women Narrators on 1950s Daytime Television.\u201d&nbsp;<em>Style<\/em>&nbsp;35:2 (Summer 2001): 354-374.<\/p>\n\n\n\n<p>Cassidy, Marsha F.&nbsp;&nbsp;<em>What Women Watched: Daytime Television in the&nbsp;1950s.<\/em>&nbsp; Austin: University of Texas Press, 2005.<\/p>\n\n\n\n<p>Castleman, Harry, and Walter J.&nbsp;Podrazik.&nbsp;&nbsp;<em>Watching TV: Four Decades of American Television<\/em>.&nbsp; New York: McGraw-Hill, 1982.<\/p>\n\n\n\n<p>Cater, Douglass, and Richard Adler,&nbsp;eds.&nbsp;&nbsp;<em>Television as a Social Force<\/em>. Westport, Conn.:&nbsp;Praeger, 1975.<\/p>\n\n\n\n<p>Cerulo, Karen A. \u201cTelevision, Magazine Covers, and the Shared Symbolic Environment: 1948-1970.\u201d&nbsp;<em>American Sociological Review<\/em>&nbsp;49, no. 4 (1984): 566\u2013570.<\/p>\n\n\n\n<p>Cheers, Imani M.&nbsp;&nbsp;<em>The Evolution of Black Women in Television: Mammies, Matriarchs, and Mistresses<\/em>.&nbsp;&nbsp;New York: Routledge, 2017.<\/p>\n\n\n\n<p>Chisholm, Bradley F.&nbsp;&nbsp;\u201cThe CBS Color Television Venture: A Study of Failed Innovation in the Broadcasting Industry.\u201d&nbsp;&nbsp;PhD dissertation, University of Wisconsin, 1987.<\/p>\n\n\n\n<p>Chunovic, Louis.&nbsp;<em>&nbsp;One Foot on the Floor: The Curious Evolution of Sex on Television from&nbsp;I&nbsp;Love Lucy to South Park.&nbsp;<\/em>&nbsp;New York: TV Books, 2000.<\/p>\n\n\n\n<p>Clark, Jennifer S.&nbsp;&nbsp;<em>Producing Feminism: Television Work in the Age of Women\u2019s Liberation<\/em>. Berkeley: University of California Press, 2024.<\/p>\n\n\n\n<p>Clark, Naeemah. \u201cThe Birth of an Advocacy Group: The First Six Years of Action for Children\u2019s Television.\u201d&nbsp;<em>Journalism History<\/em>&nbsp;30:2 (Summer 2004): 66-75.<\/p>\n\n\n\n<p>Coates, Norma J.&nbsp;&nbsp;\u201cIt\u2019s a Man\u2019s, Man\u2019s World: Television and the Masculinization of Rock Discourse and Culture.\u201d&nbsp;&nbsp;PhD dissertation, University of Wisconsin- Madison, 2002.<\/p>\n\n\n\n<p>Cole, Barry G., ed.&nbsp; <em>Television: A Selection of Readings From TV Guide Magazine<\/em>.&nbsp; New York: Free Press, 1970.<\/p>\n\n\n\n<p>Cole, Barry, and Mal Oettinger.&nbsp;&nbsp;<em>The Reluctant Regulator: The FCC and the Broadcast Audience<\/em>.&nbsp; Boston: Addison Wesley, 1978.<\/p>\n\n\n\n<p>Colt, Barry D.,&nbsp;ed.&nbsp;&nbsp;<em>Television: A Selection of Readings from TV Guide Magazine<\/em>.&nbsp;&nbsp;New York: Free Press, 1970.<\/p>\n\n\n\n<p>Conway, Mike.&nbsp;&nbsp;\u201cThe Birth of CBS-TV News: An Ambitious Experiment at the Advent of U.S. Commercial Television.\u201d&nbsp;&nbsp;<em>Journalism History<\/em>&nbsp;32:3 (Fall 2006): 128-137.<\/p>\n\n\n\n<p>Conway, Mike.&nbsp;&nbsp;\u201cBefore the Bloggers: The Upstart News Technology of Television at the 1948 Political Conventions.\u201d&nbsp;&nbsp;<em>American Journalism<\/em>&nbsp;24:1 (Winter&nbsp;2007): 33-58.<\/p>\n\n\n\n<p>Conway, Mike.&nbsp; &#8220;A Guest in Our Living Room: The Television Newscaster before the Rise of the Dominant Anchor.&#8221;&nbsp;<em>Journal of Broadcasting and Electronic Media<\/em>&nbsp; 51:3&nbsp;(September 2007): 457-478.<\/p>\n\n\n\n<p>Conway, Mike.&nbsp;<em>The Origins of Television News in America: The Visualizers of CBS in the 1940s<\/em>. 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W.&nbsp;Ziv&nbsp;Radio and Television Syndication Companies, 1930-1960.\u201d&nbsp; PhD dissertation, University of Michigan, 1976.<\/p>\n\n\n\n<p>Rymsza-Pawlowska,&nbsp;Malgorzata&nbsp;J.&nbsp;&nbsp;\u201cBroadcasting the Past: History Television, \u201cNostalgia Culture,\u201d and the Emergence of the Miniseries in the 1970s United States.\u201d&nbsp;<em>Journal of Popular Film &amp; Television<\/em>&nbsp;42:2 (2014): 81-90.<\/p>\n\n\n\n<p>Salant, Richard S.&nbsp;&nbsp;\u201cThe Television Debates: A Revolution That Deserves a Future.\u201d&nbsp;&nbsp;<em>Public Opinion Quarterly<\/em>&nbsp;26:3 (Autumn&nbsp;1962): 335-350.&nbsp;&nbsp;(CBS executive)<\/p>\n\n\n\n<p>Sanders, Marlene and Marcia Rock.&nbsp;&nbsp;<em>Waiting for Prime Time: The Women of Television News<\/em>.&nbsp; Urbana: University of Illinois Press, 1988.<\/p>\n\n\n\n<p>Sanders, Steven M., and Aeon J. Skoble, eds.&nbsp;&nbsp;<em>The Philosophy of TV Noir<\/em>.&nbsp;&nbsp;Lexington: University Press of Kentucky, 2008.<\/p>\n\n\n\n<p>Schaefer, Richard J.&nbsp; &#8220;Reconsidering <em>Harvest of Shame<\/em>: The Limitations of a Broadcast Landmark.&#8221;&nbsp;&nbsp;<em>Journalism History<\/em>&nbsp;19:4 (Winter 1993):121-132.<\/p>\n\n\n\n<p>Schaefer, Richard J.&nbsp;&nbsp;\u201cThe Development of the CBS News Guidelines during the&nbsp;Salant&nbsp;Years.\u201d&nbsp;&nbsp;<em>Journal of Broadcast and Electronic Media<\/em>&nbsp;42 (1998): 1-20.<\/p>\n\n\n\n<p>Scheiner, Georganne. \u201cWould You Like to be Queen for a Day?: Finding a Working Class voice in American Television of the 1950s.\u201d&nbsp;<em>Historical Journal of Film, Radio, and Television&nbsp;<\/em>23:4 (October 2003): 375-388.<\/p>\n\n\n\n<p>Schneider, Molly A.&nbsp;&nbsp;<em>Gold Dust in the Air: Television Anthology Drama and Midcentury American Culture<\/em>.&nbsp;&nbsp;Austin: University of Texas Press, 2024.<\/p>\n\n\n\n<p>Schoenbrun, David.&nbsp;&nbsp;<em>On and Off the Air: An Informal History of CBS News<\/em>. New York: Dutton, 1989.<\/p>\n\n\n\n<p>Schoenfeld, Reese.&nbsp;&nbsp;<em>Me and Ted&nbsp;Against&nbsp;the World: The Unauthorized Story of the Founding of CNN<\/em>.&nbsp; New York: Harper Collins, 2001.<\/p>\n\n\n\n<p>Schroeder, Alan.&nbsp;&nbsp;<em>Presidential Debates: Forty Years of High Risk Television.<\/em>&nbsp; New York: Columbia University Press, 2000.<\/p>\n\n\n\n<p>Schudson, Michael. \u201cThe Politics of Narrative Form: The Emergence of News Conventions in Print and Television.\u201d&nbsp;<em>Daedalus<\/em>111, no. 4 (1982): 97\u2013112.&nbsp;<\/p>\n\n\n\n<p>Schultz, Debra Lauren. \u201cA History of the Television Interview Program in Network Broadcasting in the United States.\u201d PhD dissertation, New York University, 1985.<\/p>\n\n\n\n<p>Schumach, Murray.&nbsp;&nbsp;<em>The Face on the Cutting Room Floor: The Story of Movie and Television Censorship<\/em>.&nbsp;&nbsp;New York: William Morrow and Co., 1964.&nbsp;&nbsp;(1975 reprint also available)<\/p>\n\n\n\n<p>Schwoch, James.&nbsp;&nbsp;<em>Global TV: New Media and the Cold War, 1946-1969<\/em>.&nbsp;&nbsp;Urbana: University of Illinois Press, 2008.<\/p>\n\n\n\n<p>Scott, David K., and Robert H.&nbsp;Gobetz.&nbsp; &#8220;Hard News\/Soft News Content of the National Television Networks, 1972-1987.&#8221;&nbsp;&nbsp;<em>Journalism Quarterly<\/em>&nbsp;69 (1992): 406-412.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Scott, Mack.&nbsp;&nbsp;\u201cFrom Blackface to Beulah: Subtle Subversion in Early Black Sitcoms.\u201d&nbsp;<em>Journal of Contemporary History<\/em>&nbsp;49:4 (October 2014): 743-769.<\/p>\n\n\n\n<p>Seagrave, Kerry.&nbsp;&nbsp;<em>Movies at Home: How Hollywood Came to Television<\/em>.&nbsp;&nbsp;Jefferson: McFarland, 1999.&nbsp;<\/p>\n\n\n\n<p>Sebro, Adrien.&nbsp;&nbsp;<em>Scratchin\u2019 and Survivin\u2019: Hustle Economics and the Black Sitcoms of Tandem Productions<\/em>.&nbsp;&nbsp;New Brunswick: Rutgers University Press, 2023.&nbsp;<\/p>\n\n\n\n<p>Sewell, Philip W.&nbsp;&nbsp;<em>Television in the Age of Radio: Modernity, Imagination, and the Making of a Medium<\/em>.&nbsp; New Brunswick: Rutgers University Press, 2014.<\/p>\n\n\n\n<p>Shandler, Jeffrey Alan. \u201cWhile American Watches: Television and the Holocaust in the United States, from 1945 to the Present.\u201d PhD dissertation, Columbia University, 1995.<\/p>\n\n\n\n<p>Sharrett, Christopher.&nbsp;&nbsp;\u201cJack Webb and the Vagaries of Right-Wing TV Entertainment.\u201d&nbsp;<em>Cinema Journal<\/em>&nbsp;51:4 (Summer 2012): 165-171.<\/p>\n\n\n\n<p>Sheehan, Stephen T.&nbsp; \u201cPow! Right in the Kisser:&nbsp; Ralph&nbsp;Kramden, Jackie Gleason, and the Emergence of the Frustrated Working-Class Man.\u201d&nbsp;&nbsp;<em>Journal of Popular Culture<\/em>&nbsp;43:3 (June 2010): 564-582.<\/p>\n\n\n\n<p>Shiers, George,&nbsp;ed.&nbsp;<em>&nbsp;Technical Development of Television<\/em>.&nbsp; New York: Arno Press, 1977.<\/p>\n\n\n\n<p>Shor, Francis.&nbsp;<em>Soupy Sales and the Detroit Experience: Manufacturing a Television Personality<\/em>.&nbsp;&nbsp;Cambridge: Cambridge Scholars Publishing, 2022.<\/p>\n\n\n\n<p>Silverman, David S<em>.&nbsp;&nbsp;\u201cYou Can\u2019t Air That\u2019: Four Cases of Controversy and Censorship in American Television Programming<\/em>.&nbsp;&nbsp;Syracuse: Syracuse University Press, 2007.<\/p>\n\n\n\n<p>Simon, Art.&nbsp;&nbsp;\u201cBroadcasting Jewish Americanism: The American Jewish Community and Live Television in the 1950s.\u201d&nbsp;<em>American Jewish History<\/em>&nbsp;105:4 (2021): 535-561.<\/p>\n\n\n\n<p>Skornia, Harry J.&nbsp;<em>Television and Society: An Inquest and Agenda for Improvement<\/em>. New York: McGraw-Hill, 1965.<\/p>\n\n\n\n<p>Slater, Robert.&nbsp;&nbsp;<em>This&#8230;Is CBS: A Chronicle of 60 Years<\/em>.&nbsp; Englewood Cliffs, NJ: Prentice-Hall, 1988.<\/p>\n\n\n\n<p>Smith, Anthony. \u201c\u2018Just a Pleasant Way to Spend an Evening\u2019: The Softening Embrace of American Television.\u201d&nbsp;<em>Daedalus<\/em>&nbsp;107, no. 1 (1978): 195\u2013212.<\/p>\n\n\n\n<p>Smith, Jr., Glenn D.&nbsp;&nbsp;\u201cThe Guiding Spirit\u201d: Philip Loeb,&nbsp;The&nbsp;Battle for Television Jurisdiction, and the Broadcasting Industry Blacklist.&nbsp;&nbsp;<em>American Journalism<\/em>&nbsp;26:3 (Summer 2009): 93-150.<\/p>\n\n\n\n<p>Smith, Myron J., Jr., comp.&nbsp;&nbsp;<em>U.S. Television Network News: A Guide to Sources in English<\/em>.&nbsp; Jefferson, NC: McFarland, 1984.<\/p>\n\n\n\n<p>Smoller, Fredric T.&nbsp;&nbsp;<em>The Six&nbsp;O&#8217;Clock&nbsp;Presidency: A Theory of Presidential Press Relations in the Age of Television<\/em>.&nbsp; Westport, Conn.:&nbsp;Praeger, 1990.<\/p>\n\n\n\n<p>Socolow, Michael J. \u201cAnchors Away: Hunley, Brinkley, and Cronkite and the 1967 AFTRA Strike.\u201d&nbsp;<em>Journalism History<\/em>29:2 (Summer 2003):50-58.<\/p>\n\n\n\n<p>Socolow, Michael J. &nbsp;\u201c\u2018We Should Make Money on Our News\u2019: The Problem of Profitability in Network Broadcast Journalism History.\u201d&nbsp;<em>Journalism<\/em>&nbsp;11 (December 2010): 675\u2013691.<\/p>\n\n\n\n<p>Smythe, Dallas W.&nbsp;&nbsp;\u201cA National Policy on Television?\u201d&nbsp;&nbsp;<em>Public Opinion Quarterly<\/em>&nbsp;14:3 (Autumn 1950): 461-474.<\/p>\n\n\n\n<p>Socolow, Michael J. \u201c\u2018We Should Make Money on Our News\u2019: The Problem of Profitability in Network Broadcast Journalism History.\u201d&nbsp;<em>Journalism<\/em>&nbsp;11:6 (2010): 675\u2013691.<\/p>\n\n\n\n<p>Spigel, Lynn.&nbsp;<em>Make Room for TV: Television and the Ideal Family in American Culture.&nbsp;<\/em>Chicago: University of Chicago Press, 1992.<\/p>\n\n\n\n<p>Spigel, Lynn and Denise Mann, eds.,&nbsp;<em>Private Screenings: Television and the Female Consumer.&nbsp;<\/em>Minneapolis: University of Minnesota Press, 1992.*<\/p>\n\n\n\n<p>Spigel, Lynn and Michael Curtin, eds.,<em>&nbsp;The Revolution Wasn&#8217;t Televised: Sixties Television and Social Conflict.&nbsp;&nbsp;<\/em>London: Routledge, 1997.<\/p>\n\n\n\n<p>Spigel, Lynn.&nbsp;&nbsp;<em>Welcome to the&nbsp;Dreamhouse: Popular Media and Postwar Suburbs<\/em>.&nbsp; Durham, NC: Duke University Press, 2001.<\/p>\n\n\n\n<p>Spigel, Lynn.&nbsp;&nbsp;<em>TV By Design: Modern Art and the Rise of Network Television<\/em>.&nbsp;&nbsp;Chicago: University of Chicago Press, 2009.<\/p>\n\n\n\n<p>Spigel, Lynn.&nbsp;&nbsp;\u201cBack to the Drawing Board: Graphic Design and the Visual Environment of Television at Midcentury.\u201d&nbsp;&nbsp;<em>Cinema Journal<\/em>&nbsp;55:4 (Summer 2016): 28-54.<\/p>\n\n\n\n<p>Stadel, Luke. \u201cCable, Pornography, and the Reinvention of Television, 1982\u20131989.\u201d&nbsp;<em>Cinema&nbsp;Journal&nbsp;&nbsp;53<\/em>&nbsp;(Spring 2014): 52\u201375.<\/p>\n\n\n\n<p>Stabile, Carol, and Mark Harrison, eds.&nbsp;&nbsp;<em>Prime Time Animation: Television Animation and American Culture.<\/em>&nbsp;&nbsp;New York: Routledge, 2003.<\/p>\n\n\n\n<p>Stabile, Carol A.&nbsp;&nbsp;<em>The Broadcast 41: Women and the Anti-Communist Blacklist<\/em>. London: Goldsmiths Press, 2018.<\/p>\n\n\n\n<p>Stadel, Luke. \u201cCable, Pornography, and the Reinvention of Television, 1982-1989.\u201d&nbsp;<em>Cinema Journal<\/em>&nbsp;53, no. 3 (2014): 52\u201375.<\/p>\n\n\n\n<p>Stavitsky, Alan G.&nbsp;&nbsp;\u201cCounting the House in Public Television: A History of Ratings Use, 1953-1980.\u201d&nbsp;&nbsp;<em>Journal of Broadcasting &amp; Electronic Media<\/em>&nbsp;42:4 (Fall 1998): 520-535.<\/p>\n\n\n\n<p>Stedman, Raymond William. \u201cA History of the Broadcasting of Daytime Serial Dramas in the United States.\u201d PhD dissertation, University of Southern California, 1959.<\/p>\n\n\n\n<p>Stein, Benjamin.&nbsp;<em>The View from Sunset Boulevard: America as Brought to You by the People Who Make Television<\/em>. New York: Basic Books, 1979.<\/p>\n\n\n\n<p>Steinberg, Cobbett.&nbsp;&nbsp;<em>TV Facts.<\/em>&nbsp;&nbsp;New York: Facts on File, 1985.<\/p>\n\n\n\n<p>Steiner, Gary A.&nbsp;&nbsp;<em>The People Look at Television:  A Study of Audience Attitudes<\/em>. New York: Knopf, 1963.<\/p>\n\n\n\n<p>Sterling, Christopher, Phyllis&nbsp;Bernt, and Martin Weiss.&nbsp;&nbsp;<em>Shaping American Telecommunications: A History of Technology, Policy, and Economics<\/em>.&nbsp;&nbsp;Mahwah: Lawrence Erlbaum, 2006.<\/p>\n\n\n\n<p>Sterne, Jonathan.&nbsp;&nbsp;\u201cTelevision Under Construction: American Television and the Problem of Distribution.\u201d&nbsp;&nbsp;<em>Media, Culture &amp; Society<\/em>&nbsp;21:4 (1999): 503-530.<\/p>\n\n\n\n<p>Sterne, Jonathan, and Dylan&nbsp;Mulvin.&nbsp;&nbsp;\u201cThe Low Acuity for Blue: Perceptual Techniques and American Color Television.\u201d&nbsp;&nbsp;<em>Journal of Visual Culture<\/em>&nbsp;13:2 (August 2014): 118-138.&nbsp;&nbsp;&nbsp;Technical standards for color television.<\/p>\n\n\n\n<p>Stevens, Jennifer L.&nbsp;&nbsp;\u201cConsuming the Past: Television and the Popular American Historical Consciousness.\u201d&nbsp;&nbsp;PhD dissertation, Michigan State University, 2005.<\/p>\n\n\n\n<p>Stiffler, Brad.&nbsp;&nbsp;\u201cPunk Subculture and the Queer Critique of Community on 1980s Cable TV: The Case of New Wave Theater.\u201d&nbsp;&nbsp;<em>Television and New Media<\/em>&nbsp;19:1 (January 2018): 42-58.<\/p>\n\n\n\n<p>Stole, Inger.&nbsp;&nbsp;\u201cThere\u2019s No Place Like Home: NBC\u2019s Search for a Daytime Audience, 1954-1957.\u201d&nbsp;<em>Communications Review<\/em>&nbsp;2:2 (1997): 135-161.<\/p>\n\n\n\n<p>Stole, Inger L. \u201c<em>The Kate Smith Hour<\/em>&nbsp;and the Struggle for Control of Television Programming in the Early 1950s.\u201d&nbsp;<em>Historical Journal of Film, Radio, and Television&nbsp;<\/em>20:4 (October 2000): 549-555.<\/p>\n\n\n\n<p>Sturcken, Frank.&nbsp;&nbsp;<em>Live Television: The Golden Age of 1946-1958<\/em>.&nbsp; Jefferson, NC: McFarland, 1990.<\/p>\n\n\n\n<p>Sugar, Bert Randolph.&nbsp;&nbsp;<em>The Thrill of Victory: The Inside Story of ABC Sports<\/em>.&nbsp;&nbsp;New York: Hawthorne Books, 1978.<\/p>\n\n\n\n<p>Svitavsky, William L. \u201cDark Shadows: Monster Culture on Daytime Television.\u201d&nbsp;<em>Journal of Popular Film &amp; Television<\/em>&nbsp;50: 3 (2022): 130\u201340.<\/p>\n\n\n\n<p>Swezey, Robert D.&nbsp;&nbsp;\u201cGive the Television Code a Chance.\u201d&nbsp;&nbsp;<em>Quarterly Journal of Film, Radio, and Television<\/em>&nbsp;7:1 (Autumn&nbsp;1952): 13-24.<\/p>\n\n\n\n<p>Takacs, Stacy.&nbsp;&nbsp;\u201cThe US Military as Cold War Programmer.\u201d&nbsp;<em>Journal of Popular Culture<\/em>&nbsp;50:3 (June 2017): 540-560.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Talbert, Melinda.&nbsp;&nbsp;\u201cMediating the News: Television Critics and News Commentary.\u201d&nbsp;&nbsp;PhD dissertation, University of Oklahoma, 1995.<\/p>\n\n\n\n<p>Taylor, Ella.<em>&nbsp;Prime Time Families: Television Culture in Postwar America.&nbsp;<\/em>Berkeley: University of California Press, 1989.<\/p>\n\n\n\n<p>Tedlow, Richard S.\u00a0\u00a0\u201cIntellect on Television: The Quiz Show Scandals of the 1950s.\u201d\u00a0\u00a0<em>American Quarterly<\/em>\u00a028:4 (Autumn 1976): 483-495.<\/p>\n\n\n\n<p>Telotte, J.P. &#8220;Watching\u00a0<em>Science Fiction Theatre<\/em>, Seeing Television.&#8221;\u00a0<em>Science Fiction Studies<\/em>\u00a051, no. 1 (2024): 17-31.<\/p>\n\n\n\n<p>Thimons, Alexander.&nbsp;&nbsp;\u201cBlurred Visions: Atomic Testing, Live Television, and Technological Failure.\u201d&nbsp;&nbsp;<em>Journal of Film and Video<\/em> 72: 3\/4 (Fall\/Winter 2020): 102-118.<\/p>\n\n\n\n<p>Thompson, Ethan.&nbsp;&nbsp;<em>Parody and Taste in Postwar American Television Culture<\/em>. New York: Routledge, 2011.<\/p>\n\n\n\n<p>Thompson, Robert J., and Gary Burns.&nbsp;&nbsp;<em>Making Television: Authorship and the Production Process<\/em>.&nbsp;&nbsp;New York:&nbsp;Praeger, 1990.<\/p>\n\n\n\n<p>Thomson, Charles A. H.&nbsp;&nbsp;<em>Television and Presidential Politics<\/em>.&nbsp;&nbsp;Washington DC: Brookings Institution, 1956.<\/p>\n\n\n\n<p>Thornton, Brian.&nbsp; \u201cPublished Reaction When Murrow Battled McCarthy.\u201d&nbsp;&nbsp;<em>Journalism History<\/em>&nbsp;29:3 (2003): 133-146.<\/p>\n\n\n\n<p>Thumin, Janet, ed.&nbsp;&nbsp;<em>Small Screens, Big Ideas<\/em>. London: I.B. Tauris, 2001.<\/p>\n\n\n\n<p>Tichi, Cecelia.&nbsp;&nbsp;<em>Electronic Hearth: Creating an American Television Culture.&nbsp;&nbsp;<\/em>New York: Oxford University Press, 1991.&nbsp;<\/p>\n\n\n\n<p>Tijmstra, L.F.&nbsp;&nbsp;\u201cThe Challenge of Television to the Press: The Impact of Television on Advertising Revenues and Circulation of Newspapers.\u201d&nbsp;<em>Journal of Broadcasting<\/em>&nbsp;4:1 (1959): 3-13.<\/p>\n\n\n\n<p>Torres, Sasha,&nbsp;ed.&nbsp;&nbsp;<em>Living Color: Race and Television in the United States<\/em>.&nbsp;&nbsp;Durham: Duke University Press, 1998.&nbsp;<\/p>\n\n\n\n<p>Tuchman, Gaye,&nbsp;ed.&nbsp;&nbsp;<em>The TV Establishment<\/em>.&nbsp; Englewood Cliffs, NJ: Prentice-Hall, 1974.<\/p>\n\n\n\n<p>Tuchman, Gaye.&nbsp;&nbsp;\u201cTelevision News and the Metaphor of Myth.\u201d&nbsp;<em>Studies in Visual Communication&nbsp;<\/em>5:1 (Fall 1978): 56-62.<\/p>\n\n\n\n<p>Tyrrell, Ian.&nbsp;&nbsp;\u201cHistorians and Publics in the Early Televisual Age: Academics, Film, and the Rise of Television in the 1950s and 1960s.\u201d&nbsp;&nbsp;<em>Maryland Historian<\/em>&nbsp;30 (Spring 2006): 41\u201359.<\/p>\n\n\n\n<p>Udelson, Joseph H.&nbsp;&nbsp;<em>The Great Television Race: A History of the American Television Industry 1925-1941<\/em>.&nbsp;&nbsp;Tuscaloosa: University of Alabama Press, 1982.<\/p>\n\n\n\n<p>Upright, Craig. \u201cBringing Color into the Living Room: Analyzing <em>TV Guide<\/em> Covers, 1953 to 1997.\u201d&nbsp;<em>Teaching Sociology<\/em>&nbsp;43, no. 3 (2015): 214\u2013226.&nbsp;<\/p>\n\n\n\n<p>Vincent, Richard C.&nbsp;&nbsp;\u201cThe Evolution of Television Criticism in the New York Times: 1949-1977.\u201d&nbsp;&nbsp;<em>Journalism Quarterly<\/em>&nbsp;57 (Winter 1980): 647-651.&nbsp;<\/p>\n\n\n\n<p>Vogt, Randall Lee.&nbsp; &#8220;The Rise of an American TV Model: Network Scheduling, Production, and Sponsorship of Programs from 1948 to 1959.&#8221;&nbsp; PhD dissertation, University of Wisconsin, 1993.<\/p>\n\n\n\n<p>Von&nbsp;Hodenberg, Christina.&nbsp;&nbsp;<em>Television\u2019s Moment: Sitcom Audiences and the Sixties Cultural Revolution<\/em>.&nbsp;&nbsp;New York:&nbsp;Berghahn&nbsp;Books, 2015.<\/p>\n\n\n\n<p>Waldman, Diane. \u201cJust Travesties: TV Parodies of Hollywood Films and Copyright Infringement Lawsuits.\u201d&nbsp;<em>Film History<\/em>&nbsp;27, no. 3 (2015): 73\u2013103.<\/p>\n\n\n\n<p>Walker, James R.&nbsp; &#8220;Old Media on New Media: National Popular Press Reaction to Mechanical Television.&#8221;&nbsp;&nbsp;<em>Journal of Popular Culture<\/em>&nbsp;25 (Summer 1991): 21-29.<\/p>\n\n\n\n<p>Waltzer, Herbert.&nbsp;&nbsp;\u201cIn the Magic Lantern: Television Coverage of the 1964 National Convention.\u201d&nbsp;&nbsp;<em>Public Opinion Quarterly<\/em>&nbsp;30:1 (Spring&nbsp;1966): 33-53.<\/p>\n\n\n\n<p>Warner, Harry P. \u201cTelevision and the Motion Picture Industry.\u201d&nbsp;<em>Hollywood Quarterly<\/em>&nbsp;2, no. 1 (1946): 11\u201318.<\/p>\n\n\n\n<p>Watson, Mary Ann.&nbsp;<em>The Expanding Vista: American Television in the Kennedy Years.<\/em>&nbsp;New York: Oxford University Press, 1990.&nbsp;<\/p>\n\n\n\n<p>Watson, Mary Ann.&nbsp;&nbsp;<em>Defining Visions: Television and the American Experience<\/em>.&nbsp;&nbsp;2ed&nbsp;&nbsp;New&nbsp;York: Wiley, 2008.<\/p>\n\n\n\n<p>Webb, Richard C.&nbsp;&nbsp;<em>Tele-Visionaries: The People&nbsp;Behind&nbsp;the Invention of Television<\/em>.&nbsp;&nbsp;Hoboken: Wiley&nbsp;Interscience, 2005.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Weaver, Pat.&nbsp;&nbsp;<em>The Best Seat in the House: The Golden Years of Radio and Television<\/em>.&nbsp;&nbsp;New York: Knopf, 1994.&nbsp;<\/p>\n\n\n\n<p>Weinstein, David.&nbsp; &#8220;The Forgotten Network:&nbsp;DuMont&nbsp;and the Birth of American Television.&#8221;&nbsp; PhD dissertation, Temple University, 2004.<\/p>\n\n\n\n<p>Weinstein, David M.&nbsp;&nbsp;\u201cLive from the Nation\u2019s Capital: A History of Television in Washington DC, 1948-1958.\u201d&nbsp;&nbsp;PhD dissertation, University of Maryland, 1997.<\/p>\n\n\n\n<p>West, Darrell M.&nbsp;&nbsp;<em>Air Wars: Television Advertising in Election Campaigns, 1952-2004<\/em>.&nbsp;&nbsp;Washington: Congressional Quarterly Press, 2005.<\/p>\n\n\n\n<p>Wexman, Virginia Wright. \u201cReturning From the Moon: Jackie Gleason, The Carnivalesque, and Television Comedy.\u201d\u00a0<em>Journal of Film and Video<\/em>\u00a042, no. 4 (1990): 20\u201332.<\/p>\n\n\n\n<p>Whitaker, Harrison. &#8220;How Hollywood Watched Television.&#8221;\u00a0<em>The Cambridge Quarterly<\/em>\u00a053, no. 1 (2024): 46-63.<\/p>\n\n\n\n<p>Whitt, Jan. \u201cGrits and Yokels Aplenty: Depictions of Southerners on Prime-Time Television.\u201d&nbsp;<em>Studies in Popular Culture<\/em>&nbsp;19, no. 2 (1996): 141\u2013152.<\/p>\n\n\n\n<p>Wilbur, Susan K. \u201cThe History of Television in Los Angeles, 1931-1952: Part I: The Infant Years.\u201d&nbsp;<em>Southern California Quarterly<\/em>&nbsp;60, no. 1 (1978): 59\u201376.<\/p>\n\n\n\n<p>Wilbur, Susan K. \u201cThe History of Television in Los Angeles, 1931-1952: Part II: The Boom Years.\u201d&nbsp;<em>Southern California Quarterly<\/em>&nbsp;60, no. 2 (1978): 183\u2013205.<\/p>\n\n\n\n<p>Wilbur, Susan K. \u201cThe History of Television in Los Angeles, 1931-1952: Part III.\u201d&nbsp;<em>Southern California Quarterly<\/em>&nbsp;60, no. 3 (1978): 255\u201385.<\/p>\n\n\n\n<p>Williams, Julian. \u201cBroadcast Segregation: WJTV\u2019s Early Years.\u201d&nbsp;<em>American Journalism<\/em>19:3 (2002): 87-103.<\/p>\n\n\n\n<p>Williams, Robert Coyle.&nbsp; &#8220;Saving Radiance: United States Broadcast Reformers, ETV, and the Invention of National Public Television.&#8221;&nbsp; PhD dissertation, University of New Mexico, 2001.<\/p>\n\n\n\n<p>Wilson, James Graham. \u201cJack Benny and America\u2019s Mission after World War II: Openness, Pluralism, Internationalism, and Supreme Confidence.\u201d&nbsp;<em>Journal of American Studies<\/em>&nbsp;45, no. 2 (2011): 337\u2013353.<\/p>\n\n\n\n<p>Wilson, Pamela.&nbsp;&nbsp;\u201cNBC Television\u2019s \u2018Operation Frontal Lobe\u2019: Cultural Hegemony and Fifties Program Planning.\u201d&nbsp;<em>Historical Journal of Film, Radio, &amp; Television<\/em>&nbsp;15:1 (1995): 83-104.<\/p>\n\n\n\n<p>Wilson, Pamela. \u201cAll Eyes on Montana: Television Audiences, Social Activism, and Native American Cultural Politics in the 1950s.\u201d&nbsp;<em>Quarterly Review of Film &amp; Video<\/em>&nbsp;16, no. 3\/4 (1999): 325\u2013356.&nbsp;<\/p>\n\n\n\n<p>Winberg, Oscar.&nbsp;&nbsp;<em>Archie Bunker for President: How One Television Show Remade American Politics<\/em>.&nbsp;&nbsp;Berkeley: University of California Press, 2025.<\/p>\n\n\n\n<p>Winick, Charles.&nbsp;&nbsp;<em>Taste and Censor in Television<\/em>.&nbsp;&nbsp;New York: Fund for the Republic, 1959.<\/p>\n\n\n\n<p>Winn, J. Emmett, and Susan L. Brinson.&nbsp;eds.&nbsp;&nbsp;<em>Transmitting the Past: Historical and Cultural Perspectives on Broadcasting<\/em>.&nbsp;&nbsp;Tuscaloosa: University of Alabama Press, 2005.<\/p>\n\n\n\n<p>Worland, Rick. \u201cSign-Posts up Ahead: \u2018The Twilight Zone,\u2019 \u2018The Outer Limits,\u2019 and TV Political Fantasy 1959-1965.\u201d&nbsp;<em>Science Fiction Studies<\/em>&nbsp;23: 1 (1996): 103\u2013122.<\/p>\n\n\n\n<p>Worland, Rick. \u201cThe Other Living Room War: Prime Time Combat Series, 1962\u20131975.\u201d&nbsp;<em>Journal of Film and Video<\/em>&nbsp;50, no. 3 (1998): 3\u201323.<\/p>\n\n\n\n<p>Wright, John L.&nbsp;&nbsp;\u201cTune In: The Focus of Television Criticism.\u201d&nbsp;&nbsp;<em>Journal of Popular Culture<\/em>&nbsp;7:4 (Spring 1974): 887-894.<\/p>\n\n\n\n<p>Xavier, Roy Eric. \u201cDistant Signals: A History of Cable Television in the United States.\u201d PhD dissertation, University of California-Berkeley, 1988.<\/p>\n\n\n\n<p>Yogerst, Chris.&nbsp;&nbsp;\u201cRod&nbsp;Serling\u2019s&nbsp;Vast Promised Land: Battling Sponsors, Debating the FCC, and Fighting for Mature Television, 1959-1966.\u201d&nbsp;&nbsp;<em>Historical Journal of Film, Radio &amp; Television<\/em>&nbsp;38:4 (December 2018): 828-842.<\/p>\n\n\n\n<p><a href=\"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/2021\/09\/17\/hello-world\/\">Back to Index Page<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This list contains mostly studies of the television industry, the development of broadcast news, and cultural history of some entertainment programming.&nbsp; It doesn&#8217;t deal much with TV stars and producers, or audience analysis. Back to Index Page Abernathy-Lear, Gloria.&nbsp;&nbsp;\u201cAfrican Americans\u2019 Criticisms Concerning African American Representations on Daytime Serials.\u201d&nbsp;Journalism and Mass Communication Quarterly&nbsp;71:4 (1994): 830-839. Abramson, [&hellip;]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-194","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/comments?post=194"}],"version-history":[{"count":45,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/194\/revisions"}],"predecessor-version":[{"id":2332,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/194\/revisions\/2332"}],"wp:attachment":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/media?parent=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}