{"id":1052,"date":"2022-05-22T01:35:33","date_gmt":"2022-05-22T01:35:33","guid":{"rendered":"https:\/\/mupages.marshall.edu\/sites\/masscommhistorybibliography\/?page_id=1052"},"modified":"2022-08-22T03:28:38","modified_gmt":"2022-08-22T03:28:38","slug":"film-and-ethnicity","status":"publish","type":"page","link":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/film-and-ethnicity\/","title":{"rendered":"Film and Ethnicity"},"content":{"rendered":"\n

Back to Film<\/a> index page<\/p>\n\n\n\n

Aleiss, Angela. Making the White Man\u2019s Indian: Native Americans and Hollywood Movies<\/em>. Westport: Praeger, 2005.<\/p>\n\n\n\n

Beltr\u00e1n, Mary C.\u00a0\u00a0Latina\/o Stars in U.S. Eyes: The Making and Meaning of Film and TV Stardom<\/em>.\u00a0Urbana: University of Illinois Press, 2009.<\/p>\n\n\n\n

Bernardi, Daniel, ed.\u00a0The Birth of Whiteness: Race and the Emergence of U.S. Cinema.\u00a0<\/em>New Brunswick, NJ, Rutgers University Press, 1996.<\/p>\n\n\n\n

Black, Liza.\u00a0\u00a0Picturing Indians: Native Americans in Film, 1941-1960<\/em>.\u00a0\u00a0Lincoln: University of Nebraska Press, 2022.<\/p>\n\n\n\n

Bogle, Donald.  Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films<\/em>.  New York: Continuum, 2001.<\/p>\n\n\n\n

Bogle, Donald.\u00a0\u00a0Bright Boulevards, Bold Dreams: The Story of Black Hollywood<\/em>.\u00a0\u00a0New York: One World Books, 2005.<\/p>\n\n\n\n

Caddoo, Cara.  \u201cPut Together to Please a Colored Audience: Black Churches, Motion Pictures, and Migration at the Turn of the Century.\u201d  Journal of American History<\/em> 101:3 (December 2014): 778-804.<\/p>\n\n\n\n

Caddoo, Cara.  Envisioning Freedom: Cinema and the Building of Modern Black Life<\/em>.  Cambridge: Harvard University Press, 2014.<\/p>\n\n\n\n

Caparoso Konzett, Delia Malia, ed.  Hollywood at the Intersection of Race and Identity<\/em>.  New Brunswick: Rutgers University Press, 2019.<\/p>\n\n\n\n

Carbine, Mary.\u00a0\u00a0\u201cFinest Outside the Loop: Motion Picture Exhibition in Chicago\u2019s Black Metropolis, 1905-1928.\u201d\u00a0Camera Obscura<\/em>\u00a023 (May 1990): 9-41.<\/p>\n\n\n\n

Cripps, Thomas.  Slow Fade to Black: The Negro in American Film, 1900-1942<\/em>.  New York: Oxford University Press, 1977.<\/p>\n\n\n\n

Cripps, Thomas.\u00a0\u00a0Making Movies Black: The Hollywood Message Movie from World War II to Civil Rights<\/em>.\u00a0 New York: Oxford University Press, 1993.<\/p>\n\n\n\n

Davis, Natalie Z.\u00a0Slaves on Screen: film and historical vision.\u00a0<\/em>Cambridge MA: Harvard University Press, 2000.<\/p>\n\n\n\n

Dawson, Andrew. \u201cChallenging Lilywhite Hollywood: African Americans and the Demand for Racial Equality in the Motion Picture Industry, 1963-1974.\u201d Journal of Popular Culture<\/em> 45:6 (2012): 1206-1225.<\/p>\n\n\n\n

Diawara,\u00a0Manthia,\u00a0ed.\u00a0\u00a0Black American Cinema<\/em>.\u00a0 New York: Routledge, 1993.<\/p>\n\n\n\n

Dong, Arthur.\u00a0\u00a0Hollywood Chinese: The Chinese in American Feature Films<\/em>. Santa Monica: Angel City Press, 2019.<\/p>\n\n\n\n

Dunn, Stephane.  Baad Bitches and Sassy Supermamas: Black Power Action Films<\/em>.  Urbana: University of Illinois Press, 2008.<\/p>\n\n\n\n

Edmondson, Taulby H. \u201cProtesting \u2018A Bigger and Better Birth of a Nation\u2019: Lost Causism and Black Resistance to David O. Selznick\u2019s Gone With the Wind<\/em>, 1936-1940.\u201d Journal of African American History<\/em> 105:2 (Spring 2020): 242-270.<\/p>\n\n\n\n

Everett, Anna.\u00a0\u00a0Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949<\/em>.\u00a0\u00a0Durham: Duke University Press, 2000.<\/p>\n\n\n\n

Fahlstedt, Kim K.  Chinatown Film Culture: The Appearance of Cinema in San Francisco\u2019s Chinese Neighborhood<\/em>.  New Brunswick: Rutgers University Press, 2020.<\/p>\n\n\n\n

Field, Allyson Nadia.\u00a0\u00a0Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity<\/em>.\u00a0\u00a0Durham: Duke University Press, 2015.<\/p>\n\n\n\n

Fojas, Camilla.\u00a0\u00a0Border Bandits: Hollywood on the Southern Frontier<\/em>.\u00a0\u00a0Austin: University of Texas Press, 2008.<\/p>\n\n\n\n

Friedman, Lester D., ed.  Unspeakable Images: Ethnicity and the American Cinema<\/em>.  Urbana: University of Illinois Press, 1991. <\/p>\n\n\n\n

Frost, Jennifer.  \u201cHedda Hopper, Hollywood Gossip, and the Politics of Racial Representation in Film, 1946-1948.\u201d  Journal of African American History<\/em> 93:1 (Winter 2008): 36-63. <\/p>\n\n\n\n

Gaines, Jane.\u00a0\u00a0Fire and Desire: Mixed-Race Movies in the Silent Era<\/em>.\u00a0\u00a0Chicago: University of Chicago Press, 2001.<\/p>\n\n\n\n

Gates, Philippa.\u00a0\u00a0Criminalization\/Assimilation: Chinese\/Americans and Chinatowns in Classical Hollywood Film.<\/em>\u00a0New Brunswick: Rutgers University Press, 2019.<\/p>\n\n\n\n

George, Nelson.\u00a0Blackface: Reflections on African Americans and the Movies.\u00a0<\/em>New York: Cooper Square Press, 2002.<\/p>\n\n\n\n

Gevinson, Alan,\u00a0ed.\u00a0\u00a0Within Our Gates: Ethnicity in American Feature Films, 1911-1960<\/em>.\u00a0\u00a0Berkeley: University of California Press, 1997.<\/p>\n\n\n\n

Goldman, Eric A.\u00a0The American Jewish Story Through Cinema<\/em>. Austin: University of Texas Press, 2013.<\/p>\n\n\n\n

Graham, Allison.\u00a0Framing the South: Hollywood, Television, and Race During the Civil Rights Struggle.\u00a0<\/em>Baltimore: Johns Hopkins University Press, 2001.\u00a0<\/p>\n\n\n\n

Guerrero, Ed.\u00a0\u00a0Framing Blackness: The African American Image in Film<\/em>.\u00a0\u00a0Philadelphia: Temple University Press, 1993.<\/p>\n\n\n\n

Gunckel, Colin. “The War of the Accents: Spanish Language Hollywood Films in Mexican Los Angeles.”\u00a0Film History: An International Journal<\/em>\u00a020, no. 3 (2008): 325-343.\u00a0<\/p>\n\n\n\n

Hadley-Garcia, George.\u00a0Hispanic Hollywood: the Latins in Motion Pictures.\u00a0<\/em>NY: Carol Pub. Group, 1990.<\/p>\n\n\n\n

Hamilton, Marsha J., and Eleanor S. Block,\u00a0eds.\u00a0\u00a0Projecting Ethnicity and Race: An Annotated Bibliography of Studies on Imagery in American Film<\/em>.\u00a0\u00a0Westport, Conn.:\u00a0Praeger, 2003.<\/p>\n\n\n\n

Haygood, Wil.\u00a0\u00a0Colorization: One Hundred Years of Black Films in a White World<\/em>.\u00a0\u00a0New York: Knopf, 2021.<\/p>\n\n\n\n

Khor, Denise.\u00a0Transpacific Convergences: Race, Migration, and Japanese American Film Culture Before World War II.<\/em>\u00a0\u00a0Chapel Hill: University of North Carolina Press, 2022.<\/p>\n\n\n\n

Konzett, Delia Malia Caparoso, ed.\u00a0\u00a0Hollywood at the Intersection of Race and Identity<\/em>.\u00a0\u00a0New Brunswick: Rutgers University Press, 2019.<\/p>\n\n\n\n

Korson, Keith.\u00a0Trying to Get Over: African American Directors After Blaxploitation, 1977-1986<\/em>.\u00a0\u00a0Austin: University of Texas Press, 2016.<\/p>\n\n\n\n

Leab, Daniel J.  From Sambo to Superspade: The Black Experience in Motion Pictures<\/em>.  Boston: Houghton Mifflin, 1975.<\/p>\n\n\n\n

Lehman, Christopher P.\u00a0\u00a0The Colored Cartoon: Black Presentation in American Animated Short Films, 1907-1954<\/em>.\u00a0\u00a0Amherst: University of Massachusetts Press, 2008.<\/p>\n\n\n\n

Means Coleman, Robin R. Horror Noire: Blacks in American Horror Films from the 1890s to the Present.<\/em>  New York: Routledge, 2011.<\/p>\n\n\n\n

Myers, Helene.\u00a0Movie Made Jews: An American Tradition<\/em>.\u00a0\u00a0New Brunswick: Rutgers University Press, 2021.<\/p>\n\n\n\n

Novotney Lawrence, William.  Blaxploitation Films of the 1970s<\/em>.  New York: Routledge, 2008.   <\/p>\n\n\n\n

Perrin, Anne Gray. \u201cGuess Who\u2019s Coming to Dinner: The Web of Racial, Class, and Gender Constructions in late 1960s America.\u201d Journal of Popular Culture<\/em> 45:4 (2012): 846-861.<\/p>\n\n\n\n

Petty, Miriam.  Stealing the Show: African American Performers and Audiences in 1930s Hollywood.  <\/em>Berkeley: University of California Press, 2016.<\/p>\n\n\n\n

Quinn,\u00a0Eithne.\u00a0\u00a0\u201cTryin\u2019 to Get Over:\u00a0Super Fly<\/em>, Black Politics, and Post-Civil Rights Film Enterprise.\u201d\u00a0\u00a0Cinema Journal<\/em>\u00a049:2 (Winter 2010): 86-105.<\/p>\n\n\n\n

Quinn, Eithne. \u201cClosing Doors: Hollywood, Affirmative Action, and the Revitalization of Conservative Racial Politics.\u201d\u00a0Journal of American History<\/em>\u00a099:2 (September 2012): 466-491.<\/p>\n\n\n\n

Rollins, Peter and John E. O’Connor, editors.\u00a0Hollywood’s Indian: The Portrayal of the Native American in Film.\u00a0<\/em>University Press of Kentucky, 1998.\u00a0<\/p>\n\n\n\n

Scott, Ellen C.\u00a0\u00a0Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era<\/em>.\u00a0\u00a0New Brunswick: Rutgers University Press, 2015.<\/p>\n\n\n\n

Smith, J. Douglas. \u201cPatrolling the Boundaries of Race: Motion Picture Censorship and Jim Crow in Virginia, 1922-1932.\u201d\u00a0Historical Journal of Film, Radio, and Television\u00a0<\/em>21:3 (August 2001): 273-291.<\/p>\n\n\n\n

Sperb, Jason.\u00a0\u00a0Disney\u2019s Most Notorious Film: Race, Convergence, and the Hidden Histories of \u201cSong of the South<\/em>.\u201d\u00a0\u00a0Austin: University of Texas Press, 2013.<\/p>\n\n\n\n

Stewart, Jacqueline.\u00a0Migrating to the Movies: Cinema and Black Urban Modernity<\/em>. Berkeley: University of California Press, 2005.<\/p>\n\n\n\n

Stokes, Melvyn.  D. W. Griffith\u2019s<\/em> The Birth of a Nation: A History of the Most Controversial Motion Picture of All Time.<\/em> New York: Oxford University Press, 2008.<\/p>\n\n\n\n

Studlar, Gaylyn.  \u201cDiscourses of Gender and Ethnicity: The Construction and De(con)struction of Rudolph Valentino as Other.\u201d Film Criticism<\/em> 9 (Winter 1989): 18-35.<\/p>\n\n\n\n

Weinberger, Stephen. \u201cThe Birth of a Nation<\/em>\u00a0and the Making of the NAACP.\u201d\u00a0Journal of American Studies<\/em>\u00a045:1 (2011): 77-93.<\/p>\n\n\n\n

Yacavone, Peter. \u201cFree From the Blessings of Civilization: Native Americans in\u00a0Stagecoach<\/em>\u00a0(1939) and Other John Ford Westerns.\u201d\u00a0Film & History<\/em>\u00a048:1 (Summer 2018): 32-44.<\/p>\n\n\n\n

Back to Film<\/a> index page<\/p>\n","protected":false},"excerpt":{"rendered":"

Back to Film index page Aleiss, Angela. Making the White Man\u2019s Indian: Native Americans and Hollywood Movies. Westport: Praeger, 2005. Beltr\u00e1n, Mary C.\u00a0\u00a0Latina\/o Stars in U.S. Eyes: The Making and Meaning of Film and TV Stardom.\u00a0Urbana: University of Illinois Press, 2009. Bernardi, Daniel, ed.\u00a0The Birth of Whiteness: Race and the Emergence of U.S. Cinema.\u00a0New Brunswick, NJ, […]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1052","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/1052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/comments?post=1052"}],"version-history":[{"count":4,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/1052\/revisions"}],"predecessor-version":[{"id":1316,"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/pages\/1052\/revisions\/1316"}],"wp:attachment":[{"href":"https:\/\/mupages.marshall.edu\/masscommhistorybibliography\/wp-json\/wp\/v2\/media?parent=1052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}