{"id":184,"date":"2021-09-18T01:28:37","date_gmt":"2021-09-18T01:28:37","guid":{"rendered":"https:\/\/mupages.marshall.edu\/sites\/masscommhistorybibliography\/?page_id=184"},"modified":"2025-08-10T21:12:04","modified_gmt":"2025-08-10T21:12:04","slug":"photography-and-photojournalism","status":"publish","type":"page","link":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/photography-and-photojournalism\/","title":{"rendered":"Photography and Photojournalism"},"content":{"rendered":"\n<p><a href=\"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/2021\/09\/17\/hello-world\/\">Back to Index Page<\/a><\/p>\n\n\n\n<p>Aletti, Vince.&nbsp;&nbsp;<em>Issues: A History of Photography in Fashion Magazines<\/em>.&nbsp;&nbsp;New York: Phaidon, 2019.<\/p>\n\n\n\n<p>Allen, James, et al.&nbsp;&nbsp;<em>Without Sanctuary: Lynching Photography in America<\/em>.&nbsp; Santa Fe: Twin Palms, 2000.&nbsp;<\/p>\n\n\n\n<p>Bacon Hales, Peter.&nbsp;&nbsp;<em>Silver Cities: The Photography of American Urbanization, 1839-1915<\/em>.&nbsp;&nbsp;Philadelphia: Temple University Press, 1984.&nbsp;<\/p>\n\n\n\n<p>Baker, Courtney.&nbsp;&nbsp;<em>Humane Insight: Looking at Images of African American Suffering and Death<\/em>.&nbsp;&nbsp;Urbana: University of Illinois Press, 2015.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Barger, M. Susan and William B. White.&nbsp;&nbsp;<em>The Daguerreotype: Nineteenth Century Technology and Modern Science<\/em>.&nbsp; Washington: Smithsonian Institution Press, 1991.<\/p>\n\n\n\n<p>Barnhurst, Kevin G., and John&nbsp;Nerone.&nbsp; \u201cCivil Picturing vs. Realist Photojournalism: The Regime of Illustrated News, 1865-1901.\u201d&nbsp;<em>Design Issues<\/em>&nbsp;16:1 (Spring 2000): 59-79.&nbsp;<\/p>\n\n\n\n<p>Batchen, Geoffrey, et al.,&nbsp;eds. &nbsp;<em>Picturing Atrocity: Photography in Crisis<\/em>. London:&nbsp;Reaktion, 2012.&nbsp;<\/p>\n\n\n\n<p>Baynes, Ken,\u00a0ed.\u00a0\u00a0<em>Scoop, Scandal and Strife: A Study of Photography in Newspapers<\/em>.\u00a0\u00a0New York: Pantheon Books, 1971.<\/p>\n\n\n\n<p>Beegan, Gerry. \u201cThe Mechanization of the Image: Facsimile, Photography, and Fragmentation in Nineteenth-Century Wood Engraving.\u201d\u00a0<em>Journal of Design History<\/em>\u00a08, no. 4 (1995): 257\u2013274.<\/p>\n\n\n\n<p>Beil, Kim.&nbsp;&nbsp;<em>Good Pictures: A History of Popular Photography<\/em>.&nbsp;&nbsp;Stanford: Stanford University Press, 2020.<\/p>\n\n\n\n<p>Berger, Martin.&nbsp;&nbsp;<em>Sight Unseen: Whiteness and American Visual Culture<\/em>.&nbsp;&nbsp;Berkeley: University of California Press, 2005.<\/p>\n\n\n\n<p>Berman, Bruce, and Mary M. Cronin. \u201cThe Photographer as Cultural Outsider: Russell Lee\u2019s 1949 \u2018Spanish-Speaking People of Texas\u2019 Project.\u201d&nbsp;<em>Journalism History<\/em>&nbsp;40:4 (2015): 202-216.<\/p>\n\n\n\n<p>Best, Makeda.&nbsp;&nbsp;<em>Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America<\/em>.&nbsp;&nbsp;College Station: Penn State University Press, 2020.<\/p>\n\n\n\n<p>Bethune, Beverly M. \u201cThings That Speak to the Eye: The Photographs of&nbsp;<em>Charities<\/em>, 1897\u20131909.\u201d<em>&nbsp;American Journalism<\/em>&nbsp;11, no. 3 (1994): 204\u201318.<\/p>\n\n\n\n<p>Bezner, Lili C.&nbsp;&nbsp;<em>Photography and Politics in America: From the New Deal into the Cold War<\/em>.&nbsp; Baltimore: Johns Hopkins University Press, 1999.<\/p>\n\n\n\n<p>Bisbee, A.&nbsp;&nbsp;<em>The History and Practice of Daguerreotyping<\/em>.&nbsp;&nbsp;Dayton: L.F.&nbsp;Clafin, 1853.<\/p>\n\n\n\n<p><em>The Black Photographer, 1908-1970: A Survey<\/em>.&nbsp;&nbsp;New York: James Van DerZee Institute, 1971.<\/p>\n\n\n\n<p>Blair, Nadya.&nbsp;&nbsp;<em>The Decisive Network: Magnum Photos and the Postwar Image Market<\/em>.&nbsp;&nbsp;Berkeley: University of California Press, 2020.<\/p>\n\n\n\n<p>Blair, Sara,&nbsp;<em>Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century.<\/em>&nbsp;(Princeton: Princeton University Press, 2007.<\/p>\n\n\n\n<p>Blair, Sara, and Eric Rosenberg.&nbsp;<em>Trauma and Documentary Photography of the FSA.<\/em>&nbsp;&nbsp;Berkeley: University of California Press, 2012.<\/p>\n\n\n\n<p>Bolton, Richard,&nbsp;ed.&nbsp;&nbsp;<em>The Conflict of Meaning: Critical Histories of Photography<\/em>.&nbsp; Cambridge: MIT Press, 1989.<\/p>\n\n\n\n<p>Bonanos, Christopher.&nbsp;&nbsp;<em>Instant: The Story of Polaroid<\/em>.&nbsp;&nbsp;Princeton: Princeton Architectural Press, 2012.<\/p>\n\n\n\n<p>Bonanos, Christopher.&nbsp;&nbsp;<em>Flash: The Making of Weegee the Famous<\/em>.&nbsp;&nbsp;New York: Henry Holt, 2018.<\/p>\n\n\n\n<p>Brayer, Elizabeth.&nbsp;&nbsp;<em>George Eastman: A Biography<\/em>.&nbsp; Baltimore: Johns Hopkins University Press, 1996.<\/p>\n\n\n\n<p>Brennen, Bonnie. \u201cStrategic Competition and the Photographer\u2019s Work: Photojournalism in Gannett Newspapers, 1937\u20131947.\u201d&nbsp;<em>American Journalism<\/em>&nbsp;15, no. 2 (1998): 59\u201377.<\/p>\n\n\n\n<p>Brennan, Bonnie.&nbsp;&nbsp;\u201cStrategic Competition and the Value of Photographers\u2019 Work: Photojournalism in Gannett Newspapers, 1937-1974.\u201d&nbsp;&nbsp;<em>American Journalism<\/em>&nbsp;15:2 (Spring 1998): 59-77.<\/p>\n\n\n\n<p>Brennan, Bonnie, and Hanno&nbsp;Hardt,&nbsp;eds.&nbsp;&nbsp;<em>Picturing the Past: Media, History, and Photography<\/em>.&nbsp; Urbana: University of Illinois Press, 1999.<\/p>\n\n\n\n<p>Brown, Elspeth H.&nbsp;&nbsp;<em>The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884-1929<\/em>.&nbsp;&nbsp;Baltimore: Johns Hopkins University Press, 2005.<\/p>\n\n\n\n<p>Brown, Julie K.&nbsp;&nbsp;<em>Making Culture Visible: The Public Display of Photography at Fairs, Expositions, and Exhibitions in the United States, 1847-1900<\/em>.&nbsp; Amsterdam: Harwood, 2001.<\/p>\n\n\n\n<p>Brown, Michael. \u201cDiscriminating Photographs from Hand-drawn Illustrations in Popular Magazines, 1895\u20131904.\u201d&nbsp;<em>American Journalism<\/em>&nbsp;17, no. 3 (2000): 15\u201330.<\/p>\n\n\n\n<p>Buckland, Gail.&nbsp;&nbsp;<em>Fox Talbot and the Invention of Photography<\/em>.&nbsp;&nbsp;Boston: David R.&nbsp;Godine, 1980.<\/p>\n\n\n\n<p>Buell, Hall.&nbsp;&nbsp;<em>Moments: The Pulitzer Prize Photographs<\/em>.&nbsp; New York: Black Dog and Leventhal, 1999.<\/p>\n\n\n\n<p>Burroughs, Henry D.&nbsp;&nbsp;<em>Close-ups of History: Three Decades through the Lens of an AP Photographer<\/em>.&nbsp;&nbsp;Columbia: University of Missouri Press, 2007.<\/p>\n\n\n\n<p>Buse, Peter.&nbsp;&nbsp;<em>The Camera Does the Rest: How Polaroid Changed Photography<\/em>.&nbsp;&nbsp;Chicago: University of Chicago Press, 2016.<\/p>\n\n\n\n<p>Bush, Alfred L., and Lee Clark Mitchell.&nbsp;&nbsp;<em>The Photograph and the American Indian<\/em>.&nbsp; Princeton: Princeton University Press, 1994.<\/p>\n\n\n\n<p>Bussard, Katherine, et. al., eds.&nbsp;&nbsp;Life&nbsp;<em>Magazine and the Power of Photography<\/em>.&nbsp;&nbsp;Princeton: Princeton University Press, 2020.<\/p>\n\n\n\n<p>Carlebach, Michael L. \u201cDocumentary and Propaganda: The Photographs of the Farm Security Administration.\u201d&nbsp;<em>The Journal of Decorative and Propaganda Arts<\/em>&nbsp;8 (1988): 6\u201325.<\/p>\n\n\n\n<p>Carlebach, Michael L.&nbsp;&nbsp;<em>The Origins of Photojournalism in America<\/em>.&nbsp; Washington DC: Smithsonian Institution Press, 1992. (pre-1880s&nbsp;period)&nbsp;<\/p>\n\n\n\n<p>Carlebach, Michael L.&nbsp;&nbsp;<em>American Photojournalism Comes of Age.<\/em>&nbsp;Washington DC: Smithsonian Institution Press, 1997.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Cawthra, Benjamin.&nbsp;<em>Blue Notes in Black and White: Photography and Jazz.<\/em>&nbsp;Chicago: University of Chicago Press, 2011.<\/p>\n\n\n\n<p>Chapnick, Howard.&nbsp;&nbsp;<em>Truth Needs No Ally: Inside Photojournalism<\/em>.&nbsp;&nbsp;Columbia: University of Missouri Press, 1994.<\/p>\n\n\n\n<p>Ching Carter, Karen L.&nbsp;&nbsp;<em>Photo-Essays About Asian American Women in Life Magazine, 1936 to 1965<\/em>.&nbsp;&nbsp;Lanham: Rowman &amp; Littlefield, 2021.<\/p>\n\n\n\n<p>Coar, Valencia Hollins, ed.&nbsp;<em>A Century of Black Photographers<\/em>.&nbsp;&nbsp;Providence: Rhode Island School of Design, 1983.<\/p>\n\n\n\n<p>Coe, Brian.&nbsp;&nbsp;<em>The Birth of Photography: The Story of the Formative Years, 1800-1900<\/em>.&nbsp; New York:&nbsp;Taplinger&nbsp;Publishing Co., 1976.<\/p>\n\n\n\n<p>Coe, Brian.&nbsp;&nbsp;<em>George Eastman and the Early Photographers<\/em>.&nbsp; London: Priory Press, 1973.<\/p>\n\n\n\n<p>Coleman, A.D.&nbsp;&nbsp;<em>Depth of Field: Essays on Photography, Mass Media, and Lens Culture<\/em>.&nbsp; Albuquerque: University of New Mexico Press, 1998.<\/p>\n\n\n\n<p>Collins, Kathleen,&nbsp;ed.&nbsp;&nbsp;<em>Shadow and Substance: Essays in the History of Photography<\/em>.&nbsp; Bloomfield Hills, Mich.: Amorphous Institute Press, 1990.<\/p>\n\n\n\n<p>Cook, Susan E.&nbsp;&nbsp;<em>Victorian Negatives: Literary Culture and the Dark Side of Photography in the Nineteenth Century<\/em>.&nbsp;&nbsp;New York: SUNY Press, 2020.<\/p>\n\n\n\n<p>Cookman, Claude H.&nbsp;<em>&nbsp;A Voice is&nbsp;Born: The Founding and Early Years of the National Press Photographers Association<\/em>.&nbsp;&nbsp;Durham, NC: National Press Photographers Association, 1985.<\/p>\n\n\n\n<p>Coopersmith, Jonathan.&nbsp; &#8220;From Lemons to Lemonade: The Development of the AP&nbsp;Wirephoto.&#8221;&nbsp;&nbsp;<em>American Journalism<\/em>&nbsp;17:4 (Fall 2000): 55-72.<\/p>\n\n\n\n<p>Currell, Sue. \u201cYou Haven\u2019t Seen Their Faces: Eugenic National Housekeeping and Documentary Photography in 1930s America.\u201d&nbsp;<em>Journal of American Studies<\/em>&nbsp;51:2 (2017): 481-511.<\/p>\n\n\n\n<p>Curtis, James.&nbsp;&nbsp;<em>Mind&#8217;s Eye, Mind&#8217;s Truth: FSA Photography Reconsidered<\/em>.&nbsp; Philadelphia: Temple University Press, 1989.<\/p>\n\n\n\n<p>Dance, Robert, and Bruce Robertson.&nbsp;&nbsp;<em>Ruth Harriet Louise and Hollywood Glamour Photography<\/em>.&nbsp;&nbsp;Berkeley: University of California Press, 2002.<\/p>\n\n\n\n<p>Daniel, Pete, et al.&nbsp;&nbsp;<em>Official Images: New Deal Photography<\/em>.&nbsp; Washington DC: Smithsonian Institution Press, 1987.<\/p>\n\n\n\n<p>Darrah, William Culp.&nbsp;&nbsp;<em>Stereo Views: A History of Stereographs in America and Their Collection<\/em>.&nbsp; Gettysburg, PA: Times and News Publishing, 1958.<\/p>\n\n\n\n<p>Davis, Caitlin S.&nbsp;&nbsp;\u201cLee Miller: Photographer of War.\u201d&nbsp;&nbsp;PhD dissertation, Rutgers University, 2005.<\/p>\n\n\n\n<p>Davis, Melody D.&nbsp;&nbsp;\u201cDoubling the Vision. Women and Narrative Stereography: The United States, 1870\u20131910.\u201d&nbsp;&nbsp;PhD dissertation, City University of New York, 2004.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Dejardin, Fiona M.&nbsp;&nbsp;\u201cThe Photo League: Left-wing Politics and the Popular Press.\u201d&nbsp;&nbsp;<em>History of Photography<\/em>&nbsp;18:2 (1994): 159-173.<\/p>\n\n\n\n<p>Delmez, Kathryn E.&nbsp;&nbsp;<em>We Shall Overcome: Press Photographs of Nashville during the Civil Rights Era<\/em>.&nbsp;&nbsp;Nashville: Frist Art Museum, 2018.<\/p>\n\n\n\n<p>Denny, Margaret. \u201cImage Makers, Picture Takers: Illinois Women Photographers, 1850\u20131900.\u201d&nbsp;<em>Journal of Illinois History<\/em>&nbsp;10 (Summer 2007): 133\u201356.<\/p>\n\n\n\n<p>Denny, Margaret H. \u201cFrom Commerce to Art: American Women Photographers 1850\u20131900.\u201d&nbsp; PhD dissertation, University of Illinois, Chicago, 2010.<\/p>\n\n\n\n<p>Dinius, Marcy J.&nbsp;<em>The Camera and the Press: American Visual and Print Culture in the Age of the Daguerreotype<\/em>.&nbsp; Philadelphia: University of Pennsylvania Press, 2012.<\/p>\n\n\n\n<p>Doherty, Robert J.&nbsp;&nbsp;<em>Social-Documentary Photograph in the USA<\/em>.&nbsp; New York:&nbsp;Amphoto, 1976.<\/p>\n\n\n\n<p>Dolan, Julia K. \u201c\u2018I Will Take You into the Heart of Modern Industry\u2019: Lewis Hine\u2019s Photographic Interpretation of the Machine Age.\u201d&nbsp;&nbsp;PhD dissertation, Boston University, 2009.<\/p>\n\n\n\n<p>Earle, Edward W.,&nbsp;ed.&nbsp;&nbsp;<em>Points of View: The Stereograph in America- A Cultural History<\/em>.&nbsp;&nbsp;Rochester, NY: Visual Studies Workshop Press, 1979.<\/p>\n\n\n\n<p>Eastman, Max.&nbsp;&nbsp;<em>Journalism&nbsp;Versus&nbsp;Art<\/em>.&nbsp;&nbsp;New York: Knopf, 1916.<\/p>\n\n\n\n<p>Edwards, Elizabeth.&nbsp;&nbsp;<em>The Camera as Historian: Amateur Photographers and Historical Imagination, 1885-1918<\/em>.&nbsp; Durham: Duke University Press, 2012.<\/p>\n\n\n\n<p>Evans, Jennifer V.&nbsp;&nbsp;\u201cSeeing Subjectivity: Erotic Photography and the Optics of Desire.\u201d&nbsp;<em>American Historical Review<\/em>118:2 (April 2013): 430-462.<\/p>\n\n\n\n<p>Ezickson, Aaron Jacob.&nbsp;&nbsp;<em>Get That Picture! The Story of the News Cameraman<\/em>.&nbsp;&nbsp;New York: National Library Press, 1938.<\/p>\n\n\n\n<p>Faas, Horst:&nbsp;&nbsp;<em>Requiem: By the Photographers who Died in Vietnam and Indochina.<\/em>&nbsp; New York: Random House, 1997.<\/p>\n\n\n\n<p>Faber, John.&nbsp;&nbsp;<em>Great Moments in News Photography<\/em>.&nbsp; New York: Thomas Nelson and Sons, 1960.<\/p>\n\n\n\n<p>File, Patrick C. \u201cPicturing Privacy: Journalism\u2019s Strategic Legal Discourse about Photography, 1890\u20131920.\u201d&nbsp;<em>Journalism Studies<\/em>&nbsp;26, no. 3 (2025): 333\u2013350.<\/p>\n\n\n\n<p>Finnegan, Cara A.&nbsp;&nbsp;<em>Picturing Poverty: Print Culture and FSA Photographs<\/em>. Washington: Smithsonian Institution, 2003.<\/p>\n\n\n\n<p>Finnegan, Cara A.&nbsp;&nbsp;<em>Making Photography Matter: A Viewer\u2019s History from the Civil War to the Great Depression<\/em>.&nbsp;&nbsp;Urbana: University of Illinois Press, 2015.<\/p>\n\n\n\n<p>Finnegan, Cara A.&nbsp;&nbsp;<em>Photographic Presidents: Making History from Daguerreotype to Digital<\/em>.&nbsp;&nbsp;Urbana: University of Illinois Press, 2021.<\/p>\n\n\n\n<p>Foresta, Merry A.&nbsp;&nbsp;<em>Secrets of the Dark Chamber: The Art of the American Daguerreotype<\/em>.&nbsp; Washington DC: Smithsonian Institution Press, 1995.<\/p>\n\n\n\n<p>Fox-Amato, Matthew.&nbsp;&nbsp;<em>Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America.<\/em>&nbsp;&nbsp;New York: Oxford University Press, 2019.<\/p>\n\n\n\n<p>Friedman, Joseph S.&nbsp;&nbsp;<em>History of Color Photography<\/em>.&nbsp; New York: Focal Press, 1968.&nbsp;<\/p>\n\n\n\n<p>Fulton, Marianne,&nbsp;ed.&nbsp;&nbsp;<em>The Eyes of Time: Photojournalism in America<\/em>.&nbsp;&nbsp;Boston: Little, Brown, 1988.<\/p>\n\n\n\n<p>Gallagher, Victoria J., and Kenneth S. Zagacki. \u201cVisibility and Rhetoric: Epiphanies and Transformations in the \u2018Life\u2019 Photographs of the Selma Marches of 1965.\u201d&nbsp;<em>Rhetoric Society Quarterly<\/em>&nbsp;37, no. 2 (2007): 113\u201335.&nbsp;<\/p>\n\n\n\n<p>Gersheim, Helmut.&nbsp;&nbsp;<em>A Concise History of Photography<\/em>.&nbsp; London: Thames and Hudson, 1965.&nbsp;<\/p>\n\n\n\n<p>Gidal, Tim N.&nbsp;&nbsp;<em>Modern Photojournalism: Origins and Evolution, 1910-1933<\/em>.&nbsp; New York: Macmillan, 1973.&nbsp;<\/p>\n\n\n\n<p>Gidley, Mick. \u201cSilence, Grandeur: Emil Otto Hoppe\u2019s Popular American Landscapes.\u201d&nbsp;<em>European Contributions to American Studies<\/em>&nbsp;26 (January 1, 1995): 151\u2013171.&nbsp;<\/p>\n\n\n\n<p>Gillespie, Sarah Kate.&nbsp;&nbsp;<em>The Early American Daguerreotype: Cross-Currents in Art and Technology<\/em>.&nbsp;&nbsp;Cambridge: MIT Press, 2016.<\/p>\n\n\n\n<p>Gold, Matthew K. \u201cThe Culture of Proof: Science, Religion, and Photography in America, 1780\u20131875.\u201d&nbsp;&nbsp;PhD dissertation, City University of New York, 2006.&nbsp;<\/p>\n\n\n\n<p>Goldberg, Vicki,&nbsp;ed.&nbsp;&nbsp;&nbsp;<em>Photography in Print: Writings&nbsp;From&nbsp;1816 to the Present.&nbsp;<\/em>&nbsp;Albuquerque: University of New Mexico Press, 1981.&nbsp;<\/p>\n\n\n\n<p>Goldberg, Vicki.&nbsp;&nbsp;<em>Margaret Bourke-White: A Biography<\/em>.&nbsp; New York: Harper and Row, 1986.&nbsp;<\/p>\n\n\n\n<p>Goldberg, Vicki.&nbsp;&nbsp;<em>The Power of Photography: How Photographs Changed Our Lives<\/em>.&nbsp;&nbsp;New York: Abbeville Press, 1991.<\/p>\n\n\n\n<p>Goldberg, Vicki, and Robert Silberman.&nbsp;<em>American Photography<\/em>,&nbsp;<em>A<\/em><em>&nbsp;Century of Images.&nbsp;&nbsp;<\/em>San Francisco: Chronicle Books, 1999.<\/p>\n\n\n\n<p>Good, Katie Day.&nbsp;&nbsp;\u201cListening to Pictures: Converging Media Histories and the Multimedia Newspaper.\u201d&nbsp;&nbsp;<em>Journalism Studies<\/em>&nbsp;18:6 (June 2017): 691-709.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Goodyear, Frank Henry III.&nbsp;&nbsp;\u201cConstructing a National Landscape: Photography and Tourism in Nineteenth Century America.\u201d&nbsp;&nbsp;Phd&nbsp;dissertation, University of Texas-Austin, 1998.<\/p>\n\n\n\n<p>Gordon, Linda.&nbsp;&nbsp;<em>Dorothea Lange: A Life&nbsp;Beyond&nbsp;Limits<\/em>.&nbsp;&nbsp;New York: Norton, 2010.<\/p>\n\n\n\n<p>Gordon, Tammy S.&nbsp;&nbsp;<em>The Mass Production of Memory: Travel and Personal Archiving in the Age of Kodak<\/em>.&nbsp;&nbsp;Amherst: University of Massachusetts Press, 2020.<\/p>\n\n\n\n<p>Graham, Cooper C., and Ron van&nbsp;Dopperen.&nbsp;&nbsp;\u201cEdwin F.&nbsp;Weigle: Cameraman for the&nbsp;<em>Chicago Tribune<\/em>.\u201d&nbsp;&nbsp;<em>Film History<\/em>&nbsp;22:4 (December 2010): 389-407.&nbsp;<\/p>\n\n\n\n<p>Granqvist, Raoul J. \u201cPhotojournalism\u2019s White Mythologies: Eliot Elisofon and&nbsp;<em>LIFE<\/em>&nbsp;in Africa, 1959\u20131961.\u201d&nbsp;<em>Research in African Literatures<\/em>&nbsp;43, no. 3 (2012): 84\u2013105.<\/p>\n\n\n\n<p>Gray, David A. \u201cNew Uses for Old Photos: Renovating FSA Photographs in World War II Posters.\u201d&nbsp;<em>American Studies<\/em>&nbsp;47, no. 3\/4 (2006): 5\u201334.&nbsp;<\/p>\n\n\n\n<p>Green, Jonathan.&nbsp;&nbsp;<em>A Critical History of American Photography<\/em>.&nbsp;&nbsp;New York: Abrams, 1984.<\/p>\n\n\n\n<p>Grunder, Sarah Lucinda. \u201cThe Spectacle of Citizenship: Halftones, Print Media, and Constructing&nbsp;Americanness, 1880\u20131940.\u201d&nbsp; PhD dissertation, College of William and Mary, 2010.<\/p>\n\n\n\n<p>Guimond, James.&nbsp;&nbsp;<em>American Photography and the American Dream<\/em>.&nbsp; Chapel Hill: University of North Carolina Press, 1991.<\/p>\n\n\n\n<p>Gustavson, Todd.&nbsp;&nbsp;<em>Camera: A History of Photography From Daguerreotype to Digital<\/em>. New York: Fall River Press, 2009.&nbsp;&nbsp;&nbsp;Mostly a photo history of cameras<\/p>\n\n\n\n<p>Guthrie, Jason Lee.&nbsp;&nbsp;\u201cIll-Protected Portraits: Matthew Brady and Photographic Copyright.\u201d&nbsp;<em>Journalism History<\/em>&nbsp;45:2 (2019): 135-156.<\/p>\n\n\n\n<p>Hales, Peter Bacon.&nbsp;&nbsp;<em>Silver Cities: The Photography of American Urbanization, 1839-1915<\/em>.&nbsp; Philadelphia: Temple University Press, 1984.<\/p>\n\n\n\n<p>Hales, Peter Bacon.&nbsp;&nbsp;<em>William Henry Jackson and the Transformation of the American Landscape<\/em>.&nbsp; Philadelphia: Temple University Press, 1988.<\/p>\n\n\n\n<p>Hamilton, Robert. \u201cShooting from the Hip: Representations of the Photojournalist of the Vietnam War.\u201d&nbsp;<em>Oxford Art Journal<\/em>&nbsp;9, no. 1 (1986): 49\u201355.<\/p>\n\n\n\n<p>Hannigan, William, and Ken Johnston.&nbsp;&nbsp;<em>Picture Machine: The Rise of American News Pictures<\/em>.&nbsp;&nbsp;New York: Abrams, 2004.<\/p>\n\n\n\n<p>Hansom, Paul.&nbsp; &#8220;All Consuming Modernism: The Photo Essay and American Historical Consciousness.&#8221;&nbsp; PhD dissertation, University of Southern California, 1999.<\/p>\n\n\n\n<p>Hariman, Robert, and John Louis&nbsp;Lucaites.&nbsp;&nbsp;<em>No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy<\/em>.&nbsp;&nbsp;Chicago: University of Chicago Press, 2008.<\/p>\n\n\n\n<p>Harris, John M. \u201cAmerica\u2019s Vision of War: A History of Combat Photography in the United States as Seen through Three Images.\u201d&nbsp; PhD dissertation, University of Washington, 2011.<\/p>\n\n\n\n<p>Harris, John M. \u201c\u2018Truthful as the Record of Heaven\u2019: The Battle of Antietam and the Birth of Photojournalism.\u201d&nbsp;<em>Southern Cultures<\/em>&nbsp;19, no. 3 (2013): 79\u201394.&nbsp;<\/p>\n\n\n\n<p>Hauptman, Jodi.&nbsp;&nbsp;\u201cFLASH!&nbsp;&nbsp;The Speed Graphic Camera.\u201d&nbsp;<em>Yale Journal of Criticism<\/em>&nbsp;11:1&nbsp;Spring&nbsp;1998): 129-137.<\/p>\n\n\n\n<p>Hausman, Carl.&nbsp;&nbsp;\u201cGeorge Eastman: 100 Years of a Marketable Camera.\u201d&nbsp;&nbsp;<em>Media History Digest<\/em>&nbsp;8:2 (Fall-Winter 1988): 2-7.<\/p>\n\n\n\n<p>Henisch, Heinz K. and Bridget A.&nbsp;Henisch.&nbsp;&nbsp;<em>The Photographic Experience 1839-1914: Images and Attitudes<\/em>.&nbsp; University Park: Penn State University Press, 1994.<\/p>\n\n\n\n<p>Hicks, Wilson.&nbsp;&nbsp;<em>Words and Pictures: An Introduction to Photojournalism<\/em>.&nbsp;&nbsp;New York: Harper and Brothers, 1952.&nbsp;&nbsp;(LIFE photographer)<\/p>\n\n\n\n<p>Hill, Jason E.&nbsp;&nbsp;<em>Artist as Reporter:&nbsp;Weegee, Ad Reinhardt, and the&nbsp;<\/em>PM<em>&nbsp;News Picture<\/em>.&nbsp;&nbsp;Berkeley: University of California Press, 2017.<\/p>\n\n\n\n<p>Hill, Jason E., and Vanessa R. Schwartz, eds.&nbsp;<em>&nbsp;Getting the Picture: The Visual Culture of News<\/em>.&nbsp;&nbsp;New York: Routledge, 2015.<\/p>\n\n\n\n<p>Hodgson, Pat.&nbsp;&nbsp;<em>Early War Photographs<\/em>.&nbsp; Boston: New York Graphic Society, 1974.<\/p>\n\n\n\n<p>Holiday, Steven, and Dale Cressman. \u201cWhat Deepest Remains: How Photojournalistic Mutualism Between Robert Capa and Elmer W. Lower Shaped Modern Concepts of World War II.\u201d&nbsp;<em>American Journalism<\/em>&nbsp;33:4 (2016): 442-464.<\/p>\n\n\n\n<p>Holloway, David, and John Beck,&nbsp;eds.&nbsp;&nbsp;&nbsp;<em>American Visual Cultures<\/em>.&nbsp;&nbsp;New York: Continuum, 2005.&nbsp;<br><br>Horan, James D.&nbsp;&nbsp;<em>Matthew Brady: Historian&nbsp;With&nbsp;a Camera<\/em>.&nbsp; New York: Crown, 1955.<\/p>\n\n\n\n<p>Heron, Liz and Val Williams,&nbsp;eds.&nbsp;&nbsp;<em>Illuminations: Woman Writing on Photography&nbsp;From&nbsp;the 1850s to the Present<\/em>.&nbsp; Durham: Duke University Press, 1996.*&nbsp;<\/p>\n\n\n\n<p>Holly, Michael A.&nbsp;&nbsp;<em>Past Looking: Historical Imagination and the Rhetoric of the Image<\/em>.&nbsp; Ithaca: Cornell University Press, 1996.<\/p>\n\n\n\n<p>Hostetler, Lisa, and Katherine A. Bussard.<em>&nbsp;&nbsp;Color Rush: American Color Photography from Stieglitz to Sherman.&nbsp;&nbsp;<\/em>New York: Aperture, 2013.<\/p>\n\n\n\n<p>Hughes, Jim.&nbsp;&nbsp;<em>W. 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Eugene Smith and the Photographic Essay<\/em>.&nbsp; New York: Cambridge University Press, 1992.<\/p>\n\n\n\n<p>Wischrnann, Lesley. \u201cDying on the Front Page: Kent State and the Pulitzer Prize.\u201d&nbsp;<em>Journal of Mass Media Ethics<\/em>&nbsp;2, no. 2 (1987): 67\u201374.&nbsp;<\/p>\n\n\n\n<p>Wood, John,&nbsp;ed.&nbsp;&nbsp;<em>America and the Daguerreotype<\/em>.&nbsp; Iowa City: University of Iowa Press, 1991.*<\/p>\n\n\n\n<p>Wood, John.&nbsp;&nbsp;<em>The Art of&nbsp;Autochrome: The Birth of Color Photography<\/em>.&nbsp;&nbsp;Iowa City: University of Iowa Press, 1993.<\/p>\n\n\n\n<p>Wood, John.&nbsp;&nbsp;<em>The Scenic Daguerreotype: Romanticism and Early Photography<\/em>.&nbsp;&nbsp;Iowa City: University of Iowa Press, 1995.<\/p>\n\n\n\n<p>Yochelson, Bonnie, and Daniel&nbsp;Czitrom.&nbsp;&nbsp;<em>Rediscovering Jacob Riis: Exposure Journalism and Photography in Turn of the Century New York<\/em>.&nbsp;&nbsp;New York: New Press, 2007.<\/p>\n\n\n\n<p>Zelizer, Barbie.&nbsp;<em>About to Die: How News Images Move the Public.<\/em>&nbsp;New York: Oxford University Press, 2010.<\/p>\n\n\n\n<p><a href=\"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/2021\/09\/17\/hello-world\/\">Back to Index Page<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back to Index Page Aletti, Vince.&nbsp;&nbsp;Issues: A History of Photography in Fashion Magazines.&nbsp;&nbsp;New York: Phaidon, 2019. Allen, James, et al.&nbsp;&nbsp;Without Sanctuary: Lynching Photography in America.&nbsp; Santa Fe: Twin Palms, 2000.&nbsp; Bacon Hales, Peter.&nbsp;&nbsp;Silver Cities: The Photography of American Urbanization, 1839-1915.&nbsp;&nbsp;Philadelphia: Temple University Press, 1984.&nbsp; Baker, Courtney.&nbsp;&nbsp;Humane Insight: Looking at Images of African American Suffering and [&hellip;]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-184","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":22,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/184\/revisions"}],"predecessor-version":[{"id":2355,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/184\/revisions\/2355"}],"wp:attachment":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/media?parent=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}