{"id":188,"date":"2021-09-18T01:31:25","date_gmt":"2021-09-18T01:31:25","guid":{"rendered":"https:\/\/mupages.marshall.edu\/sites\/masscommhistorybibliography\/?page_id=188"},"modified":"2025-08-06T19:14:30","modified_gmt":"2025-08-06T19:14:30","slug":"prints-illustrations-editorial-cartoons-and-comics","status":"publish","type":"page","link":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/prints-illustrations-editorial-cartoons-and-comics\/","title":{"rendered":"Prints, Posters, Illustrations, Editorial Cartoons, and Comics"},"content":{"rendered":"\n

Back to Index Page<\/a><\/p>\n\n\n\n

Abate, Michelle Ann.  Funny Girls: Guffaws, Guts, and Gender in Classic American Comics<\/em>.  Jackson: University Press of Mississippi, 2018.<\/p>\n\n\n\n

Abate, Michelle Ann.  Singular Sensations: A Cultural History of One-Panel Comics in the United States<\/em>.  New Brunswick: Rutgers University Press, 2024.<\/p>\n\n\n\n

Abel, Robert H., and David Manning White, eds.  The Funnies: An American Idiom<\/em>.  New York: Free Press of Glencoe, 1963.<\/p>\n\n\n\n

Adelson, Fred B.  \u201cArt Under Cover: American Gift-Book Illustrations.\u201d  Antiques<\/em> 126 (March 1984): 646-653.<\/p>\n\n\n\n

Adin, Mariah.  The Brooklyn Thrill-Kill Gang and the Great Comic Book Scare of the 1950s<\/em>.  Westport, CT: Praeger, 2015.<\/p>\n\n\n\n

Ahmed, Maaheen, ed. The Cambridge Companion to Comics<\/em>. Cambridge: Cambridge University Press, 2023.<\/p>\n\n\n\n

Alexander, Dorian L., Michael D Goodrum, and Phil Smith, eds.  Drawing the Past: Comics and the Historical Imagination in the United States<\/em>. Jackson: University Press of Mississippi, 2022.<\/p>\n\n\n\n

Allen, Douglas.  Frederic Remington and the Spanish American War<\/em>.  New York: Crown Publishing, 1971.<\/p>\n\n\n\n

Alotaibi, Meshari Thamer. \u201cThe Making of Arab Stereotypes: Racist Portrayals in Political Cartoons during the 1970s Oil Crisis.\u201d American Journalism<\/em> 41, no. 4 (2024): 502\u2013526. <\/p>\n\n\n\n

Amana, Harry.  “The Art of Propaganda: Charles Alston’s World War II Editorial Cartoons for the Office of War Information and the Black Press.”  American Journalism<\/em> 21: 2 (Spring 2004): 79-111.<\/p>\n\n\n\n

Anderson, Patricia.  The Printed Image and the Transformation of Popular Culture<\/em>.  New York: Oxford University Press, 1991.<\/p>\n\n\n\n

Appel, John J.  “Jews in American Caricature, 1820-1914.”  American Jewish History<\/em> 71:1 (September 1981): 103-133.<\/p>\n\n\n\n

Appleford, Simon James.  \u201cOffensive Weapons: Herblock and the Visual Rhetoric of Postwar Liberalism.\u201d PhD dissertation, University of Illinois at Urbana-Champaign, 2014.<\/p>\n\n\n\n

Arffman, Paivi. \u201cComics from the Underground: Publishing Revolutionary Comic Books in the 1960s and Early 1970s.\u201d Journal of Popular Culture<\/em> 52:1 (2019): 169-198.<\/p>\n\n\n\n

Armitage, Shelley.  John Held, Jr.: Illustrator of the Jazz Age<\/em>.  Syracuse: Syracuse University Press, 1987.<\/p>\n\n\n\n

Arnold, Edmund C.  Ink on Paper: A Handbook of the Graphic Arts<\/em>.  New York: Harper & Row, 1963.<\/p>\n\n\n\n

Baker, Courtney.  Humane Insight: Looking at Images of African American Suffering and Death<\/em>.  Urbana: University of Illinois Press, 2015.<\/p>\n\n\n\n

Baker, Nicholson, and Margaret Brentano, eds.  The World on Sunday: Graphic Art from Joseph Pulitzer\u2019s Newspaper, 1898-1911<\/em>.  New York: Bullfinch Press, 2011.<\/p>\n\n\n\n

Barnhill, Georgia B.  \u201cBusiness Practices of Commercial Nineteenth-Century American Lithographers.\u201d Winterthur Portfolio<\/em> 48 (Summer\u2013Autumn 2014): 213\u2013232.<\/p>\n\n\n\n

Barrier, Michael.  Funnybooks: The Improbable Glories of the Best American Comic Books<\/em>.  Berkeley: University of California Press, 2015.<\/p>\n\n\n\n

Beaty, Bart.  Twelve-Cent Archie<\/em>.  New Brunswick: Rutgers University Press, 2015.<\/p>\n\n\n\n

Becker, Stephen.  The Comic Art in America<\/em>.  New York: Simon and Schuster, 1959.<\/p>\n\n\n\n

Benbow, Mark.  \u201cWilson\u2019s Cartoonist: Charles R. Macauley and the 1912 Election.\u201d Journalism History<\/em> 37:4 (Winter 2012): 218-227.<\/p>\n\n\n\n

Benson, Thomas W.  Posters for Peace: Visual Rhetoric and Civic Action<\/em>.  Philadelphia: University of Pennsylvania Press, 2015.<\/p>\n\n\n\n

Benton, Mike.  The Comic Book in America: An Illustrated History<\/em>.  Dallas, Taylor, 1989.<\/p>\n\n\n\n

Beringer, Alex.  Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip<\/em>.  Columbus: Ohio State University Press, 2024.<\/p>\n\n\n\n

Bernhardt, Mark Alan.  \u201cPicturing the News: The Spectacle of Gender and Politics in the Pictorial Journalism of Crime and War, 1836\u20131935.\u201d  PhD dissertation, University of California- Riverside, 2006. <\/p>\n\n\n\n

Best, James J.  American Popular Illustration: A Reference Guide<\/em>.  Westport, Conn.: Greenwood, 1984.<\/p>\n\n\n\n

Blackbeard, Bill, and Martin Williams, eds.  The Smithsonian Collection of American Newspaper Comics<\/em>.  Washington DC: Smithsonian Institution Press and Harry N. Abrams, 1977.<\/p>\n\n\n\n

Blackbeard, Bill.  R.F. Outcault’s The Yellow Kid<\/em>.  Northampton, Mass.:  Kitchensink Press, 1996.<\/p>\n\n\n\n

Brandenburg, Hazel Crews. \u201cThe Evolution of a Cultural Icon: Currier & Ives and Twentieth-Century American Culture.\u201d  PhD dissertation, George Mason University, 2007.<\/p>\n\n\n\n

Brekke-Aloise, Linzy.  \u201cA Very Pretty Business: Fashion and Consumer Culture in Antebellum American Prints.\u201d Winterthur Portfolio<\/em> 48: 2-3 (2014): 191-212.<\/p>\n\n\n\n

Brentano, Margaret, and Nicholson Baker.  The World on Sunday: Graphic Arts in Joseph Pulitzer’s Newspaper, 1898-1911<\/em>.  New York: Bulfinch, 2005.<\/p>\n\n\n\n

Brislin, Tom. \u201cExtra! The Comic Book Journalist Survives the Censors of 1955.\u201d Journalism History<\/em> 21:3 (Autumn 1995): 123-131.<\/p>\n\n\n\n

Brod, Harry.  Superman Is Jewish? How Comic Book Superheroes Came to Serve Truth, Justice, and the Jewish-American Way<\/em>. New York: Free Press, 2012.<\/p>\n\n\n\n

Brown, Joshua.  “Frank Leslie’s Illustrated Newspaper: The Pictorial Press and the Representation of America, 1855-1889.” Ph.D. dissertation, Columbia University, 1993.<\/p>\n\n\n\n

Brown, Joshua.  Beyond the Lines: Pictorial Reporting, Everyday Life and the Crisis of Gilded Age America<\/em>.  Berkeley: University of California Press, 2002.<\/p>\n\n\n\n

Brown, Joshua.  “The Social and Sensational News of the Day:  Frank Leslie, the Day’s Doings, and Scandalous Pictorial News in Gilded Age New York.”  New York Journal of American History<\/em> 66 (Fall 2003): 10-20.<\/p>\n\n\n\n

Brown, Michael.  “The Popular Art of American Magazine Illustration, 1885-1917.” Journalism History<\/em> 24:3 (Autumn 1998): 94-103. <\/p>\n\n\n\n

Brown, Michael. \u201cDiscriminating Photographs From Hand Drawn Illustrations in Popular Magazine, 1895-1904.\u201d American Journalism<\/em> 17:3 (2000): 15-30.    <\/p>\n\n\n\n

Br\u00fcckner, Martin. \u201cThe Lithographed Map in Philadelphia: Innovation, Imitation, and Antebellum Consumer Culture.\u201d Winterthur Portfolio<\/em> 48 (Summer\u2013Autumn 2014): 139\u2013162.<\/p>\n\n\n\n

Brunet, Peyton, and Blair Davis.  Comic Book Women: Characters, Creators, and Culture in the Golden Age<\/em>.  Austin: University of Texas Press, 2022.<\/p>\n\n\n\n

Brunner, Edward.  \u201cRed Funnies: The New York Daily Worker\u2019s \u2018Popular Front\u2019 Comics, 1936-1945.  American Periodicals <\/em>17:2 (2007): 184-207.<\/p>\n\n\n\n

Buhle, Paul, ed.  Jews and American Comics: An Illustrated History of an American Art Form<\/em>.  New York: New Press, 2008. <\/p>\n\n\n\n

Bunker, Gary L.  “Antebellum Caricature and Women’s Sphere.”  Journal of Women’s History<\/em> 3 (Winter 1992): 6-43.<\/p>\n\n\n\n

Burke, Chloe Serene. \u201cGerms, Genes, and Dissent: Representing Radicalism as Disease in American Political Cartooning, 1877-\u00ad1919.\u201d PhD dissertation, University of Michigan, 2004.<\/p>\n\n\n\n

Bush, Larry. \u201cMore than Words: Rhetorical Constructs in American Political Cartoons.\u201d Studies in American Humor<\/em>, no. 27 (2013): 63\u201391. <\/p>\n\n\n\n

Campbell, Mary, and Gordon Campbell.  The Pen, not the Sword<\/em>.  Nashville: Aurora Publishing, 1971.<\/p>\n\n\n\n

Carabas, Teodora. \u201cTales Calculated to Drive You MAD\u201d: The Debunking of Spies, Superheroes, and Cold War Rhetoric in Mad<\/em> Magazine\u2019s \u2018SPY vs SPY.\u2019\u201d Journal of Popular Culture (Wiley-Blackwell)<\/em> 40, no. 1 (2007): 4\u201324.<\/p>\n\n\n\n

Carl, Leroy M.  \u201cPolitical Cartoons: Ink Blots of the Editorial Page.\u201d  Journal of Popular Culture <\/em>4:1 (Summer 1970): 39-45.<\/p>\n\n\n\n

Carlin,  John, Paul Karasik, and Brian Walker, eds.  Masters of American Comics<\/em>.  New Haven: Yale University Press, 2005.<\/p>\n\n\n\n

Casswell, Lucy Shelton.  “Edwina Dumm: Pioneer woman Editorial Cartoonist, 1915-1917.”  Journalism History<\/em> 15:1 (Spring 1988): 2-7.<\/p>\n\n\n\n

Casswell, Lucy Shelton.  “Drawing Swords: War in American Editorial Cartoons.”  American Journalism<\/em> 21: 2 (Spring 2004): 13-45.<\/p>\n\n\n\n

Chase, John.  Today’s Cartoon<\/em>.  New Orleans: Hauser Press, 1962.<\/p>\n\n\n\n

Cohen, Kenneth. \u201c\u2018Sport for Grown Children\u2019: American Political Cartoons, 1790\u20131850.\u201d International Journal of the History of Sport<\/em> 28: 8\/9 (2011): 1301\u20131318.<\/p>\n\n\n\n

Cohen, Michael. \u201cCartooning Capitalism: Radical Cartooning and the Making of American Popular Radicalism in the Early Twentieth Century.\u201d International Review of Social History<\/em> 52 (2007): 35-58.<\/p>\n\n\n\n

Cohen, Michael. \u201cImagining Militarism: Art Young and The Masses<\/em> Face the Enemy.\u201d Radical History Review<\/em> 106 (Winter 2010): 87\u2013108.<\/p>\n\n\n\n

Cohn, Jan.  Covers of the Saturday Evening Post: Seventy Years of Outstanding Illustration from America\u2019s Favorite Magazine<\/em>.  New York: Viking, 2005.<\/p>\n\n\n\n

Cole, Jean Lee. \u201cLaughing Sam and Krazy Kats: The Black Comic Sensibility.\u201d Canadian Review of American Studies<\/em>47:3 2017): 373-402.<\/p>\n\n\n\n

Condis, M., and M. Stanfill.  \u201cDebating With Wertham\u2019s Ghost: Comic Books, Culture Wars, and Populist Moral Panics.\u201d Cultural Studies<\/em> 36:6 (2022): 953-980.<\/p>\n\n\n\n

Costello, Matthew J.   Secret Identity Crisis: Comic Books and the Unmasking of Cold War America<\/em>. New York: Continuum, 2009.<\/p>\n\n\n\n

Courperie, Pierre, and Maurice C. Horn.  A History of the Comic Strip<\/em>. New York: Crown, 1968. <\/p>\n\n\n\n

Coward, John M. \u201cMaking Sense of Savagery: Native American Cartoons in The Daily Graphic<\/em>.\u201d Visual Communication Quarterly<\/em> 19, no. 4 (2012): 200\u2013215.<\/p>\n\n\n\n

Cuff, Roger Penn. \u201cThe American Editorial Cartoon–A Critical Historical Sketch.\u201d The Journal of Educational Sociology<\/em> 19, no. 2 (1945): 87\u201396. <\/p>\n\n\n\n

Cutter, Martha J.  The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852<\/em>.  Athens: University of Georgia Press, 2017.<\/p>\n\n\n\n

Dauber, Jeremy.  American Comics: A History<\/em>.  New York: W.W. Norton, 2021.<\/p>\n\n\n\n

Davis, Blair.  \u201cAll-Negro Comics and the Birth of Lion Man, the First African American Superhero.\u201d Inks: The Journal of the Comics Studies Society<\/em> 3:3 (Fall 2019): 273-297.<\/p>\n\n\n\n

Davison, Nancy Reynolds.  “E.W. Clay: American Political Caricaturist of the Jacksonian Era.”  PhD dissertation, University of Michigan, 1980.<\/p>\n\n\n\n

Deans Halloran, Fiona.  Thomas Nast: The Father of Modern Political Cartoons<\/em>.  Chapel Hill: University of North Carolina Press, 2018.<\/p>\n\n\n\n

DeForrest, Tim.  Storytelling in the Pulps, Comics, and Radio:  How Technology Changed Popular Fiction in America<\/em>.  Jefferson, NC: McFarland, 2004.<\/p>\n\n\n\n

DePastino, Todd.  Drawing Fire: The Editorial Cartoons of Bill Mauldin<\/em>.  Chicago: Pritzker Library, 2020.<\/p>\n\n\n\n

Deverell, Richard Donald. \u201cThe Comics Code Authority: Mass-Media Censorship in Postwar America.\u201d PhD dissertation, State University of New York at Buffalo, 2021. <\/p>\n\n\n\n

Dewey, Donald.  The Art of Ill Will: The Story of American Political Cartoons<\/em>.  New York: New York University Press, 2007.<\/p>\n\n\n\n

Dennis, Everette E., and Christopher Allen.  “Puck: The Comic Weekly.”  Journalism History<\/em> 6:1 (Spring 1979): 2-7, 13.<\/p>\n\n\n\n

Diffley, Kathleen.  \u201cHome on the Range: Turner, Slavery, and the Landscape Illustrations in Harper\u2019s New Monthly Magazine<\/em>, 1861-1876.\u201d  Prospects<\/em> 14 (October 1989): 175-202.<\/p>\n\n\n\n

Dobson, Nichola.  Historical Dictionary of Animation and Cartoons<\/em>.  2ed.  Lanham: Rowman & Littlefield, 2021.<\/p>\n\n\n\n

Downey, Fairfax.  Portrait of an Era as Drawn by C.D. Gibson<\/em>.  New York: Scribner’s, 1936.<\/p>\n\n\n\n

Doyle, Dennis.  \u201cWe Didn\u2019t Know You Were a Negro: Fredric Wertham and the Ironies of Race, Comic Books, and Juvenile Delinquency in the 1950s.\u201d Journal of Social History<\/em> 52:1 (Fall 2018): 153-179.<\/p>\n\n\n\n

Duncan, Randy, and Matthew J. Smith.  The Power of Comics: History, Form and Culture<\/em>.  New York: Continuum, 2009.<\/p>\n\n\n\n

Elbert, Monika M.  \u201cStriking a Historical Pose: Antebellum Tableaux Vivants, Godey\u2019s<\/em> Illustrations, and Margaret Fuller\u2019s Heroines.\u201d New England Quarterly<\/em> 75:2 (2002): 235-275.<\/p>\n\n\n\n

Emlen, Robert P.  \u201cPicturing the Shakers in the Popular Illustrated Press: Daily Life at Mount Lebanon in the Winter of 1869-70.\u201d Winterthur Portfolio<\/em> 50:4 (Winter 2016): 249-287.<\/p>\n\n\n\n

Fischer, Roger A.  Those Damned Pictures: Explorations on American Political Cartoon Art<\/em>.  North Haven, Conn.: Archon Books, 1996.<\/p>\n\n\n\n

Fisher, Edwin, Mort Gerberg, and Ron Wolin.  The Art of Cartooning: Seventy-five Years of American Magazine Cartoons<\/em>.  New York: Scribner’s, 1972.<\/p>\n\n\n\n

Finch, Christopher.  Norman Rockwell: 322 Magazine Covers<\/em>.  New York: Abbeville, 1979.<\/p>\n\n\n\n

Fitzgerald, Richard.  Art and Politics: Cartoonists of the Masses and Liberator.<\/em>  Westport, Conn.: Greenwood Press, 1973.<\/p>\n\n\n\n

Franzen, Monica.  Make Way!  200 Years of American Women in Cartoons.<\/em>  Chicago: Chicago Review Press, 1987.<\/p>\n\n\n\n

Gambee, Budd Leslie.  “Frank Leslie and His Illustrated Newspaper, 1855-1860.”  PhD dissertation, University of Michigan, 1963.<\/p>\n\n\n\n

Gamson, William A., and David Stuart.  \u201cMedia Discourse as a Symbolic Contest: The Bomb in Political Cartoons.\u201d  Sociological Forum<\/em> 7:1 (March 1992): 55-86.<\/p>\n\n\n\n

Gentner, Robert.  \u201cWith Great Power Comes Great Responsibility\u2019: Cold War Culture and the Birth of Marvel Comics.\u201d  Journal of Popular Culture 40:6 (December 2007): 953-978.<\/p>\n\n\n\n

Golden, Catherine.  Reading Between the Lines: Victorian Art and Illustration<\/em>.  Saratoga Springs: Skidmore College, 1996.<\/p>\n\n\n\n

Goldstein, Kalman.  “Al Capp and Walt Kelly: Pioneers of Political and Social Satire in Comics.”  Journal of Popular Culture<\/em> 25 (Spring 1992): 81-95.<\/p>\n\n\n\n

Goldstein, Nancy.  Jackie Ormes: The First African American Woman Cartoonist<\/em>.  Ann Arbor: University of Michigan Press, 2019.  <\/p>\n\n\n\n

Gonzalez, Ashton.  Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century<\/em>.  Chapel Hill: University of North Carolina Press, 2020.  <\/p>\n\n\n\n

Goodnow, Trischa, and James J. Kimble, eds.  The 10 Cent War: Comic Books, Propaganda, and World War II<\/em>.  Jackson: University of Mississippi Press, 2016.<\/p>\n\n\n\n

Gordon, Adam.  Prophets, Publicists, and Parasites: Antebellum Print Culture and the Rise of the Critic<\/em>.  Amherst: University of Massachusetts Press, 2020.<\/p>\n\n\n\n

Gordon, Ian.  Comic Strips and Consumer Culture, 1890-1945<\/em>.  Washington DC: Smithsonian Institution Press, 1998.<\/p>\n\n\n\n

Grady, William.  Redrawing the Western: A History of American Comics and the Mythic West.<\/em> Austin: University of Texas Press, 2025.<\/p>\n\n\n\n

Greenhill, Jennifer A. \u201cHow to Make it as a Mainstream Magazine Illustrator, or J.C. Leyendecker and Norman Rockwell go to War.\u201d Winterthur Portfolio<\/em> 52: 4 (2018): 209-252.<\/p>\n\n\n\n

Grunzke, Andrew. \u201cGraphic Seduction: Anti-Homosexual Censorship of Comics in the Postwar Era.\u201d Journal of American Culture<\/em> 44:4 (December 2021): 300-317.<\/p>\n\n\n\n

Grushkin, Paul D. The Art of Rock: Posters from Presley to Punk<\/em>. New York: Abbeville Press, 1987.<\/p>\n\n\n\n

Hales, Peter Bacon.  \u201cIllustrating Culture: Consensus and Conflict in the Nineteenth-Century American Picture Press.\u201d Reviews in American History<\/em> 32:2 (2004): 204-213.<\/p>\n\n\n\n

Hall, Justin, ed. No Straight Lines: Four Decades of Queer Comics<\/em>. Seattle: Fantagraphics Books, 2013.<\/p>\n\n\n\n

Hall, Richard A. \u201cThe Captain America Conundrum: Issues of Patriotism, Race, and Gender in Captain America Comic Books, 1941\u20132001.\u201d  PhD dissertation, Auburn University, 2011.<\/p>\n\n\n\n

Halloran, Fiona Deans. \u201cThe Power of the Pencil: Thomas Nast and American Political Art\u201d  PhD dissertation, University of California, Los Angeles, 2005.<\/p>\n\n\n\n

Halloran, Fiona Deans.  Thomas Nast: The Father of Modern Political Cartoons<\/em>.  Chapel Hill: University of North Carolina Press, 2013.<\/p>\n\n\n\n

Hamilton, Sinclair.  Early American Book Illustrators and Wood Engravers, 1670-1870<\/em>.  Princeton: Princeton University Press, 1968.<\/p>\n\n\n\n

Hansen, Bert. \u201cThe Image and Advocacy of Public Health in American Caricature and Cartoons from 1860 to 1900.\u201d American Journal of Public Health<\/em> 87:11 (1997): 1798-1807.<\/p>\n\n\n\n

Hansen, Bert. \u201cMedical History for the Masses: How American Comic Books Celebrated the Heroes of Medicine in the 1940s.\u201d Bulletin of the History of Medicine<\/em> 78:1 (Spring 2004): 148-191.<\/p>\n\n\n\n

Hardy, Charles, and Gail F. Stern, eds.  Ethnic Images in the Comics<\/em>.  Philadelphia: Balch Institute for Ethnic Studies, 1986. <\/p>\n\n\n\n

Harvey, Robert C.  The Art of the Funnies: An Aesthetic History<\/em>.  Jackson: University Press of Mississippi, 1994.<\/p>\n\n\n\n

Harvey, Robert C.  Children of the Yellow Kid: The Evolution of the American Comic Strip<\/em>.  Seattle: University of Washington Press, 1999.<\/p>\n\n\n\n

Hatfield, Charles.  Alternative Comics: An Emerging Literature<\/em>.  Jackson: University Press of Mississippi, 2005.   <\/p>\n\n\n\n

Hatfield, Charles, and Bart Beaty, eds.  Comics Studies: A Guidebook<\/em>.  New Brunswick: Rutgers University Press, 2020.<\/p>\n\n\n\n

Havig, Alan.  \u201cRichard F. Outcault\u2019s \u2018Poor Lil Mose:\u2019 Variations on the Black Stereotype in American Comic Art.\u201d  Journal of American Culture <\/em>11:1 (Spring 1988): 33-41.<\/p>\n\n\n\n

Helfgott, Isadora.  \u201cArt in Life<\/em>: Fashioning Political Ideology Through Visual Culture in Mid-Century America.\u201d American Periodicals<\/em> 20:2 (2010): 269-294.<\/p>\n\n\n\n

Herbert, A.P.  The Best Cartoons from \u201cPunch.\u201d<\/em>  New York: Simon and Schuster, 1952.<\/p>\n\n\n\n

Hess, Stephen, and Milton Kaplan.  The Ungentlemanly Art: A History of American Political Cartoons<\/em>.  New York: Macmillan, 1968. <\/p>\n\n\n\n

Hess, Stephen, and Sandy Northrop.  Drawn and Quartered: The History of American Political Cartoons<\/em>.  Montgomery, Ala.: Elliott & Clark Pub.,1996.<\/p>\n\n\n\n

Hess, Stephen, and Sandy Northrop.  American Political Cartoons: The Evolution of a National Identity<\/em>.  New Brunswick, NJ: Transaction, 2011.<\/p>\n\n\n\n

Heyman, Therese. Posters American Style<\/em>. Washington D.C.: National Museum of American Art, 1998.<\/p>\n\n\n\n

Hill, Alette. \u201cThe Carter Campaign in Retrospect: Decoding the Cartoons.\u201d Semiotica<\/em> 23, no. 3\/4 (1978): 307\u2013332.<\/p>\n\n\n\n

Hind, Arthur M.  An Introduction to the History of the Woodcut<\/em>.  New York: Dover, 1963.<\/p>\n\n\n\n

Hirsch, Paul S.  Pulp Empire: The Secret History of Comic Book Imperialism.  <\/em>Chicago: Univeristy of Chicago Press, 2021.<\/p>\n\n\n\n

Horgan, Stephen H.  \u201cThe Evolution of Daily Newspaper Illustrating.\u201d  Graphic Arts and Crafts Yearbook <\/em>(1906): 223-235.<\/p>\n\n\n\n

Holterhoff, Kate. \u201cIllustrating White Cannibals in Harper\u2019s Weekly<\/em>: Adventure Fiction and Pictorial Journalism.\u201d American Periodicals<\/em> 31:2 (Fall 2021): 134-154.<\/p>\n\n\n\n

Holtz, Allan.  American Newspaper Comics: An Encyclopedic Reference Guide<\/em>.  Ann Arbor: University of Michigan Press, 2012.<\/p>\n\n\n\n

Huff, P.J., and J.G. Lewin.  Lines of Contention: Political Cartoons of the Civil War<\/em>.  Washington DC: Smithsonian Institution Press, 2007.<\/p>\n\n\n\n

Huntzicker, William E.  “Picturing the News: Frank Leslie and the Origins of American Pictorial Journalism.” in The Press and the Civil War<\/em>, David B. Sachsman, et al, eds.  New Brunswick: Transaction Publishers, 2000.<\/p>\n\n\n\n

Inabinet, Brandon. \u201cDemocratic Circulation: Jacksonian Lithographs in U.S. Public Discourse.\u201d Rhetoric & Public Affairs<\/em> 15, no. 4 (2012): 659\u2013666.<\/p>\n\n\n\n

Inge, M. Thomas.  Comics as Culture<\/em>.  Jackson: University Press of Mississippi, 1990.<\/p>\n\n\n\n

Inge, M. Thomas. \u201cLi\u2019l Abner, Snuffy, Pogo, and Friends: The South in the American Comic Strip.\u201d Southern Quarterly<\/em> 48 (Winter 2011): 6\u201374.<\/p>\n\n\n\n

Jarman, Baird. \u201cThe Graphic Art of Thomas Nast: Politics and Propriety in Postbellum Publishing.\u201d American Periodicals<\/em> 20, no. 2 (2010): 156\u2013189.<\/p>\n\n\n\n

Jeansonne, Glen.  \u201cGoldbugs, Silverites, and Satirists: Caricature and Humor in the Presidential Election of 1896.\u201d Journal of American Culture <\/em>11:2 (Summer 1988): 1-8.<\/p>\n\n\n\n

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Wanzo, Rebecca.  The Content of our Caricature: African American Comic Art and Political Belonging<\/em>.  New York: NYU Press, 2020.<\/p>\n\n\n\n

Waugh, Coulton.  The Comics<\/em>. New York: Macmillan, 1947. <\/p>\n\n\n\n

Webb, Brandon.  \u201cLaughing Louder Than Bombs?  Apocalyptic Graphic Satire in Cold War Cartooning.\u201d  American Quarterly<\/em> 70:2 (June 2018): 235-266.<\/p>\n\n\n\n

West, Richard Samuel.  Satire on Stone: The Political Cartoons of Joseph Keppler<\/em>.  Urbana: University of Illinois Press, 1988.<\/p>\n\n\n\n

White, David M., and Robert H. Abel, eds.  The Funnies, an American Idiom<\/em>.  Glencoe, Ill.:  The Free Press, 1963.<\/p>\n\n\n\n

Wiggins, William H., Jr.  \u201cBoxing\u2019s Sambo Twins: Racial Stereotypes in Jack Johnson and Joe Louis Newspaper Cartoons, 1908-1938.\u201d  Journal of Sport History<\/em> 15 (Winter 1988): 242-253.<\/p>\n\n\n\n

Williams, Jason Richard. \u201cCompeting Visions: Women Writers and Male Illustrators in the Golden Age of Illustration.\u201d  PhD dissertation, University of New Hampshire, 2011. <\/p>\n\n\n\n

Williams, Rachel Marie-Crane. \u201cA War in Black and White: The Cartoons of Norman Ethre Jennett & the North Carolina Election of 1898.\u201d Southern Cultures<\/em> 19, no. 2 (2013): 7\u201331.<\/p>\n\n\n\n

Wolk, Douglas. All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told<\/em>. New York: Penguin, 2021. (Marvel comics)<\/p>\n\n\n\n

Wright, Bradford W.  Comic Book Nation: The Transformation of Youth Culture in America<\/em>.  Baltimore: Johns Hopkins University Press, 2001.<\/p>\n\n\n\n

Yaszek, Lisa.  “Them Damn Pictures: Americanization and the Comic Strip in the Progressive Era.”  Journal of American Studies<\/em> 28:1 (1994): 23-38.<\/p>\n\n\n\n

York, Chris, and Rafiel York, eds.  Comic Books and the Cold War, 1946-1962<\/em>.  Jefferson, NC: McFarland, 2012.<\/p>\n\n\n\n

Young, William H.  \u201cThe Serious Funnies: Adventure Comics during the Great Depression.\u201d  Journal of Popular Culture <\/em>3:3 (Winter 1969): 404-427.<\/p>\n\n\n\n

Young, Ralph, ed.  Make Art, Not War: Political Protest Posters from the Twentieth Century<\/em>.  New York: NYU Press, 2016.<\/p>\n\n\n\n

Back to Index Page<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Back to Index Page Abate, Michelle Ann.  Funny Girls: Guffaws, Guts, and Gender in Classic American Comics.  Jackson: University Press of Mississippi, 2018. Abate, Michelle Ann.  Singular Sensations: A Cultural History of One-Panel Comics in the United States.  New Brunswick: Rutgers University Press, 2024. Abel, Robert H., and David Manning White, eds.  The Funnies: An American Idiom.  New York: Free Press […]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-188","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/comments?post=188"}],"version-history":[{"count":29,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/188\/revisions"}],"predecessor-version":[{"id":2298,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/188\/revisions\/2298"}],"wp:attachment":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/media?parent=188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}