{"id":167,"date":"2021-09-18T01:05:18","date_gmt":"2021-09-18T01:05:18","guid":{"rendered":"https:\/\/mupages.marshall.edu\/sites\/masscommhistorybibliography\/?page_id=167"},"modified":"2023-05-15T02:28:53","modified_gmt":"2023-05-15T02:28:53","slug":"sound-technology-the-music-industry-and-cultural-histories-of-music","status":"publish","type":"page","link":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/sound-technology-the-music-industry-and-cultural-histories-of-music\/","title":{"rendered":"Sound Technology, the Music Industry, and Cultural Histories of Music"},"content":{"rendered":"\n

Back to Index Page<\/a><\/p>\n\n\n\n

Sound Recording Technology<\/strong><\/p>\n\n\n\n

Blake, Art M. \u201cAudible Citizenship and Audiomobility: Race, Technology, and CB Radio.\u201d American Quarterly<\/em> 63 (September 2011): 531\u2013553.<\/p>\n\n\n\n

Borgerson, Janet, and Jonathan Schroeder.  Designed for Hi-Fi Living: The Vinyl LP in Midcentury America<\/em>.  Cambridge: MIT Press, 2017.<\/p>\n\n\n\n

Clark, Mark H.  “The Magnetic Recording Industry, 1878-1960.”  PhD dissertation, University of Delaware, 1992.<\/p>\n\n\n\n

Gelatt, Ronald.  The Fabulous Phonograph, 1877-1977<\/em>.  2nd ed.  New York: Macmillan, 1977.<\/p>\n\n\n\n

Horning, Susan Schmidt.  \u201cEngineering the Performance: Recording Engineers, Tacit Knowledge, and the Art of Controlling Sound.\u201d  Social Studies of Science<\/em> 34:5 (October 2004): 703-731.<\/p>\n\n\n\n

Horning, Susan Schmidt.  Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP<\/em>.  Baltimore: Johns Hopkins University Press, 2013.<\/p>\n\n\n\n

Katz, Mark.  Capturing Sound: How Technology Has Changed Music<\/em>.  Berkeley: University of California Press, 2004.<\/p>\n\n\n\n

Kenny, William H.  Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945<\/em>.  New York: Oxford University Press, 1999.<\/p>\n\n\n\n

Kraft, James P.  Stage to Studio: Musicians and the Sound Revolution, 1890-1950<\/em>.  Baltimore: Johns Hopkins University Press, 1996.<\/p>\n\n\n\n

Krishef, Robert K.  Playback: The Story of Recording Devices<\/em>.  Minneapolis: Lerner Publishing, 1962.<\/p>\n\n\n\n

Lastra, James.  Sound Technology and the American Cinema: Perception, Reception, and Modernity<\/em>.  New York: Columbia University Press, 2004.<\/p>\n\n\n\n

Lydon, Michael, and Ellen Mandel.  Boogie Lightning: How Music Became Electric<\/em>.  New York: Dial, 1974.<\/p>\n\n\n\n

Magoun, Alexander Boyden.  “Shaping the Sound of Music: The Evolution of the Phonograph Record, 1877-1950.” Ph.D. dissertation, University of Maryland, 2000.<\/p>\n\n\n\n

Martin,\u00a0Lerone\u00a0A.\u00a0Preaching on Wax: The Phonograph and the Shaping of Modern African American Religion<\/em>.\u00a0\u00a0New York: New York University Press, 2015.<\/p>\n\n\n\n

Masters, Marc.\u00a0\u00a0High Bias: The Distorted History of the Cassette Tape<\/em>.\u00a0\u00a0Chapel Hill: University of North Carolina Press, 2023.<\/p>\n\n\n\n

Morton, David.  Off the Record: The Technology and Culture of Sound Recording in America<\/em>.  New Brunswick: Rutgers University Press, 2000.<\/p>\n\n\n\n

Morton, David.  Sound Recording: The Life Story of a Technology<\/em>.  Baltimore: Johns Hopkins University Press, 2006.<\/p>\n\n\n\n

Read, Oliver, and Walter L. Welch.  From Tin Foil to Stereo: The Evolution of the Phonograph<\/em>.  Indianapolis: H.W. Swan, 1976.<\/p>\n\n\n\n

Schmidt, Susan Horning.  Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP<\/em>.  Baltimore: Johns Hopkins University Press, 2013.<\/p>\n\n\n\n

Sewald, Ronda L.  \u201cForced Listening: The Contested Use of Loudspeakers for Commercial and Political Messages in the Public Soundscape.\u201d American Quarterly<\/em> 63 (September 2011): 761\u2013780.<\/p>\n\n\n\n

Steffen, David J.  From Edison to Marconi: The First Thirty Years of Recorded Music<\/em>.  Jefferson, NC: McFarland, 2005.<\/p>\n\n\n\n

Tang, Jeffrey Donald.  \u201cSound Decisions: Systems, Standards, and Consumers in American Audio Technology, 1945\u20131975.\u201d  PhD dissertation, University of Pennsylvania, 2004.  <\/p>\n\n\n\n

Taylor, Timothy D., Mark Katz, and Tony Grajeda, eds.  Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio<\/em>.  Durham: Duke University Press, 2012.<\/p>\n\n\n\n

Wurtzler, Steve J.  Electric Sounds: Technological Change and the Rise of Corporate Mass Media<\/em>.  New York: Columbia University Press, 2007.  <\/p>\n\n\n\n

The Music Industry and Cultural Histories of Music<\/strong><\/p>\n\n\n\n

Abbott, Lynn, and Doug Seroff.  Ragged but Right: Black Travelling Shows, \u201cCoon Songs,\u201d and the Dark Pathway to Blues and Jazz<\/em>.  Oxford: University Press of Mississippi, 2007.<\/p>\n\n\n\n

Abbott, Lynn, and Doug Seroff.  Out of Sight: The Rise of African-American Popular Music, 1888-1895<\/em>.  Oxford: University Press of Mississippi, 2009.<\/p>\n\n\n\n

Allen, Ray.  \u201cIn Pursuit of Authenticity: The New Lost City Ramblers and the Postwar Folk Music Revival.\u201d  Journal of the Society for American Music<\/em> 4:3 (2010): 277-305.<\/p>\n\n\n\n

Allen, Ray.  Gone to the Country: The New Lost City Ramblers and the Folk Music Revival.<\/em>  Urbana: University of Illinois Press, 2010.<\/p>\n\n\n\n

Anderson, Tim.  Making Easy Listening: Material Culture and Postwar American Recording<\/em>.  Minneapolis: University of Minnesota Press, 2006.<\/p>\n\n\n\n

Barnett, Kyle.  Record Cultures: The Transformation of the U.S. Recording Industry<\/em>.  Ann Arbor: University of Michigan Press, 2020.<\/p>\n\n\n\n

Beebe, Roger, and Jason Middleton, eds.  Medium Cool: Music Videos from Soundies to Cell Phones<\/em>.  Durham: Duke University Press, 2007.<\/p>\n\n\n\n

Berry, Chad, ed.  The Hayloft Gang: The Story of the National Barn Dance<\/em>.  Urbana: University of Illinois Press, 2008.<\/p>\n\n\n\n

Bertrand, Michael T.  Race, Rock, and Elvis<\/em>.  Urbana: University of Illinois Press, 2000.<\/p>\n\n\n\n

Bradley, Doug, and Craig Werner.  We Gotta Get Out of This Place: The Soundtrack of the Vietnam War<\/em>.  Amherst: University of Massachusetts Press, 2015.<\/p>\n\n\n\n

Brooks, Jeneve R.  \u201cThe Silent Soundtrack: Anti-War Music from Vietnam to Iraq.\u201d  PhD dissertation, Fordham University, 2009.<\/p>\n\n\n\n

Brooks, Tim.  Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919<\/em>.  Urbana: University of Illinois Press, 2004.<\/p>\n\n\n\n

Brundage, W. Fitzhugh, ed.  Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890-1930<\/em>.   Chapel Hill: University of North Carolina Press, 2011.<\/p>\n\n\n\n

Burke, Patrick. \u201cTear Down the Walls: Jefferson Airplane, Race, and Revolutionary Rhetoric in 1960s Rock.\u201d Popular Music<\/em> (Cambridge) 29 (January 2010): 61\u201379.<\/p>\n\n\n\n

Campbell, Gavin James.  Music and the Making of the New South<\/em>.  Chapel Hill: University of North Carolina Press, 2004.<\/p>\n\n\n\n

Carlin, Richard, and Kinshasha Holman Conwill, eds.  Ain\u2019t<\/em> Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment.<\/em>  Washington, D.C.: Smithsonian Books, 2010.<\/p>\n\n\n\n

Chapple, Steve, and Reebee Garofalo.  Rock and Roll is Here to Pay: the History and Politics of the Music Industry<\/em>.  Chicago: Nelson Hall, 1977.<\/p>\n\n\n\n

Chevigny, Paul.  Gigs: Jazz and the Cabaret Laws in New York City<\/em>.  2 ed.  New York: Routlege, 2004.<\/p>\n\n\n\n

Clarke, Donald.  The Rise and Fall of Popular Music<\/em>.  New York: St. Martin\u2019s, 1996.<\/p>\n\n\n\n

Clegg, Mindy L. \u201cWhen Jazz Was King: Selling Records With the Cold War.\u201d Journal of American Culture<\/em> 38:3 (2015): 243-254.<\/p>\n\n\n\n

Cohen, Harvey G.  \u201cThe Marketing of Duke Ellington: Setting the Strategy for an African American Maestro.\u201d  Journal of African American History<\/em> 89:4 (Autumn 2004): 291-315.<\/p>\n\n\n\n

Crawford, Richard. America\u2019s Musical Life: A History<\/em>.  New York: Norton, 2005.<\/p>\n\n\n\n

Cummings, Alex S.  \u201cFrom Monopoly to Intellectual Property: Music Piracy and the Remaking of American Copyright, 1909\u20141971.\u201d  Journal of American History<\/em> 97:3 (December 2010): 659-681.<\/p>\n\n\n\n

Cummings, Alex Sayf. \u201cThe Bootleg South: The Geography of Music Piracy in the 1970s.\u201d Southern Cultures<\/em> 19 (Spring 2013): 82\u201397.<\/p>\n\n\n\n

Cummings, Alex S.  Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century<\/em>.  New York: Oxford University Press, 2013.<\/p>\n\n\n\n

Davis, Joshua Clark.  \u201cFor the Record.\u201d  Southern Cultures<\/em> 17:4 (Winter 2011): 71-90.  Black-owned record stores<\/p>\n\n\n\n

Delmont, Matthew F.  The Nicest Kids in Town: American Bandstand, Rock \u2018n\u2019 Roll, and the Struggle for Civil Rights in 1950s Philadelphia<\/em>. Berkeley: University of California Press, 2012.<\/p>\n\n\n\n

Donaldson, Rachel Clare.  \u201cI Hear America Singing\u201d: Folk Music and National Identity<\/em>.  Philadelphia: Temple University Press, 2014.<\/p>\n\n\n\n

Doran, Emma.  \u201cConfiguring the Dance Review in the North-American Daily, 1890-1920.\u201d  Media History<\/em> 24: 3\/4 (August\/November 2018): 493-513.<\/p>\n\n\n\n

Dormon, James H.  \u201cShaping the Popular Image of Post-Reconstruction American Blacks: The \u2018Coon Song\u2019 Phenomenon of the Gilded Age.\u201d  American Quarterly<\/em> 40:4 (December 1988): 450-471.<\/p>\n\n\n\n

Foreman, Murray.  One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television<\/em>.  Durham: Duke University Press, 2012.<\/p>\n\n\n\n

Fox, John Hartley.  King of the Queen City: The Story of King Records<\/em>.  Urbana: University of Illinois Press, 2009.<\/p>\n\n\n\n

Frith, Simon, and Andrew Goodwin, eds.  On Record: Rock, Pop, and the Written Word<\/em>.  New York: Pantheon Books, 1990.<\/p>\n\n\n\n

Frontani, Michael R. \u201cBeatlepeople: Gramsci, the Beatles, and Rolling Stone<\/em>.\u201d American Journalism<\/em>19:3 (2002): 39-61.<\/p>\n\n\n\n

Frontani, Michael.  The Beatles: Image and the Media<\/em>.  Jackson: University Press of Mississippi, 2007.<\/p>\n\n\n\n

Gebhardt, Nicholas.  Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1920<\/em>.  Chicago: University of Chicago Press, 2017.<\/p>\n\n\n\n

Gennari, John.  Blowin<\/em>\u2019 Hot and Cold: Jazz and Its Critics<\/em>.  Chicago: University of Chicago Press, 2006.<\/p>\n\n\n\n

George, Nelson.  The Death of Rhythm and Blues<\/em>.  New York: Pantheon, 1988.<\/p>\n\n\n\n

George, Nelson.  The Hippest Trip in America: Soul Train and the Evolution of Culture and Style<\/em>. New York: Morrow, 2014.<\/p>\n\n\n\n

Gilbert, David W.  The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace<\/em>.  Chapel Hill: University of North Carolina Press, 2015.<\/p>\n\n\n\n

Goldberg, Isaac.  Tin Pan Alley: A Chronicle of American Popular Music<\/em>.  New York: Ungar Publishing Group, 1982.<\/p>\n\n\n\n

Goldmark, Daniel, Lawrence Kramer, and Richard Leppart, eds.  Beyond the Soundtrack<\/em>.  Berkeley: University of California Press, 2007.<\/p>\n\n\n\n

Goodale, Greg.  Sonic Persuasion: Reading Sound in the Recorded Age. <\/em>Urbana: University of Illinois Press, 2011.<\/p>\n\n\n\n

Graham, Sandra Jean. Spirituals and the Birth of the Black Entertainment Industry<\/em>.  Urbana: University of Illinois Press, 2018.<\/p>\n\n\n\n

Greene, Kevin D. \u201c\u2018Just a Dream\u2019: Big Bill Broonzy, the Blues, and Chicago\u2019s Black Metropolis.\u201d Journal of Urban History<\/em> 40 (Jan. 2014): 116\u2013136.<\/p>\n\n\n\n

Hagstrom Miller, Carl.  Segregating Sound: Inventing Folk and Pop in the Age of Jim Crow<\/em>.  Chapel Hill: University of North Carolina Press, 2010.<\/p>\n\n\n\n

Hall, James W.  \u201cConceptions of Liberty in American Broadside Ballads, 1850-1870.\u201d  Journal of Popular Culture <\/em>2:2 (Fall 1968): 252-277.<\/p>\n\n\n\n

Hamm, Charles.  Putting Popular Music in Its Place<\/em>.  New York: Cambridge University Press, 1995.<\/p>\n\n\n\n

Haralambos, Michael.  Right On: From Blues to Soul in Black America<\/em>.  New York: Drake, 1975.<\/p>\n\n\n\n

Hill, Trent.  “The Enemy Within: Censorship in Rock Music in the 1950s.”  South Atlantic Quarterly<\/em> 90 (Fall 1991): 675-708.<\/p>\n\n\n\n

Hiroshi Garrett, Charles.  Struggling to Define a Nation: American Music and the Twentieth Century<\/em>.  Berkeley: University of California Press, 2008.<\/p>\n\n\n\n

Huber, Patrick. \u201cThe New York Sound: Citybilly Recording Artists and the Creation of Hillbilly Music, 1924\u20131932.\u201d Journal of American Folklore<\/em> 127 (Spring 2014): 140\u2013158.<\/p>\n\n\n\n

Hughes, Charles L.  Country Soul: Making Music and Making Race in the American South<\/em>.  Chapel Hill: University of North Carolina Press, 2015.<\/p>\n\n\n\n

Jasen, David A.  Tin Pan Alley: The Composers, the Songs, the Performers, and their Times<\/em>.  New York: Donald I. Fine, 1988.<\/p>\n\n\n\n

Johnson, Mark A. \u201c\u2018The Best Notes Made the Most Votes\u2019: W. C. Handy, E. H. Crump, and Black Music as Politics.\u201d Southern Cultures<\/em> 20 (Summer 2014): 52\u201368. <\/p>\n\n\n\n

Jones, John Bush.  The Songs That Fought the War: Popular Music and the Home Front, 1939\u20131945<\/em>. Waltham: Brandeis University Press, 2006. <\/p>\n\n\n\n

Jones, Steve. \u201cRe-Viewing Rock Writing: The Origins of Popular Music Criticism.\u201d American Journalism<\/em> 9: 1\/2 (1992): 87-107.<\/p>\n\n\n\n

Jones, Steve, ed.  Pop Music and the Press<\/em>.  Philadelphia: Temple University Press, 2002.<\/p>\n\n\n\n

Joyner, Charles. \u201cA Region in Harmony: Southern Music and the Sound Track of Freedom.\u201d  Journal of Southern History<\/em> 72 (February 2006): 3-38.<\/p>\n\n\n\n

Kanter, Kenneth Aaron.  The Jews on Tin Pan Alley: The Jewish Contribution to American Popular Music, 1830-1940<\/em>.  New York: Ktav Publishing House, 1982.<\/p>\n\n\n\n

Kyriakoudes, Louis M.  \u201cThe Grand Ole Opry and the Urban South.\u201d  Southern Cultures<\/em> 10:1 (Spring 2004): 67-84.<\/p>\n\n\n\n

La Chapelle, Peter.  I\u2019d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music<\/em>.   Chicago: University of Chicago Press, 2019.<\/p>\n\n\n\n

Lange, Jeffrey J.  Smile When You Call Me a Hillbilly: Country Music’s Struggle for Respectability, 1939-1954<\/em>.  Athens: University of Georgia Press, 2004.<\/p>\n\n\n\n

Lauterbach, Preston.  The Chitlin\u2019 Circuit and the Road to Rock and Roll<\/em>.  New York: Norton, 2011.<\/p>\n\n\n\n

Levy, Lester.  Grace Notes in American History: Popular Sheet Music from 1820 to 1900<\/em>.  Norman: University of Oklahoma Press, 1967.<\/p>\n\n\n\n

Levy, Lester.  Picture the Songs: Lithographs from Sheet Music<\/em>.  Baltimore: Johns Hopkins University Press, 1976.<\/p>\n\n\n\n

Lawson, R.A.  Jim Crow\u2019s Counterculture: The Blues and Black Southerners, 1890-1945<\/em>.  Baton Rouge: Louisiana State University Press, 2010.<\/p>\n\n\n\n

Linn, Karen.  That Half Barbaric Twang: The Banjo in American Popular Culture<\/em>.  Urbana: University of Illinois Press, 1991.<\/p>\n\n\n\n

Lordi, Emily J.  The Meaning of Soul: Black Music and Resilience Since the 1960s<\/em>.  Durham: Duke University Press, 2020.<\/p>\n\n\n\n

Lott, Eric.  Love and Theft: Blackface Minstrelsy and the American Working Class<\/em>. New York: Oxford University Press, 1993.<\/p>\n\n\n\n

Lott, Eric. \u201cBack Door Man: Howlin\u2019 Wolf and the Sound of Jim Crow.\u201d American Quarterly<\/em> 63 (September 2011): 697\u2013710.<\/p>\n\n\n\n

Lowney, John.  Jazz Internationalism: Literary Afro-Modernism and the Cultural Politics of Black Music<\/em>.  Urbana: University of Illinois Press, 2017.<\/p>\n\n\n\n

Mac\u00edas, Anthony. \u201c\u2018Detroit Was Heavy\u2019: Modern Jazz, Bebop, and African American Expressive Culture.\u201d Journal of African American History<\/em> 95 (Winter 2010): 44\u201370.<\/p>\n\n\n\n

Mahon, Maureen.   Black Diamond Queens: African American Women and Rock and Roll<\/em>.  Durham: Duke University Press, 2020.<\/p>\n\n\n\n

Malone, Bill C.  Country Music, USA: A Fifty Year History<\/em>.  Rev. ed.  Austin: University of Texas Press, 1985.<\/p>\n\n\n\n

Malone, Bill C.  Singing Cowboys and Musical Mountaineers: Southern Culture and the Roots of Country Music<\/em>.  Athens: University of Georgia Press, 1993.<\/p>\n\n\n\n

Malone, Bill C.  Don’t Get Above Your Raisin’: Country Music and the Southern Working Class<\/em>.  Urbana: University of Illinois Press, 2002.<\/p>\n\n\n\n

Marks, Craig, and Rob\u00a0Tannenbaum.\u00a0\u00a0I Want My MTV: The Uncensored Story of the Music Video Revolution<\/em>.\u00a0 New York: Dutton, 2011.<\/p>\n\n\n\n

Menconi, David.\u00a0\u00a0Oh, Didn\u2019t They Ramble: Rounder Records and the Transformation of American Roots Music.<\/em>\u00a0Chapel Hill: University of North Carolina Press, 2023.<\/p>\n\n\n\n

Millard, Andre.  America on Record: A History of Recorded Sound<\/em>.  2 ed.  New York: Cambridge University Press, 2005.<\/p>\n\n\n\n

Millard, Andre.  Bealtemania<\/em>: Technology, Business, and Teen Culture in Cold War America<\/em>.  Baltimore: Johns Hopkins University Press, 2012.<\/p>\n\n\n\n

Miller, Karl Hagstrom.  Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow<\/em>.  Durham: Duke University Press, 2010.<\/p>\n\n\n\n

Mitchell, Gillian A. M. “Visions of Diversity: Cultural Pluralism and the Nation in the Folk Music Revival Movement of the United States and Canada, 1958-65.”  Journal of American Studies<\/em> 40 (Dec. 2006): 593-14.<\/p>\n\n\n\n

Monson, Ingrid. Freedom Sounds: Civil Rights Call out to Jazz and Africa<\/em>.  New York: Oxford University Press, 2010.<\/p>\n\n\n\n

Mooney, Matthew. \u201cAn \u2018Invasion of Vulgarity\u2019: American Popular Music and Modernity in Print Media Discourse, 1900\u00ad1925.\u201d Americana<\/em> 3 (Spring 2004) <\/p>\n\n\n\n

Mooney, Matthew J. \u201c\u2018All join in the chorus\u2019: Sheet Music, Vaudeville, and the Formation of American Cinema, 1904\u20131914.\u201d  PhD dissertation, University of California, Irvine, 2006. <\/p>\n\n\n\n

Muir, Peter C.  Long Lost Blues: Popular Blues in America, 1850\u20131920<\/em>. Urbana: University of Illinois Press, 2010. <\/p>\n\n\n\n

Neal, Mark Anthony.  What the Music Said: Black Popular Music and Black Public Culture<\/em>.  New York: Routledge, 1998.<\/p>\n\n\n\n

Neer, Richard.  FM: The Rise and Fall of Rock Radio<\/em>.  New York: Random House, 2001.<\/p>\n\n\n\n

Newbury, Michael. \u201cPolite Gaity: Cultural Hierarchy and Musical Comedy, 1893-1904.\u201d  Journal of the Gilded Age and Progressive Era<\/em> 4:4 (October 2005): 381-407.<\/p>\n\n\n\n

Ogren, Kathy J.  The Jazz Revolution: Twenties America and the Meaning of Jazz<\/em>.  New York: Oxford University Press, 1989.<\/p>\n\n\n\n

Paulo, Joaquim, and Julius Wiedemann.  Funk & Soul Covers<\/em>.  New York: Taschen, 2021.<\/p>\n\n\n\n

Pecknold, Diane. The Selling Sound: The Rise of the Country Music Industry<\/em>. Durham: Duke University Press, 2007.<\/p>\n\n\n\n

Picardie, Justine, and Dorothy Wade.  Atlantic and the Godfathers of Rock and Roll<\/em>.  London: Fourth Estate, 1993.<\/p>\n\n\n\n

Pecknold, Diane E. \u201cThe Selling Sound: Country Music, Commercialism, and the Politics of Popular Culture, 1920-1974.\u201d PhD dissertation, Indiana University, 2002.<\/p>\n\n\n\n

Peterson, Richard A.  Creating Country Music: Fabricating Authenticity<\/em>.  Chicago: University of Chicago Press, 1997.<\/p>\n\n\n\n

Petty, Miriam J.   Stealing the Show: African American Performers and Audiences in the 1930s<\/em>. Berkeley: University of California Press, 2016.<\/p>\n\n\n\n

Powers, Devon.  \u201cThe \u2018Folk Problem\u2019:  The Village Voice Takes on Folk Music, 1955-65.\u201d  Journalism History<\/em> 33:4 (Winter 2008): 194-204.   <\/p>\n\n\n\n

Rasmussen, Christopher.  \u201cLonely Sounds: Popular Recorded Music and American Society, 1949\u20131979.\u201d  PhD dissertation, University of Nebraska, Lincoln, 2008.<\/p>\n\n\n\n

Roberts, Brian. Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925<\/em>. Chicago: University of Chicago Press, 2017.<\/p>\n\n\n\n

Rodnitzky, Jerome L.  \u201cThe Evolution of the American Protest Song.\u201d  Journal of Popular Culture <\/em>3:1 (Summer 1969): 35-45.<\/p>\n\n\n\n

Roka, Les. \u201cA Day in the Life of American Music Criticism: The Sgt. Pepper Debate of 1967-69.\u201d Journalism History<\/em>30:1 (Spring 2004): 20-30.<\/p>\n\n\n\n

Rhodes, Lisa L.  Electric Ladyland: Women and Rock Culture<\/em>.  Philadelphia: University of Pennsylvania Press, 2005.<\/p>\n\n\n\n

Roy, William G.  \u201cRace Records and Hillbilly Music: Institutional Origins of Racial Categories in the American Commercial Recording Industry.\u201d  Poetics<\/em> 32:3\/4 (June 2004): 265-279.<\/p>\n\n\n\n

Rubin, Rachel, and Jeffrey Melnick, eds.  American Popular Music<\/em>.  Amherst: University of Massachusetts Press, 2001.<\/p>\n\n\n\n

Ruhlmann, William.  Breaking Records: 100 Years of Hits<\/em>.  New York: Routledge, 2004.<\/p>\n\n\n\n

Sanjek, Russell.  From Print to Plastic: Publishing and Pro\u00admot\u00ading America\u2019s Popular Mu\u00adsic, 1900-1980<\/em>. Brooklyn, NY: Insti\u00adtute for Studies in American Popular Music, 1983.<\/p>\n\n\n\n

Sanjek, Russell, and David Sanjek.  Pennies from Heaven: The American Popular Music Business in the Twentieth Century<\/em>.  New York: Da Capo Press, 1996.<\/p>\n\n\n\n

Schenbeck, Lawrence.  Racial Uplift and American Music, 1878-1943<\/em>.  Jackson: University Press of Mississippi, 2012.<\/p>\n\n\n\n

Scheurer, Timothy E.  Born in the USA: The Myth of America in Popular Music from Colonial Times to the Present<\/em>.  Jackson: University Press of Mississippi, 1991.<\/p>\n\n\n\n

Schmidt, Michael.  \u201cThe Louis Armstrong Story<\/em>, Reissues, and the LP Record: Anchors of Significance.\u201d  Journal of Social History<\/em> 52:2 (Winter 2018): 304-331.<\/p>\n\n\n\n

Schreiber, Brad.  Music is Power: Popular Songs, Social Justice, and the Will to Change<\/em>.  New Brunswick: Rutgers University Press, 2020.<\/p>\n\n\n\n

Schroeder, Patricia R.  \u201cPassing for Black: Coon Songs and the Performance of Race.\u201d Journal of American Culture<\/em> 33 (June 2010): 139\u2013153.<\/p>\n\n\n\n

Schurk, William L. \u201cBefore the Beatles: International Influences on American Popular Recordings, 1940-63.\u201d  Popular Music and Society<\/em> 30 (May 2007): 227-266.<\/p>\n\n\n\n

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Smith, Chris.  100 Albums That Changed Popular Music: A Reference Guide<\/em>.  Westport: Greenwood, 2007.<\/p>\n\n\n\n

Smith, Susan E.  Dancing in the Street: Motown and the Cultural Politics of Detroit<\/em>.  Cambridge: Harvard University Press, 1999.<\/p>\n\n\n\n

Smith, Wes.  The Pied Pipers of Rock and Roll: Radio DeeJays of the 50s and 60s. <\/em> Marietta, Ga.: Longstreet, 1989.<\/p>\n\n\n\n

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Stanfield, Peter.  Body and Soul: Jazz and Blues in American Film, 1927-63<\/em>.  Urbana: University of Illinois Press, 2005.<\/p>\n\n\n\n

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Weisbard, Eric.  Top 40 Democracy: The Rival Mainstreams of American Music<\/em>. Chicago: University of Chicago Press, 2014.<\/p>\n\n\n\n

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Wierzbicki, James.  Music in the Age of Anxiety: American Music in the Fifties<\/em>.  Urbana: University of Illinois Press, 2016.<\/p>\n\n\n\n

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Back to Index Page<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Back to Index Page Sound Recording Technology Blake, Art M. \u201cAudible Citizenship and Audiomobility: Race, Technology, and CB Radio.\u201d American Quarterly 63 (September 2011): 531\u2013553. Borgerson, Janet, and Jonathan Schroeder.  Designed for Hi-Fi Living: The Vinyl LP in Midcentury America.  Cambridge: MIT Press, 2017. Clark, Mark H.  “The Magnetic Recording Industry, 1878-1960.”  PhD dissertation, University of Delaware, 1992. Gelatt, Ronald.  The […]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-167","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":9,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/167\/revisions"}],"predecessor-version":[{"id":1528,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/167\/revisions\/1528"}],"wp:attachment":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/media?parent=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}